Volume 37, Issue 1, Spring 2003
Essays |
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Tom Stoppard and "Postmodern Science": Normalizing Radical
Epistemologies in Hapgood and Arcadia
read first paragraph
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Daniel Jernigan |
Mocking Dead Bones: Historical Memory and the Theater
of the Dead in Richard III
read first paragraph
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Stephen Marche |
The Trope of Transformation in Medea: A Noh Cycle
view abstract
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Loren Edelson |
"Together Again": Theater in Postcolonial Hong Kong
read first paragraph |
Clayton G. MacKenzie
and Moira Arthurs
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Goodnight Desdemona (Good Morning Juliet): From Shakespearean
Tragedy to Postmodern Satyr Play
read first paragraph
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Igor Djordjevic |
| Reviews |
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Theatricalities of Power: The Cultural Politics of Noh
by Steven T. Brown
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Carol Fisher Sorgenfrei |
The Dramatic Art of Athol Fugard: From South Africa to the World
by Albert Wortheim
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Henry I. Schvey |
The Cambridge Companion to Sam Shepard
ed. Matthew Roudané
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Arvid F. Sponberg |
Modern Greek Theatre: A Quest for Hellenism
by Stratos E. Constantinidis
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Mary Pittas-Herschbach |
Theater and the Materialization of Mind
by William W. Demastes
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Gene A. Plunka |
The Temptation of Innocence in the Dramas of Arthur Miller
by Terry Otten
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Gregory W. Lanier |
Harold Bloom's Shakespeare
ed. Christy Desmet and Robert Sawyer
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Jennifer Low |
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Volume 37, Issue 2, Summer 2003
Essays |
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The Globalization of Beckett's Godot
read first paragraph
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Enoch Brater |
Borrowings and the Authorial Domain: Gostanzo, Polonius,
and Marston's Gonzago
view abstract
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Charles Cathcart |
But owthir in frith or felde: The Rural in the York Cycle
read first paragraph
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Chester Scoville |
The Politics of Adapting Behn's Oroonoko
read first paragraph
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Anne F. Widmayer |
| Reviews |
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Magical Muse: Millennial Essays on Tennessee Williams
ed. Ralph F. Voss
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Janet V. Haedicke |
The Politics of Carnival: Festive Misrule in Medieval England
by Chris Humphrey
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Naomi Conn Liebler |
The Buried Astrolabe: Canadian Dramatic Imagination
and Western Tradition
by Craig Stewart Walker
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Denis Salter |
The Play of Ideas in Russian Enlightenment Theatre
by Elise Kimerling Wirtschafter
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Nicholas Rzhevsky |
London Civic Theatre: City Drama and Pageantry
from Roman Times to 1558
by Anne Lancashire
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Clifford Davidson |
Masks and Masking in Medieval and Early Tudor England
by Meg Twycross and Sarah Carpenter
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Clifford Davidson |
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Volume 37, Issue 3,4, Fall/Winter 2003-04
Essays |
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Menaechmi and the Renaissance Comedy
view abstract
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Richard F. Hardin |
The Lost Playing Places of Lincolnshire
view abstract
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James Stokes |
Blackened Faces and a Veiled Woman: The Early Korčula Moreška
view abstract |
Max Harris
and Lada Čale Feldman
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Chavittunātakam: Music-Drama in Kerala
read first paragraph
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Joly Puthussery |
Chinese Noh and Japanese Noh: Nuo's Role in the
Origination and Formation of Noh
view abstract
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Min Tian |
Nonverbal Theatrical Elements in Ntozake Shange's for colored girls…
and Intissar Abdel-Fatah's Makhadet El-Kohl (The Kohl Pillow)
read first paragraph
|
Dalia El-Shayal |
The Tyrone Anthology: Authority in the Last Act of
Long Day's Journey Into Night
view abstract
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Lawrence Dugan |
Extending the Breaks: Fires in the Mirror in the Context of
Hip-Hop Structure, Style, and Culture
read first paragraph
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Steve Feffer |
| Reviews |
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Shakespeare at the Cineplex: The Kenneth Branagh Era
by Samuel Crowl
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Robert C. Evans |
Performance and Literature in the Commedia dell'Arte
by Robert Henke
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Rosalind Kerr |
Sussex: Records of Early English Drama
ed. Cameron Louis
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Mark C. Pilkinton |
Forever Juliet: The Life and Letters of Gwen Ffrangcon-Davies 1891-1992
by Martial Rose
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Ann Eljenholm Nichols |
Performing Canada: The Nation Enacted in the Imagined Theatre
by Alan Filewood
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Anne Nothof |
Shakespeare on the Yiddish Stage
by Joel Berkowitz
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Michael Shapiro |
The Federal Theatre Project: A Case Study
by Barry B. Witham |
Jeffrey H. Richards |
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