Comparative Drama Volume 43 • Spring 2009 • No. 1
This volume contains the following contributions: |
| Essays |
| Roman World, Egyptian Earth; Cognitive Difference and Empire in Shakespeare’s Antony and Cleopatra |
Mary Crane
|
| From Saint Genesius to Kean: Actors, Martyrs, and Metatheater |
Mary Ann Frese Witt
|
| Dumb Reading: The Noise of the Mute in Jonson’s Epicene |
Adrian Curtin
|
| The Scriblerian Stage and Page: Three Hours After Marriage, Pope’s “Minor” Poems, and the Problem of Genre-History |
Katherine Mannheimer
|
| “Whom Seek Ye, Sirs?”: The Logic of Searching in the York Herod and the Magi |
Nicole Rice
|
| |
| Reviews |
Urban Theatre in the Low Countries: 1400-1625
Elsa Strietman and Peter Happé, eds. |
Reviewed by M. M. Brown
|
Brecht at the Opera
by Joy Calico |
Reviewed by Michael Ewans
|
Laughing Matters: Farce and the Making of Absolutism in France
by Sara Beam |
Reviewed by Aurélie C. Capron
|
Theatre Censorship: From Walpole to Wilson
David Thomas, David Carlton, and Anne Etienne, eds. |
Reviewed by Robert Goldstein
|
Generating Theatre Meaning: A Theory and Methodology of Performance Analyisis
by Eli Rozik |
Reviewed by Erika Fischer-Lichte
|
The Staging of Romance in Late Shakespeare: Text and Theatrical Technique
by Christopher J. Cobb |
Reviewed by Tom Bishop
|
Everyman and Its Dutch Original, Elckerlijc
edited by Clifford Davidson, Martin W. Walsh, and Ton J. Broos |
Reviewed by Elsa Strietman
|
Shakespeare’s Practical Jokes: An Introduction to the Comic in His Works
by David Ellis |
Reviewed by Pamela Brown
|
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