Volume 26, Issue 1, Spring 1992
Essays
|
|
Windings and Turnings: The Metaphoric Labyrinth of Restoration
Dramatic Theory
|
Scott Cutler Shershow |
Performers and Performances in the Earliest Serious Secular Plays
in the Netherlands
|
Willem M. H. Hummelen |
Memory and Madness in Pirandello's Enrico IV
|
Jerome Mazzaro |
The Regnum Humanitatis Trilogy: A Humanist Manifesto
|
Eugene J. Devlin |
| Reviews |
|
The End Crowns All: Closure and Contradiction in
Shakespeare's History
by Barbara Hodgdon
|
Matthew H. Wikander |
Restoration and Georgian England, 1660-1788
ed. David Thomas and Arnold Hare
|
Derek Hughes |
Herefordshire, Worcestershire
ed. David N. Klausner
|
Clifford Davidson |
International Bibliography of Theatre: 1985
ed. Berito Ortolani
|
Ian Lancashire |
Shakespeare in the German Stage, I: 1586-1914
by Simon Williams
|
Christa Jansohn |
The N-Town Passion
Video.
Produced and Directed by Robert Cohen
|
Garrett P. J. Epp |
"The Noise of Threatening Drum": Dramatic Strategy and Political
Ideology in Shakespeare and the English Chronicle Plays
by Larry S. Champion
|
John D. Cox |
The Theatre of Medieval Europe: New Research in Early Drama
ed. Eckehard Simon
|
Lynette Muir |
Shakespeare, Jonson, and the Myth of Venice
by David McPherson
|
Robert C. Evans |
|
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Volume 26, Issue 2, Summer 1992
Essays
|
|
August Strindberg: A Modernist in Spite of Himself
|
Göran Stockenström |
Frame Structure in The Conversion of St. Paul
|
Victor I. Scherb |
Contemporary Contexts of Jonson's The Devil Is an Ass
|
Robert C. Evans |
| Reviews |
|
Shakespeare's Early History Plays: Politics at Play on the
Elizabethan Stage
by Donald G. Watson
|
Barbara Hodgdon |
These Valiant Dead: Renewing the Past in Shakespeare's Histories
by Rober C. Jones
|
Barbara Hodgdon |
Fastelavnsspillet i Danmarks senmiddelalder—om "Den utro hustru"
og fastelavnsspillets tradition
by Leif Søndergaard
|
Larry Syndergaard |
Enacting the Sacrament: Counter-Lollardy in the Towneley Cycle
by Lauren Lepow
|
Ann Eljenholm Nichols |
Performing Drama/Dramatizing Performance: Alternative Theater and
the Dramatic Text
by Michael Vanden Heuvel
|
Stanton B. Garner, Jr. |
Mock Kings in Medieval Society and Renaissance Drama
by Sandra Billington
|
John D. Cox |
Unconventional Conventions in Theatre Texts
ed. Günter Ahrends and Hans Jürgen-Diller
|
Heinz Kosok |
|
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Volume 26, Issue 3, Fall 1992
Essays
|
|
Suicide as Message and Metadrama in English Renaissance Tragedy
|
Richard K. Sanderson |
Radical Mimesis: The "Pinter Problem" Revisited
|
David Z. Saltz |
"A beggar's book/ Outworths a noble's blood": The Politics of Faction
in Henry VIII
|
Stuart M. Kurland |
Falstaff's False Staff: "Jonsonian" Asexuality in The Merry Wives
of Windsor
|
Grace Tiffany |
| Reviews |
|
The Plays of John Heywood
ed. Richard Axton and Peter Happé
|
David Bevington |
Modern British Drama, 1890-1990
by Christopher Innes
|
J. L. Styan |
Ancient Sun, Modern Light: Greek Drama on the Modern Stage
by Marianne McDonald
|
Brian Johnston |
Eugene O'Neill and the Emergence of American Drama
ed. Marc Maufort
|
Stephen Watt |
New Essays on American Drama
ed. Gilbert Debusscher and Henry I. Schvey
|
Stephen Watt |
Retreats from Realism in Recent English Drama
by Ruby Cohn
|
June Schlueter |
Shakespeare's Speaking Properties
by Frances Teague
|
James Fisher |
Hospitable Performances: Dramatic Genre and Cultural Practices in
Early Modern England
by Daryl W. Palmer
|
Cecile Williamson Cary |
Around the Absurd: Essays on Modern and Postmodern Drama
ed. Enoch Brater and Ruby Cohn
|
James Coakley |
Theater and World: The Problematics of Shakespeare's History
by Jonathan Hart
|
Larry S. Champion |
|
| _________________________________________________________________________________ |
Volume 26, Issue 4, Winter 1992-93
Essays
|
|
The Protean Prince Hal
|
Matthew H. Wikander |
"Some shall be pardon'd, and some punished": Medieval Dramatic
Eschatology in Shakespeare
|
John W. Velz |
"Lamentable tragedy mixed ful of pleasant mirth": The Enigma
of Cambises
|
Howard B. Norland |
Structure, Characterization, and the New Community in Four Plays
of Jesus and the Doctors
|
Daniel T. Kline |
| Reviews |
|
Medicine and Shakespeare in the English Renaissance
by F. David Hoeniger
|
Bridget Gellert Lyons |
Samuel Beckett, W. B. Yeats, and Jack Yeats: Images and Works
by Gordon Armstrong
|
Mary Lydon |
The Masque of Stuart Culture
by Jerzy Limon
|
Elise Bickford Jorgens |
Harriet Bosse: Strindberg's Muse and Interpreter
by Carla Waal
|
Göran Stockenström |
Refiguring the Hero: From Peasant to Noble in Lope de Vega
and Calderón
by Dian Fox
|
Ronald E. Surtz |
A Register of English Theatrical Documents 1660-1737
ed. Judith Milhous and Robert D. Hume
|
Derek Hughes |
Studies in Fifteenth-Century Stagecraft
by J. W. Robinson
|
Peter Happé |
Tom Stoppard and the Craft of Comedy: Medium and Genre at Play
by Katherine E. Kelly
|
Kinereth Meyer |
The Play of Power: Mythological Court Dramas of Calderón de la Barca
by Margaret Rich Greer
|
Gary E. Bigelow |
"Art made tongue-tied by authority": Elizabethan and Jacobean
Dramatic Censorship
by Janet Clare
|
Robert C. Evans |
Mastering the Revels: The Regulation and Censorship of English
Renaissance Drama
by Richard Dutton
|
Robert C. Evans |
Civil Idolatry: Desacralizing and Monarchy in Spenser, Shakespeare,
and Milton
by Richard F. Hardin |
Sandra Billington |
|
