Volume 38, Issue 1, Spring 2004
Essays 		 
Jews in the Fleury Playbook

Theresa Tinkle
The Dilemma of Naturalistic Tragedy: Strindberg's Miss Julie

 Göran Stockenström
Unpardonable Sins: The Hazards of Performative Language in the Tragic
Cases of Francesco Spiera
view abstract

 Daniel Gates
Disorder in the House of God: Disrupted Worship in Shakespeare and Others
read first paragraph 		Bruce Boehrer
Reviews  
The Ambivalences of Medieval Religious Drama
by Ranier Warning

Peter Happé
Staging Faith: East Anglican Drama in the Later Middle Ages
by Victor I. Scherb

Peter Happé
The Cambridge Companion to Victorian and Edwardian Theatre
ed. Kerry Powell

Stephen Watt
Marlowe's Soldiers: Rhetorics of Masculinity
by Alan Shepard

Jennifer A. Low
Mistrels Playing: Music in Early English Religious Drama, vol 2
by Richard Rastall

Andrew R. Walkling
Better a Shrew than a Sheep: Women, Drama, and the Culture of Jest in
Early Modern England
by Pamela Allen Brown

Margaret Dupuis
Shakespeare and the History of Soliloquies
by James Hirsh

Robert C. Evans
Jane Austin and the Theatre
by Penny Gay

 Christopher Nagle
Sussex: Records of Early English Drama
by Cameron Louis

 Mark C. Pilkinton
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Volume 38, Issue 2,3 Summer/Fall 2004
Essays 		 
Magic Mirrors in Henry II
read first paragraph

Robert M. Schuler
Meanings of All for Love, 1677-1813

Tanya Caldwell
Anti-Colonist Discourse, Tragicomedy, and the 'American' Behn
read first paragraph

Adam R. Beach
Politesse and the Woman at Risk: The Social Comedies of
Marie-Thérèse De Camp
view abstract

 Adrienne Scullion
An American in Ireland: The Representation of America in Brian Friel's Plays
view abstract

 Maria Germanou
'Let this be copied out/ And keep it safe for our remembrance':
Memory, Composition and the Relationship of King John to
The Troublesome Raigne of King John
view abstract

 Beatrice Groves
Serious Money Becomes "Business by Other Means": Caryl Churchill's Unique Metatheatrical Subject

Daniel Jernigan
Reviews  
Looking at Shakespeare: A Visual History of the Twentieth Century
Performance, 2nd ed.
by Dennis Kennedy

 Judith Dunbar
The Shattering of the Self: Violence, Subjectivity, and Early Modern Texts
by Cynthia Marshall

James Hirsch
Shakespeare's Second Historical Tetralogy: Some Christian Features
ed. Beatrice Batson

 Maurice Hunt
Shakespeare and Italy: The City and the Stage
by Jack D'Amico

 Fritz Levy
Shakespeare's Early History Plays: From Chronicle to Stage
by Dominique Goy-Blanquet

Fritz Levy
Masks and Masking in Medieval and Early Tudor England
by Meg Twycross and Sarah Carpenter

 Clifford Davidson
The Past as Present in the Drama of August Wilson
by Harry J. Elam, Jr.

Steve Feffer
The Stage Life of Props
by Andrew Sofer

Frances Teague
The Drama Handbook: A Guide to Reading Plays
by John Mennard and Mary Luckhurst

Kirk Hendershott-Kraetzer
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Volume 38, Issue 4 Winter 2004-2005
Essays 		 
Joan of Arc Internationale: Shaw, Brecht, and the Modern Law of Nations
view abstract

Julie Stone Peters
'To Please some Friends—and draw the Vulgar in': Shakespeare,
Molly House Culture, and the Eighteenth Century Stage
view abstract

Charles Conaway
'Forward Backward' Time and the Apocalypse in Hamlet
read first paragraph		 Maurice Hunt

Interrogating the Devil: Social and Demonic Pressure in The Witch of Edmonton

 David Nicol
Reviews  
The Roots of Theatre, Rethinking Ritual and Other Theories of Origin
by Eli Rozik

Karen Bassi
Staged Properties in Early Modern Drama
ed. Jonathan Gil Harris and Natasha Korda

 Peter C. Herman
Saints and the Audience in Middle English Biblical Drama
by Chester N. Scoville

 Michael Chemers
A History of Shakespeare on Screen: A Century of Film and Television
by Kenneth S. Rothwell
Robert C. Evans
Shakespeare, from Stage to Screen
by Sara Hatchuel

Robert C. Evans
Mary Magdalene and the Drama of Saints: Theater, Gender, and religion
in Late Medieval England
by Theresa Coletti
Peter Happé

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