Comparative Drama — Reproduction Permissions

Volume 3, Issue 1, Spring 1969
Shakespeare's Caesar: The Language of Sacrifice	Peter S. Anderson
The Mythic Foundation of Ibsen's Realism	Brian Johnston
Children's Troupes: Dramatic Illusion and Acting Style	Michael Shapiro
The Middle-Cornish Play Beunans Meriasek	Robert T. Meyer
Fertility and Comic Form in A Chaste Maid in Cheapside	Arthur F. Marotti

Volume 3, Issue 2, Summer 1969
From Cruelty to Theatre: Antonin Artaud and the Marquis de Sade	Franco Tonelli
The Trickster-Hero and Middleton's A Mad World, My Masters	William W. E. Slights
Danton's Death and the Conventions of Historical Drama	Herbert Lindenberger
Indian and Greek Drama: Two Definitions	Darius L. Swann
Wole Soyinka: Two Nigerian Comedies	John F. Povey
A Last Look Round the English Theatre	E. Martin Browne

Volume 3, Issue 3, Fall 1969
The Alogical and Absurdist Aspects of Russian Realist Drama	Simon Karlinsky
Absurdity in English: Joyce and O'Neill	Ruby Cohn
Witkiewicz, Artaud and the Theatre of Cruelty	Adam Tarn
Aleksandar Popovic and Pop-Theatre: Beyond the Absurd	E. J. Czerwinski
The Theatre of Ruthless Metaphor: Polish Theatre Between Marxism and Existentialism	Zbigniew Folejewski
The Theatre of the Absurd in Spanish America	George W. Woodyard
Witkiewicz's Anthroponoymy	Jerzy R. Krzyzanowski
Brecht and Witkiewicz: Two Concepts of Revolution in the Drama of the Twenties	Andrzej Wirth
Dramatists in Search of Self: A Backward Glance	E. J. Czerwinski

Volume 3, Issue 4, Winter 1969-70
Theodicy, Tragedy and the Psalmist: Tourneur's Atheist's Tragedy	R. J. Kaufmann
The Archetypal Unity of Eugene O'Neill's Drama	Emil Roy
The End of Elizabethan Drama	Harry Levin
Sartre on Brecht: The Dialectics of Revolutionary Theatre	Farris Anderson
A Contemporary View of The Duchess of Malfi	Louis D. Giannetti