Volume 33, Issue 1, Spring 1999
Tragedy's Insights: Identity, Policy, Theodicy Special Issue 		 
The Tragic Emotions

 David Konstan
Killed by Words: Grotesque Verbal Violence and Tragic Atonement
in French Passion Plays

 Véronique Plesch
James I and Timon of Athens

 David Bevington
and David L. Smith
Friendship in Hamlet

 Robert C. Evans
Alfieri's Saul as Enlightenment Tragedy

 Jerome Mazzaro
Ibsen's Cycle as Hegelian Tragedy

 Brian Johnston
Some Late Reflections on Tragedy and Its Theatrical Chemistry

 J. L. Styan
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Volume 33, Issue 2, Summer 1999
Essays 		 
Centlivre v. Hardwicke: Susannah Centlivre's Plays
and the Marriage Act of 1753

 Margo Collins
The Tempest, Plautus, and the Rudens

 Bruce Louden
Meyerhold Meets Mei Lanfang: Staging the Grotesque and the Beautiful

 Min Tian
"It lak'th but life": Redford's Wit and Science, Anne of Cleves,
and the Politics of Interpretation

 Hillary Nunn
Reviews  
Race, Ethnicity, and Power in the Renaissance
ed. Joyce Green MacDonald

 R. W. Desai
Restoration Theatre and Crisis
by Susan J. Owen

 Margo Collins
Tragedy and Enlightenment: Athenian Political Thought
and the Dilemmas of Modernity
by Christopher Rocco

 Kathryn A. Morgan
Seizures of the Will in Early English Drama
by Frank Whigham

 Heather Hirschfield
American Drama: The Bastard Art
by Susan H. Smith

 James Coakley
Theatre Culture in America, 1825-1860
by Rosemarie K. Bank

 James Coakley
The Emergence of the Modern American Theater, 1914-1929
by Ronald H. Wainscott

 James Coakley
Bristol: Records of Early English Drama
ed. Mark C. Pilkinton

 John J. McGavin
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Volume 33, Issue 3, Fall 1999
Essays
 
The Double Vision of Euripides' Cyclops: An Ethnographic
Odyssey on the Satyr Stage

 Carol Dougherty
Dances with Brecht: Huang Zuolin and His Xieyi Theater

 Ronnie Bai
From Fat Falstaff to Francophile Fop: Russian Nationalism in
Catherine the Great's Merry Wives

 Lurana Donnels O'Malley
Fletcher's Satire of Caratach in Bonduca

 Ronald J. Boling
Reviews  
The Politics of Alternative Theatre in Britain, 1968-1990:
The Case of 7:84 (Scotland)
by Maria DiCenzo

 Greg Giesekam
Scottish Theatre Since the Seventies
ed. Randall Stevenson and Gavin Wallace

 Greg Giesekam
Sex, Gender, and Desire in the Plays of Christopher Marlowe
by Sara Munson Deats

 Sara Eaton
Tragedy's End: Closure and Innovation in Euripidean Drama
by Francis M. Dunn

 Laurel M. Bowman
Kaigai Koen Kotohajime [The Beginnings of Overseas Performance]
by Yoshihiro Kurata

 Yoko Chiba
Drama and Ideology in Modern Israel
by Glenda Abramson

 Shimon Levy
Approaching the Millennium: Essays on Angels in America
ed. Deborah R. Geis and Steven F. Kruger

 Craig Rowe
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Volume 33, Issue 4, Winter 1999-2000
Essays 		 
Caribbean Caliban: Shifting the "I" of the Storm

James E. Robinson
L'Escole au deable: Tavern Scenes in the Old French Moralité

 Alan Hindley
Fortune and Virtue in The Duchess of Malfi

 Leslie Thomsom
From Gay to Gei: The Onnagata and the Creation of
Kabuki's Female Characters

 Samuel L. Leiter
Reviews  
Shakespearean Power and Punishment: A Volume of Essays
by Gillian Murray Kendall

 Cynthia Marshall
Theatre of Fire: Special Effects in Early English and Scottish Theatre
by Philip Butterworth

 Elizabeth M. S. Baldwin
Chinese Theatre and the Actor in Performance
by Jo Riley

 Nancy Guy
Art and Ritual in Golden Age Spain: Sevellian Confraternities
and the Processional Sculpture of Holy Week
by Susan Verdi Webster

 Max Harris
Samuel Beckett and Music
ed. Mary Bryden

 Enoch Brater
Samuel Beckett and the Arts: Music, Visual Arts, and Non-Print Media
ed. Lois Oppenheim

 Enoch Brater
The Heaven Singing: Music in the Early English Religious Drama
by Richard Rastall

 Andrew R. Walkling
Tragedy in Athens: Performance Space and Theatrical Meaning
by David Wiles		 Joseph P. Wilson

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