Comparative Drama Volume 43 • Fall 2009 • No. 3
This volume contains the following contributions: |
| Essays |
| The Comic Ethos of Il Principe |
Angus Fletcher
|
| Fletcher, Massinger, and Roman Imperial Character |
John E. Curran, Jr.
|
| Another Play On Salem Witch Trials:” Lion Feuchtwanger, Communists, and Nazis |
Waltraud Maierhofer
|
| The Earliest Middle English Interludes |
Stephanie Thompson Lundeen
|
| |
| Reviews |
Stone Tower: The Political Theatre of Arthur Miller
by Jeffrey D. Mason |
Reviewed by Christopher Bigsby
|
Sophocles and Alcibiades: Athenian Politics in Ancient Greek Literature
by Michael Vickers |
Reviewed by Rush Rehm
|
Reading the Jewish Woman on the Elizabethan Stage
by Michelle Ephraim |
Reviewed by Michael Chemers
|
Shakespeare and Garrick
by Vanessa Cunningham |
Reviewed by Fiona Ritchie
|
Blood Relations: Christian and Jew in "The Merchant of Venice"
by Janet Adelman |
Reviewed by Andrew Hadfield
|
Stage Fright: Politics and the Performing Arts in Late Imperial Russia
by Paul du Quenoy |
Reviewed by Robert Goldstein
|
The Influence of Tennessee Williams: Essays on Fifteen American Playwrights
edited by Philip C. Kolin |
Reviewed by Michael Paller
|
| |
| |
