| Volume 44, Issue 1, Spring 2010 Essays |
|
| Coriolanus: Inordinate Passions and Powers in Personal and Political Governance view abstract |
Unhae Langis |
| Soyinka and the Dead Dramatist view abstract |
Kenneth J. E. Graham |
| The Biblical Intertext in Peter Shaffer’s Amadeus (Or, Saul and David in
Eighteenth-Century Vienna) view abstract |
Nehama Aschkenasy |
| Chinese Ethnicity and the American Heroic Artisan in Henry Grimm’s The Chinese Must Go (1879) view abstract |
Hsin-Yun Ou |
| Reviews |
|
| Exotic Nation: Maurophilia and the Construction of Early Modern Spain by Barbara Fuchs |
Hilaire Kallendorf |
| English Renaissance Drama and the Specter of Spain: Ethnopoetics and Empire by Eric J. Griffin |
Hilaire Kallendorf |
| John Florio: The Man Who Was Shakespeare by Lamberto Tassinari |
Scott McCrea |
| The N-Town Play: Drama and Liturgy in Medieval East Anglia by Penny Granger |
Douglas Sugano |
| _________________________________________________________________________________ | |
| Volume 44, Issue 2, Summer 2010 Essays |
|
| Pericles, Paul, and Protestantism view abstract |
Richard Finkelstein |
| Striking a Pose: Performance Cues in Four French Hagiographic Mystery Plays view abstract |
Vicki L. Hamblin |
| The Spirit of the Chorus in D'Annunzio's La città morta view abstract |
James Nikopoulos |
| "Hilda, Harnessed to a Purpose": Elizabeth Robins, Ibsen, and the Vote view abstract |
Maroula Joannou |
| Tragedy After Darwin: Timberlake Wertenbaker Remakes "Modern" Tragedy view abstract |
Sara Freeman |
| Reviews | |
| Performance in Place of War by James Thompson, Jenny Hughes, and Michael Balfour |
Marvin Carlson |
| Euripides: Trojan Women by Barbara Goff |
Simon Perris |
| Two Moral Interludes: The Pride of Life and Wisdom ed. David N. Klausner |
Alan J. Fletcher |
| Tragic Conditions in Shakespeare: Disinheriting the Globe by Paul A. Kottman |
Emma Smith |
| The Cambridge Introduction to Comedy by Eric Weitz |
Miriam Chirco |
| Aristophanes: An Introduction by James Robson |
Charles Platter |
| Shakespeare on Silent Film: An Excellent Dumb Discourse by Judith Buchanan |
Emmie McFadden |
| Euripides Our Contemporary by J. Michael Walton |
George Kovacs |
| _________________________________________________________________________________ | |
| Volume 44, Issue 3, Fall 2010 Essays |
|
| “Are we turned Turks”: English Pageants and the Stuart Court view abstract |
David M. Bergeron |
| Celebrating Idleness: Antony and Cleopatra and Play Theory view abstract |
Abigail Scherer |
| Katherine Philips as Political Playwright: “The Songs Between the Acts” in Pompey view abstract |
Anne Russell |
| Music and Religious Compromise in John Bale’s Plays view abstract |
Katherine Steele Brokaw |
| Reviews | |
| REED: Lincolnshire ed. James Stokes |
Victor I. Scherb |
| The English Clown Tradition from the Middle Ages to Shakespeare by Robert Hornback |
Peter Cockett |
| Mummings and Entertainments, by John Lydgate edited by Claire Sponsler |
Roger A. Ladd |
| Storytelling and Drama: Exploring Narrative Episodes in Plays by Hugo Bowles |
Mustafa Kemal Mirzeler |
| Renaissance Earwitnesses: Rumor and Early Modern Masculinity by Keith M. Botelho |
Jennifer C. Vaught |
| _________________________________________________________________________________ | |
| Volume 44, Issue 3 / Volume 45, Issue 1, Winter 2010 / Spring 2011 Translation, Performance, and Reception of Greek Drama, 1900-1960: International Dialogues Amanda Wrigley, Guest Editor Essays |
|
| Greek Drama in the First Six Decades of the Twentieth Century: Tradition, Identity, Migration read first paragraph |
Amanda Wrigley |
| Toward a National Heterotopia: Ancient Theaters and the Cultural Politics of Performing Ancient Drama in Modern Greece view abstract |
Eleftheria Ioannidou |
| Oedipus, Shmedipus: Ancient Greek Drama on the Yiddish Stage view abstract |
Debra Caplan |
| ‘The Kingdom of Heaven within Us’: Inner (World) Peace in Gilbert Murray’s Trojan Women view abstract |
Simon Perris |
| Touring the Ivies with Iphigenia, 1915 view abstract |
Niall W. Slater |
| Is Mr Euripides a Communist? The Federal Theatre Project’s 1938 Trojan Incident view abstract |
Robert Davis |
| Oedipus and Afrikaans Theater view abstract |
Betine Van Zyl Smit |
| "Now the struggle is for all!" (Aeschylus's Persians 405): What a Difference a Few Years Make When Interpreting a Classic view abstract |
Gonda Van Steen |
| Oedipus, Suez, and Hungary: T. S. Eliot’s Tradition and The Elder Statesman view abstract |
Michael Simpson |
| Research Notes | |
| African-American Classicist William Sanders Scarborough and the 1921 Film of the Orestia at Cambridge University |
Michele Valerie Ronnick |
| Alberto Savinio’s Alcesti di Samuele in the Aftermath of the Second World War |
Giulia Torello |
| Politics, War, and Adaptation: Ewan MacColl’s Operation Olive Branch, 1947 |
Claire Warden |
| Aristophanes and Douglas Young |
C. W. Marshall |
| Afterword | Lorna Hardwick |
_________________________________________________________________________________
| Comparative Drama home | Contact the Editors | Reproduction Permission |
| Subscriptions and Back Issues | Submission Guidelines | Links |
| Current Issue | Upcoming Issues | Essay and Contributor Index |