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Comparative Drama Volume 43 • Fall 2009 • No. 3

This volume contains the following contributions:

Essays
The Comic Ethos of Il Principe

Angus Fletcher

Fletcher, Massinger, and Roman Imperial Character

John E. Curran, Jr.

Another Play On Salem Witch Trials:” Lion Feuchtwanger, Communists, and Nazis

Waltraud Maierhofer

 The Earliest Middle English Interludes

Stephanie Thompson Lundeen

 
Reviews
Stone Tower: The Political Theatre of Arthur Miller
by Jeffrey D. Mason

Reviewed by Christopher Bigsby

Sophocles and Alcibiades: Athenian Politics in Ancient Greek Literature
by Michael Vickers

Reviewed by Rush Rehm

Reading the Jewish Woman on the Elizabethan Stage
by Michelle Ephraim

Reviewed by Michael Chemers

Shakespeare and Garrick
by Vanessa Cunningham

Reviewed by Fiona Ritchie

Blood Relations: Christian and Jew in "The Merchant of Venice"
by Janet Adelman

Reviewed by Andrew Hadfield

Stage Fright: Politics and the Performing Arts in Late Imperial Russia
by Paul du Quenoy

Reviewed by Robert Goldstein

The Influence of Tennessee Williams: Essays on Fifteen American Playwrights
edited by Philip C. Kolin

Reviewed by Michael Paller