Comparative Drama — Reproduction Permissions

Volume 35, Issue 1, Spring 2001
Reading Othello Special Issue
Essays

Flattery in Shakespeare's Othello: The Relevance of Plutarch
and Sir Thomas Elyot
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Robert C. Evans

Intercession, Detraction, and Just Judgement in Othello
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R. Chris Hassel, Jr.

Emblems of Folly in the First Othello: Renaissance Blackface,
Moor's Coat, and "Muckender"
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Robert Hornback

"Othello/me": Racial Drag and the Pleasures of
Boundry-Crossing with Othello
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Elise Marks

Reviews

Shakespeare After Theory by David Scott Kastan	Michael L. Hays
Othello and Interpretive Traditions by Edward Pechter	Robert C. Evans

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Volume 35, Issue 2, Summer 2001
Essays

Staging Disorder: Charivari in the N-Town Cycle
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Richard J. Moll

Amphitheater Staging: In-the-Round or to the Front
(and What About Asides)?
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Richard Fotheringham

Shakespeare's Edward III: A Consolation for English Recusants
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J. P. Conlan

Judeo-Christian Apocalyptic Literature and John Crowne's
The Destruction of Jerusalem
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John B. Rollins

Reviews

A Dictionary of Stage Directions in English Drama by Alan C. Dessen and Leslie Thomson	Michael D. Friedman
Discontinuities: New Essays on Renaissance Literature and Criticism ed. Viviana Comensoli and Paul Stevens	Nick Moschovakis
Williams: A Streetcar Named Desire by Philip C. Kolin	Robert Bray
Performance Culture and Athenian Democracy ed. Simon Goldhill and Robin Osborne	Francis Dunn
Three Turk Plays from Early Modern England: Selimus, A Christian Turned Turk, and The Renegado ed. Daniel J. Vitkus	John Saillant
Ibsen, Strindberg and the Intimate Theatre: Studies in TV Presentation by Egil Tornqvist	Valerie Barnes Lipscomb

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Volume 35, Issue 3,4, Fall/Winter 2001-02
Essays

Self-Discovery in Montaigne's "Of Solitarinesse" and King Lear
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Philip D. Collington

The Boy Who Would be King: Court Revels of
King Edward VI, 1547-53
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Suzanne Westfall

Mapping Jouissance: Insights from a Case Study in the Schizophrenia
of Canadian Drama
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Gregory Reid

Situating the Holy: Celtic Community in Breton and Cornish Saint Plays
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Victor I. Scherb

"Between Two Worlds": The Dybbuk and the Japanese Noh
and Kabuki Ghost Plays
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Zvika Serper

Brokering Glory for the Chinese Nation:
Peking Opera's 1930 American Tour
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Nancy Guy

Shakespeare's "Books of Memory": 1 and 2 Henry VI
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Jerome Mazzaro

Theatricality and Cosmopolitanism in Hannah Cowley's
The Belle's Stratagem
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Elizabeth Kowaleski Wallace

O'Neill and Jamie: A Survivor's Tale
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Michael Hinden

Hedda and Bailu: Portraits of Two "Bored" Women
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Chengzhou He

Reviews

Power into Pageantry: Spectacle Entertainments of Early Imperial Rome by R. C. Beacham	Garrett Fagan
Trevor Griffiths: Politics, Drama, History by Stanton Garner, Jr.	Jenny S. Spencer
Marlowe, History, and Sexuality: New Critical Essays on Christopher Marlowe ed. Paul Whitfield White	Karen Cunningham
Performing America: Cultural Nationalism in American Theater ed. Jeffrey D. Mason and J. Ellen Gainor	Thomas P. Adler
Shakespeare's Noise by Kenneth Grose	Grace Tiffany
The Text in Play: Representations of Rehearsal in Modern Drama by Robert Baker-White	Kinnereth Meyer
Gender and Politics in Greek Tragedy by Michael X. Zelenak	Mary-Kay Gamel
Theatre under the Nazis ed. John London	Robert Hinkel
The Cambridge Companion to Shakespeare on Film ed. Russell Jackson	Frances Teague
Adulterous Alliances: Home, State, and History in Early European Drama and Painting by Richard Helgerson	Sara Eaton