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Comparative Drama Volume 49 Summer 2015 • No. 2

This volume contains the following contributions:
"The Naked Fellow": Performing Feral Reversion in King Lear

Julián Jiménez Heffernan

Law, Farce, and Counter-Kingship in the Semur Fall of Lucifer

Nicole R. Rice

Gender, Authenticity, and Diasporic Identities in Adebayo’s Moj of the Antarctic and Iizuka’s 36 Views

Ellen Moll

Emulation on the Shakespearean Stage, by Vernon Guy Dickson

reviewed by Marissa Greenberg

Dark Matter: Invisibility in Drama, Theater, and Performance, by Andrew Sofer

reviewed by Frances Teague

Domesticating Ibsen for Italy: Enrico and Icilio Poleses's Ibsen Campaign, by Giuliano D'Amico

reviewed by Patricia Gaborik

Caryl Churchill, by Mary Luckhurst

reviewed by Verna Foster

New World Drama: The Performative Commons in the Atlantic World, by Elizabeth Maddock Dillion

reviewed by Meredith Conti

Befriending the Commedia dell’Arte of Flamino Scala: The Comic Scenarios, by Natalie Crohn Schmitt

reviewed by Jenna Soleo-Shanks

Staging Authority in Caroline England: Prerogative, Law and Order in Drama, 1625–1642, by Jessica Dyson

reviewed by Heather A Hirschfeld

The Cambridge Introduction to Tom Stoppard, by William W. Demastes

reviewed by David Kornhaber