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Graduate Music History
and Literature
Preliminary Examination
The Music
History and Literature examination for all entering
students is divided into
seven sections.
- Listening:
Period, genre, and possible composer identification
- Multiple Choice:
Medieval Period - composers, theorists, forms,
etc.
- Multiple Choice:
Renaissance Period - composers, forms, instruments,
schools, etc.
- Multiple Choice:
Baroque Period - composers, compositional
techniques, forms, etc.
- Multiple Choice:
Classical Period - composers, styles, forms,
opera, etc.
- Multiple Choice:
Romantic Period - composers, forms, instruments,
terms, etc.
- Multiple Choice:
Contemporary Period - composers, terminology, compositional techniques, works.
The examination
is divided (as noted above) into each historical
period. The exam is
comparable in difficulty to those given undergraduate
music students in their music
history courses. To pass without qualification
students must score 70% or higher on
each portion of the exam. Students scoring below
70% on one or more of the exams will
be advised by the Coordinator of Graduate Studies
as to appropriate ways to remediate
these deficiencies.
The following
books are recommended for review. They may be
available in the Harper
Maybee Music and Dance Library.
- Miller, Hugh
M. History of Music (Barnes & Noble College
Outline Series),
Harper & Row, 1973.
- Grout, Donald
J. & Claude J. Palisca. A History of Western
Music, 5th edition,
W. W. Norton & Co., 1997.
- Ulrich, Homer
and Paul Pisk. A History of Music and Musical
Style, Harcourt
Brace, 1963.
The following
are sample questions contained in the exam.
Which of the following
composers did not compose during the Renaissance
Period?
- Giovanni Palestrina
- John Wilbye
- Heinrich Isaac
- Jean Mouton
- Johann Pachelbel
The texture of
Vivaldi's concerti is typically:
- polyphonic
- monophonic
- heterophonic
- homophonic
The founder of
modern French chamber music was:
- Hector Berlioz
- Claude Debussy
- George Bizet
- Cesar Franck
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