| Volume 27, Issue 1, Spring 1993 Continental Medieval Drama Special Issue |
|||||||||||||||||||||||
| Iconographic Contexts of the Swedish De uno peccatore qui promeruit gratiam |
Stephen K. Wright | ||||||||||||||||||||||
| A Survey of Medieval Drama and Theater in Germany |
Hansjürgen Linke | ||||||||||||||||||||||
| The Politics of Rhetoric: The 1561 Antwerp Landjuweel |
John Cartwright | ||||||||||||||||||||||
| The Face of Janus: Debatable Issues in Mariken van Nieumeghen |
Elsa Strietman | ||||||||||||||||||||||
| Sermo in Cantilena: Structure as Symbol in Imago Sancti Nicolai |
Michael L. Norton | ||||||||||||||||||||||
| Cathedral Chapter and Town Council: Cooperative Ceremony and Drama in Medieval Rouen |
Thomas P. Campbell | ||||||||||||||||||||||
| A Previously Unknown Ordo Prophetarum in a Manuscript Fragment in Zagreb |
Clyde Brockett, Jr. | ||||||||||||||||||||||
| Confraternities and Carnival: The Context of Lorenzo de' Medici's Rappresentazione di Giovanni e Paolo |
Konrad Eisenbichler | ||||||||||||||||||||||
| The Illegal Immigration of Medieval Drama to California |
Robert Potter | ||||||||||||||||||||||
| _________________________________________________________________________________ | |||||||||||||||||||||||
| Volume 27, Issue 2, Summer 1993 Essays |
|||||||||||||||||||||||
| An Enemy of the People: Ibsen's Reluctant Comedy |
Harold C. Knutson | ||||||||||||||||||||||
| Women and Mimesis in Medieval and Renaissance Somerset (and Beyond) |
James Stokes | ||||||||||||||||||||||
| The Winter's Tale and Guarinian Dramaturgy |
Robert Henke | ||||||||||||||||||||||
| Corpus Christi "Cycles" in Yorkshire: The Surviving Records |
Barbara D. Palmer | ||||||||||||||||||||||
| The Ordering of Shakespeare's Earliest Comedies: New Uses of Old Evidence |
Howard C. Cole | ||||||||||||||||||||||
| Reviews | |||||||||||||||||||||||
|
|||||||||||||||||||||||
| _________________________________________________________________________________ | |||||||||||||||||||||||
| Volume 27, Issue 3, Fall 1993 The Classical Tradition and Its Survival Special Issue |
|||||||||||||||||||||||
| The Metamorphosis of Theseus in Oedipus at Colonus |
Brian Johnston | ||||||||||||||||||||||
| Mnema and Forgetting in Euripides' The Bacchae |
Jerome Mazzaro | ||||||||||||||||||||||
| Euripides' Medea: The Stranger in the House |
S. Georgia Nugent | ||||||||||||||||||||||
| Models and Memory in the Comedy of Menander |
Sander M. Goldberg | ||||||||||||||||||||||
| The Theater of Scholastic Erudition |
Jody Enders | ||||||||||||||||||||||
| The Merry Wives of Windsor: Classical and Italian Intertexts |
Robert S. Miola | ||||||||||||||||||||||
| The Politics of Ritual in Wole Soyinka's The Bacchae of Euripides |
Robert Baker-White | ||||||||||||||||||||||
| _________________________________________________________________________________ | |||||||||||||||||||||||
| Volume 27, Issue 4, Winter 1993-94 Essays |
|||||||||||||||||||||||
| Writing Before the Eye: The N-Town Woman Taken in Adultery and the Medieval Ministry Play |
Gail McMurray Gibson | ||||||||||||||||||||||
| Love, Death, and Mrs. Barry in Thomas Southerne's Plays |
Helda Drougge | ||||||||||||||||||||||
| Fansy and Foly: The Drama of Fools in Magnyfycence |
Peter Happé | ||||||||||||||||||||||
| Play and Pirandello's Il giuoco delle parti |
Jerome Mazzaro | ||||||||||||||||||||||
| Reviews | |||||||||||||||||||||||
|
|||||||||||||||||||||||
_________________________________________________________________________________
| Comparative Drama home | Contact the Editors | Reproduction Permission |
| Subscriptions and Back Issues | Submission Guidelines | Links |
| Current Issue | Upcoming Issues | Essay and Contributor Index |