Comparative Drama — Reproduction Permissions

Volume 34, Issue 1, Spring 2000
Essays

How Music Matters: Some Songs of Robert Johnson in the Plays
of Beaumont and Fletcher
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Catherine A. Henze

Race and the Yankee: Woodworth's The Forest Rose
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Jeffrey H. Richards

Backbiter and the Rhetoric of Detraction
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Douglas W. Hayes

Marlowe's Travesty of Virgil: Dido and Elizabethan Dreams of Empire
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Donald Stump

Reviews

Recycling the Cycle: The City of Chester and Its Whitsun Plays by David Mills	Lawrence M. Clopper
Shakespeare's Monarchies: Ruler and Subject in the Romances by Constance Jordan	Christy Desmet
Three Uses of the Knife: On the Nature and Purpose of Drama by David Mamet	Richard W. Mitchell
The Medieval Theater of Cruelty: Rhetoric, Memory, Violence by Jody Enders	Leanne Groeneveld
Marlowe's Counterfeit Profession: Ovid, Spenser, Counter-Nationhood by Patrick Cheney	Grace Tiffany
Music in the English Courtly Masque by Peter Walls	Kathryn Lowerre

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Volume 34, Issue 2, Summer 2000
Essays

Absorbing Interests: Kyd's Bloody Handkerchief as Palimpsest
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Andrew Sofer

The Urner Tellenspiel of 1512: Strategies of Early Political Drama
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Martin W. Walsh

Out of Ireland: Revisionist Strategies in Beckett's Drama
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Laura Barge

Bandello's "Timbreo and Fenicia" and The Winter's Tale
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Thomas E. Mussio

Reviews

Dorset ed. Rosalind Conklin Hays and C. E. McGee	Brian Murdoch
Cornwall ed. Sally L. Joyce and Evelyn S. Newlyn	Brian Murdoch
The Queen's Men and their Plays by Scott McMillan and Sally-Beth MacLean	Sara Eaton
Yiddish Proletarian Theatre: The Art and Politics of the Artef, 1925-1940 by Edna Nahshon	Ahuva Belkin
New Sites for Shakespeare: Theatre, the Audience, and Asia by John Russell Brown	Ralph Berry
Stanislavsky in Focus by Sharon M. Carnicke	Jason Merrill
Shakespeare and the Authority of Performance by W. B. Worthen	James Coakley
The Politics of Reputation: The Critical Reception of Tennessee Williams' Later Plays by Annette J. Saddik	Felicia Hardison Londré

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Volume 34, Issue 3, Fall 2000
Essays

"Those Proud Titles Thou Hast Won": Sovereignty, Power,
and Combat in Shakespeare's Second Tetralogy
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Jennifer Low

London and the Problem of the Clerkenwell Plays
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Lawrence M. Clopper

Temporizing as Pyrrhonizing in Marston's The Malcontent
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William M. Hamlin

"My naked weapon": Male Anxiety and the Violent Courtship
of the Jacobean Stage Widow
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Jennifer Panek

Reviews

Women's Matters, Politics, Gender, and Nation in Shakespeare's Early History Plays by Nina S. Levine	Christy Desmet
Enter the King: Theatre, Liturgy, and Ritual in the Medieval Civic Triumph by Gordon Kipling	W. R. Streitberger
The Shakespeare Trade: Performances and Appropriations by Barbara Hodgdon	Sara Eaton
Making Subject(s): Literature and Emergence of National Identity by Allen Carey-Webb	Gonzalo Martínez Camino
The Just and the Lively: The Literary Criticism of John Dryden by Michael Werth Gelber	Jennifer Brady
Theatre of Chaos: Beyond Absurdism, into Orderly Disorder by William W. Demastes	Jeffrey D. Hoeper

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Volume 34, Issue 4, Winter 2000-01
Essays

"Look not big, nor stamp, nor stare": Acting Up in
The Taming of the Shrew and the Coventry Herod Plays
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Jonathan Gil Harris

"I would faine serve": John Lyly's Career at Court
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Derek B. Alwes

A Speculative Political Allegory in A Midsummer Night's Dream
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Maurice Hunt

Reviews

Charismatic Authority in Early Modern English Tragedy by Raphael Falco	Christy Desmet
The Orient of the Boulevards: Exoticism, Empire, and Nineteenth-Century French Theater by Angela C. Pao	Lifongo Vetinde
Of Borders and Thresholds: Theatre History, Practice, and Theory ed. Michal Kobialka	Frank Bradley
Tragic Instance: The Sequence of Shakespeare's Tragedies by Ralph Berry	Alexander Leggatt
Church and Stage in Victorian England by Richard Foulkes	Robert Sawyer
La comedia española y el teatro europeo del siglo XVII ed. Henry W. Sullivan, Raúl A. Galoppe, and Mahlon L. Stoutz	Gary E. Bigelow