Comparative Drama Volume 43 • Winter 2009 • No. 4
This volume contains the following contributions: |
| Essays |
| Sumptuously Re-edified: The Reformation of Sacred Space in Titus Andronicus |
Helga L. Duncan
|
| Voices of Violence: Medieval French Farce and the Dover Cliff Scene in King Lear |
Edward Wheatley
|
| “You were an actor with your handkerchief”: Women, Windows, and Moral Agency |
Cynthia Lewis
|
Doing the Usual Things: Gender, Race, and Inwardness in Harley Granville Barker’s
The Marrying of Ann Leete and The Secret Life |
Christopher Wixson
|
| |
| Reviews |
The Discourse of Courtly Love in Seventeenth-Century Spanish Theater
by Robert Bayliss
|
Reviewed by Hilaire Kallendorf
|
The Swastika and the Stage: German Theatre and Society, 1933-1945
by Gerwin Strobl |
Reviewed by John London
|
Playing a Part in History: The York Mysteries, 1951-2006
by Margaret Rogerson |
Reviewed by Nicole R. Rice
|
Shakespeare and Elizabeth: The Meeting of Two Myths
by Helen Hackett |
Reviewed by Linda Shenk
|
| |
