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Comparative Drama Volume 49Fall 2015 • No.3

This volume contains the following contributions:
Langston Hughes and Performing Transnational Presence: Scottsboro Limited and Harvest

Ramona Tougas

Re-Proofing the ‘Zero Part of Speech’ in Hamlet
John Freeman
Food Production in the Croxton Play of the Sacrament

Ernst Gerhardt

The Social Meaning of Money in Dekker’s The Shoemaker’s Holiday and Shakespeare's The Merchant of Venice

Huey-ling Lee

Staging Women and the Soul-Body Dynamic in Early Modern England, by Sarah E. Johnson

reviewed by Ariane M. Balizet

At Work in the Early Modern English Theater: Valuing Labor, by Matthew Kendrick

reviewed by Elizabeth Rivlin

Marlowe’s Ovid: The Elegies in the Marlowe Canon, by M. L. Stapleton

reviewed by Bruce Brandt

Suzan-Lori Parks in Person: Interviews and Commentaries, edited by Philip C. Kolin and Harvey Young

reviewed by Valerie Joyce

The Queen’s Dumbshows: John Lydgate and the Making of Early Theater, by Claire Sponsler

reviewed by Emma Lipton