Reviews
of Flux
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Emerson described life as a flux of moods and in her fine
new book of poems, her best yet, Cynthia Hogue takes that impermanence, that
emotional volatility, as her first subject, reading the natural world for signs,
pushing the far edges of things, invoking her key female precursors as inspirational
presences (Emily Dickinson, H.D.), and letting her imagination flow and even
soar against the brute realities of death.
Edward Hirsch
Cynthia Hogues poetry has always been a model of elegant compression
and chiseled clarity. In her powerful new collection, Flux, she charts
the necessity of human passion and individual courage in the face of those sometimes
unexpected changes of experience and alterations to fate. With a remarkable
poise, intelligence and maturity, Cynthia Hogue summons both fable and cultural
dream-life to help address the otherwise precarious nature of a lifes
passage. Precise yet expansive, this is an exhilarating collection of poems.
David St. John
What marvelous rituals of preparation, dream, life, discovery, mystery,
myth, these elegiac poems of survival. Fully aware of so many deaths, so many
passages, Hogue takes us through portals, doors, painted rocks and skies to
the seam between what we admit and what we won't. The poems in Flux pit
themselves against oblivion. I think of the poet as midwife to the departed,
living or dead, including her self.
Peggy Shumaker
"...Hogue's touchstones
are Emily Dickinson, HD, and Marianne Moore, and she pushes her innovative moves
farther. Her hallmark as a poet is longing, for human connection, for what we
might call wholeness. The dominant theme in Flux, expressed in every
element (animal, mineral, vegetable) is the difficulty of communication. Every
ground is unstable, every meaning is slippery, and every kind of knowledge refracts
into mystery--yet we seek, search, quest, the human essence being to try. The
underlying sadness of this is palpable. Hogue's touch is gentle, thoughtful,
probing, like a good physician's. ...Hogue's poems in Flux, her third
book, are challenging intellectually, and on the visceral level, complex. She
is one of the most interesting poets I know, not settling for one or the other,
always pushing the language, kneading and shaping it like dough. This is a poet
honest enough to enter the space 'between what you admit / and what you won't.'
"
Pamela Petro, The Women's Review of Books