Comparative Drama — Reproduction Permissions

Volume 36, Issue 1,2, Spring/Summer 2002
Essays

Laughter in Medieval English Drama: A Critique of Modernizing
and Historical Analyses

Hans-Jürgen Diller

Writing and Revenge: John Marston's Histriomastix
view abstract

James P. Bednarz

Soft Touch: On the Renaissance Staging and Meaning of the
"Noli me tangere" Icon
view abstract

Cynthia Lewis

Tragedy and Timon of Athens
view abstract

Robert B. Pierce

Sights Unseen: Withholding Information in the Plays
of Thomas Bernhard
view abstract

William E. Gruber

O'Neill and the Wobblies: The IWW as a Model for Failure in
The Iceman Cometh
view abstract

Lawrence Dugan

Maturation and Political Upheaval in Lloyd Fernando's
Scorpion Orchid and Robert Yeo's The Singapore Trilogy
read first paragraph

Catherine Diamond

The Arlecchino and Three English Tinkers

Nina DaVinci Nichols

Rubin and Mercator: Grotesque Comedy in the German Easter Play
read first paragraph

Martin W. Walsh

Reviews

Shakespeare on the American Yiddish Stage by Joel Berkowitz	David Bleich
Shakespeare and Eastern Europe by Zdeněk Stříbrný	Nicholas Rzhevsky
Painting Shakespeare Red: An East-European Appropriation by Alexander Shurbanov and Boika Sokolova	Felicia Hardison Londré
Performing the American Frontier, 1870-1906 by Roger A. Hall	Nicolas Witschi
Venom in Verse: Aristophanes in Modern Greece by Gonda A. H. van Steen	Kiki Gounaridou
Beckett and Beyond ed. Bruce Stewart	Michael Van den Heuval
Signifying God: Social Relations and Symbolic Act in the York Corpus Christi Plays by Sarah Beckwith	Victor Scherb
Shakespeare's Serial History Plays by Nicholas Grene	David M. Bergeron
Moving Subjects: Processional Performance in the Middle Ages and the Renaissance ed. Kathleen Ashley and Wim Hüsken	Clifford Davidson
Theatre, History, and National Identities ed. Helka Mäniken, S. E. Wilmer, and W. B. Worthen	Stratos E. Constantinidis
Shakespeare: Text and Theater. Essays in Honor of Jay L. Halio ed. Lois Potter and Arthur F. Kinney	John R. Ford

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Volume 36, Issue 3,4, Fall/Winter 2002-03
Essays

Lessons in "Hopping": The Dance of Death and the
Chester Mystery Cycle
view abstract

Sophie Oosterwijk

Performing Marriage with a Difference: Wooing, Wedding,
and Bedding in The Taming of the Shrew
read first paragraph

Amy L. Smith

The Islamization of Spain in William Rowley and Mary Pix:
The Politics of Nation and Gender
view abstract

Pilar Cuder-Domínguez

Lydgate's Mummings and the Aristocratic Resistance to Drama

Robert Epstein

As imaginem suam: Regional Chant Variants and the Origins
of the Jeu d'Adam

Charles T. Downey

Cancer and the Common Woman in Margaret Edison's W;t

Jacqueline Vanhoutte

Political Allegory in Late Elizabethan and Early Jacobean "Turk" Plays:
Lust's Dominion and The Turke
view abstract

Claire Jowitt

Reviews

The Medieval European Stage: 500-1500 ed. William Tydeman	David Bevington
The Theatre of Aphra Behn by Derek Hughes	Christopher Nagle
Staging Domesticity: Household Work and English Identity in Early Modern Drama by Wendy Wall	Ann C. Christensen
The Search for Modern Tragedy: Aesthetic Fascism in Italy and France by Mary Ann Frese Witt	Michael Hinden
Allegory and the Tragic Chorus in Sophocles: Oedipus at Colonus by Roger Travis	Kiki Gounaridou
Between Theater and Philosophy: Skepticism in the Major City Comedies of Ben Jonson and Thomas Middleton by Mathew R. Martin	Jennifer Low
Shakespeare After Mass Media ed. Richard Burt	Michael Shapiro