Volume 37, Issue 1, Spring 2003
Essays
 
Tom Stoppard and "Postmodern Science": Normalizing Radical
Epistemologies in Hapgood and Arcadia
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Daniel Jernigan
Mocking Dead Bones: Historical Memory and the Theater
of the Dead in Richard III
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Stephen Marche
The Trope of Transformation in Medea: A Noh Cycle
view abstract

Loren Edelson
"Together Again": Theater in Postcolonial Hong Kong
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Clayton G. MacKenzie
and Moira Arthurs

Goodnight Desdemona (Good Morning Juliet): From Shakespearean
Tragedy to Postmodern Satyr Play
read first paragraph

Igor Djordjevic
Reviews  
Theatricalities of Power: The Cultural Politics of Noh
by Steven T. Brown

Carol Fisher Sorgenfrei
The Dramatic Art of Athol Fugard: From South Africa to the World
by Albert Wortheim

Henry I. Schvey
The Cambridge Companion to Sam Shepard
ed. Matthew Roudané

Arvid F. Sponberg
Modern Greek Theatre: A Quest for Hellenism
by Stratos E. Constantinidis

Mary Pittas-Herschbach
Theater and the Materialization of Mind
by William W. Demastes

Gene A. Plunka
The Temptation of Innocence in the Dramas of Arthur Miller
by Terry Otten

Gregory W. Lanier
Harold Bloom's Shakespeare
ed. Christy Desmet and Robert Sawyer

Jennifer Low
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Volume 37, Issue 2, Summer 2003
Essays
 
The Globalization of Beckett's Godot
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Enoch Brater
Borrowings and the Authorial Domain: Gostanzo, Polonius,
and Marston's Gonzago
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Charles Cathcart
But owthir in frith or felde: The Rural in the York Cycle
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Chester Scoville
The Politics of Adapting Behn's Oroonoko
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Anne F. Widmayer
Reviews  
Magical Muse: Millennial Essays on Tennessee Williams
ed. Ralph F. Voss

Janet V. Haedicke
The Politics of Carnival: Festive Misrule in Medieval England
by Chris Humphrey

Naomi Conn Liebler
The Buried Astrolabe: Canadian Dramatic Imagination
and Western Tradition

by Craig Stewart Walker

Denis Salter
The Play of Ideas in Russian Enlightenment Theatre
by Elise Kimerling Wirtschafter

Nicholas Rzhevsky
London Civic Theatre: City Drama and Pageantry
from Roman Times to 1558

by Anne Lancashire

Clifford Davidson
Masks and Masking in Medieval and Early Tudor England
by Meg Twycross and Sarah Carpenter

Clifford Davidson
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Volume 37, Issue 3,4, Fall/Winter 2003-04
Essays
 
Menaechmi and the Renaissance Comedy
view abstract

Richard F. Hardin
The Lost Playing Places of Lincolnshire
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James Stokes
Blackened Faces and a Veiled Woman: The Early Korčula Moreška
view abstract
Max Harris
and Lada Čale Feldman

Chavittunātakam: Music-Drama in Kerala
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Joly Puthussery
Chinese Noh and Japanese Noh: Nuo's Role in the
Origination and Formation of Noh
view abstract

Min Tian
Nonverbal Theatrical Elements in Ntozake Shange's for colored girls…
and Intissar Abdel-Fatah's Makhadet El-Kohl (The Kohl Pillow)
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Dalia El-Shayal
The Tyrone Anthology: Authority in the Last Act of
Long Day's Journey Into Night
view abstract

Lawrence Dugan
Extending the Breaks: Fires in the Mirror in the Context of
Hip-Hop Structure, Style, and Culture
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Steve Feffer
Reviews  
Shakespeare at the Cineplex: The Kenneth Branagh Era
by Samuel Crowl

Robert C. Evans
Performance and Literature in the Commedia dell'Arte
by Robert Henke

Rosalind Kerr
Sussex: Records of Early English Drama
ed. Cameron Louis

Mark C. Pilkinton
Forever Juliet: The Life and Letters of Gwen Ffrangcon-Davies 1891-1992
by Martial Rose

Ann Eljenholm Nichols
Performing Canada: The Nation Enacted in the Imagined Theatre
by Alan Filewood

Anne Nothof
Shakespeare on the Yiddish Stage
by Joel Berkowitz

Michael Shapiro
The Federal Theatre Project: A Case Study
by Barry B. Witham
Jeffrey H. Richards

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