| Volume 3, Issue 1, Spring 1969 |
|
| Shakespeare's Caesar: The Language of Sacrifice |
Peter S. Anderson |
| The Mythic Foundation of Ibsen's Realism |
Brian Johnston |
| Children's Troupes: Dramatic Illusion and Acting Style |
Michael Shapiro |
| The Middle-Cornish Play Beunans Meriasek |
Robert T. Meyer |
| Fertility and Comic Form in A Chaste Maid in Cheapside |
Arthur F. Marotti |
| Volume 3, Issue 2, Summer 1969 |
|
| From Cruelty to Theatre: Antonin Artaud and the Marquis de Sade |
Franco Tonelli |
| The Trickster-Hero and Middleton's A Mad World, My Masters |
William W. E. Slights |
| Danton's Death and the Conventions of Historical Drama |
Herbert Lindenberger |
| Indian and Greek Drama: Two Definitions |
Darius L. Swann |
| Wole Soyinka: Two Nigerian Comedies |
John F. Povey |
| A Last Look Round the English Theatre |
E. Martin Browne |
| Volume 3, Issue 3, Fall 1969 |
|
| The Alogical and Absurdist Aspects of Russian Realist Drama |
Simon Karlinsky |
| Absurdity in English: Joyce and O'Neill |
Ruby Cohn |
| Witkiewicz, Artaud and the Theatre of Cruelty |
Adam Tarn |
| Aleksandar Popovic and Pop-Theatre: Beyond the Absurd |
E. J. Czerwinski |
| The Theatre of Ruthless Metaphor: Polish Theatre Between Marxism and Existentialism |
Zbigniew Folejewski |
| The Theatre of the Absurd in Spanish America |
George W. Woodyard |
| Witkiewicz's Anthroponoymy |
Jerzy R. Krzyzanowski |
| Brecht and Witkiewicz: Two Concepts of Revolution in the Drama of the Twenties |
Andrzej Wirth |
| Dramatists in Search of Self: A Backward Glance |
E. J. Czerwinski |
| Volume 3, Issue 4, Winter 1969-70 |
|
| Theodicy, Tragedy and the Psalmist: Tourneur's Atheist's Tragedy |
R. J. Kaufmann |
| The Archetypal Unity of Eugene O'Neill's Drama |
Emil Roy |
| The End of Elizabethan Drama |
Harry Levin |
| Sartre on Brecht: The Dialectics of Revolutionary Theatre |
Farris Anderson |
| A Contemporary View of The Duchess of Malfi | Louis D. Giannetti |
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