Comparative Drama Volume 47 • Spring 2013 • No.1
This volume contains the following contributions: |
| Essays |
| Staging the Color Line: Alice Dunbar Nelson’s Imagined Hawai’i as African-American Allegory |
Lurana Donnels O’Malley
|
| Silencing Violence: Repetition and Revolution in Mother Courage and Her Children |
Robert Vork
|
| The Audience-Interactive Games of the Middle English Religious Drama |
Peter Ramey
|
| Fashionably Late: Queer Temporality and the Restoration Fop |
Emma Katherine Atwood |
| |
| Reviews |
| Molière and Paradox: Skepticism and Theater in the Early Modern Age, by James F. Gaines |
reviewed by: Aurélie C. Capron
|
| A King Travels: Festive Traditions in Late Medieval and Early Modern Spain, by Teofilo F. Ruiz |
reviewed by: Max Harris
|
| Spectacle, Rhetoric and Power: The Triumphal Entry of Prince Philip of Spain into Antwerp, by Stijn Bussels |
reviewed by: Sofie Kluge
|
| Urban Drama: The Metropolis in Contemporary North American Plays, by J. Chris Westgate |
reviewed by: William Storm
|
| Heritage, Nostalgia and Modern British Theatre: Staging the Victorians, by Benjamin Poore |
reviewed by: Anette Pankratz
|
| Cruelty and Desire in the Modern Theater: Antonin Artaud, Sarah Kane, and Samuel Beckett, by Laurens De Vos |
reviewed by: Robert Connick
|
| Samuel Beckett: Laughing Matters, Comic Timing, by Laura Salisbury |
reviewed by: Baylee Brits
|
| Passing Strange: Shakespeare, Race, and Contemporary America, by Ayanna Thompson |
reviewed by: Francesca Royster
|
| Europe’s Languages on England’s Stages, 1590–1620, by Marianne Montgomery |
reviewed by: Peter Kirwan
|
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