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First Person
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In the rear-view
mirror an egret
lifts off from swamp grass;
in the driveway you wave me away.
I leave the original way, in person.
But you, remembered, are sharper,
more beautiful in the poem, carried
this way, the way a playwright
might feature your gestures
in the act of the heart breaking
over and over so the sound of the heart
breaking is sharper and more
beautiful than the original heartbreak,
so nearly unbearable you'd never
wish to feel it, directly, again.
From Causeway by
Elaine Sexton, 2008
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New
Issues Poetry & Prose, Western Michigan University, Dept. of English,
1903 W. Michigan Ave., Kalamazoo, MI 49008-5331
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