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Cut
Off the Ears of Winter Peter Covino *WINNER of the 2007
PEN/Joyce
Osterweil Award for Poetry Images of real
and symbolic violence ricochet and reflect off each other in this elegant
and disturbing collection. The poems chronicle, among other things, a
history of childhood abuse and its after effects, but in a larger sense,
they also explore through the lens of myth, art, religion, and popular
culture, the underlying and often unacknowledged brutality beneath even
mundane events." Pathos is the
imp of innocence, and in Cut Off the Ears of
Winter Peter Covino deploys him over the entire outraged body of modern
harms. Here are psalms against the sinister. Here, too, are eclogues of
mercy. Everywhere, in every notch and corner, in every kiss, crease and
cicatrix, Covinos imp appears and proves these poems true. This
is a book of virtues better far than our deserving. These poems
are acts of discovery. They deal with tough, seamy, riskywhat academics
now call transgressivesubject matter. Theres a
strangely exhilarating desperation in most of these poems thats
compelling. [Covino] uses words as a medium, as materials, not as descriptive
or narrative vehicles. I also like the angular, unsettling humor threaded
into nearly every poem. Peter Covinos
first book is spacious, wonderfully unpredictable, and insistent on ambition
and scope. Cut Off the Ears of Winter is not simply an autobiography
but a poetic autobiography. It moves from the confessional stories
of the body and the familyto stories of the mind, art, and history.
Especially compelling is the way in which the intimate biographies of
flesh and family are entwined with and inextricable from matters of art
and history. On a painting of Judith and Holofernes, Covino writes .
. . he of the familiar scowl / these jealousies overwhelm me . .
. / and I cannot say for sure / whose severed head she holds. Restless,
worldly, intelligent, and beautiful, Cut Off the Ears of Winter
is an utterly original first work. So many of these
poems make it their job to get around experience, to get it all in, to
comprehend it. So often, in what Covino calls a love letter for
our lifetime, they cannot contend, however intrepid, with such totalitya
closure that resists usand it is at such points (or periods)
that I hear this new poets particular note. When he asks, How
can we explain the pieces of detail, vanishing, then I hear Covinos
special lacrimae rerum note. It is new to me and noble. "Peter Covino's
debut book of poetry, Cut Off the Ears of Winter, is a haunting
work of desperation, abuse, redemption, and beauty. The brutality and
conflict of what is at stake in these lyrical poems is rarely addressed
in the foreground of the narrative. Instead, it lurks in the background
of what is said. Covino's minimalist diction, conversational voice, and
simple albeit effective imagery results in a personal and humanistic sense,
which is easily related to. Covino handles the lyrical narrative masterfully..." |
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New
Issues Poetry & Prose, Western Michigan University, Dept. of English, |
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