Comparative Drama — Reproduction Permissions

Volume 4, Issue 1, Spring 1970
Three Times Godot: Beckett, Brecht, Bulatovic	Clas Zilliacus
Shakespeare's Julius Caesar: An Apollonian and Comparative Reading	R. J. Kauffmann and Clifford J. Ronan
"When were the Senses in such order plac'd?"	John P. Cutts
Truth and Theater	Auréliu Weiss Translated by. Martin B. Friedman

Volume 4, Issue 2, Summer 1970
Who's Holding the Mirror?	Irving Kreutz
Drummond of Hawthornden: The Season at Bourges, 1607	Robert H. MacDonald
Kuravanji Nattiya Nadagam: A Dance Drama from Madras State	Edwina Ranganathan
The Shepherds' Gifts in The Second Shepherds' Play and Bosch's "Adoration of the Magi"	John P. Cutts
Leir and Lear: Matthew 5:33-37, the Turning Point and the Rescue Theme	James H. Jones
South African Drama in English	Mervyn Woodrow

Volume 4, Issue 3, Fall 1970
Albee's Gothic: The Resonances of Cliché	Paul Witherington
The Dramatic Function of the Ministry Group in the Towneley Cycle	Robert A. Brawer
The Idea of a Definitive Production: Chekhov in and out of Period	J. L. Styan
Love and Infamy: The Paradox of Monteverdi's L'Incoronazione di Poppea	Edward B. Savage
Jean Genet and the Psychology of Colonialism	Anthony Graham-White

Volume 4, Issue 4, Winter 1970-71
Chekhov and Naturalism: From Affinity to Divergence	Nicholas Moravcevich
On Recovering the Lost Norwich Corpus Christi Cycle	Alan H. Nelson
Yeats's Use of Axël	Marilyn Gaddis Rose
Some Suggestions about the Relationships between O'Casey and Classical Comedy	James Coakley and Marvin Felheim
The Revista Contemporáneos and the Development of the Mexican Theater	Edward J. Mullen
Frank Wedekind: A German Dramatist of the Absurd?	Robert A. Jones