Volume 25, Issue 1, Spring 1991
Iconographic and Comparative Studies in Medieval Drama Special Issue
  
Introduction

 Meg Twycross
On the Use of Figurative Art as a Source for the Study of
Medieval Spectacles

 Paola Ventron
The Staging of the Assumption in Europe

 J. Francesc Massip
The Hierosphthitic Topos, or the Fate of Fergus: Notes on the
N-Town Assumption

 Ann Eljenholm Nichols
The Staging of the First Murder in the Mystery Plays in England

 Cherrell Guilfoyle
The Great Calvaries of Brittany and the Medieval Breton Burzud
braz Jezuz

 Stanley Damberger
and Ellin M. Kelly
Positional Symbolism and English Medieval Drama

 Clifford Davidson
The Way of Vice and Virtue: A Medieval Psychology

 Eva Kimminich
St. Crépin, St. Crispin, Sant Crespí: French, Breton, and
Catalan Mystères

 Elisabeth Lalou
The Iconography of Audience in the Cuzco Corpus Christi Paintings


 Barbara H. Jaye
and William P. Mitchell
St. Denis in Antwerp: Hagiographica in a Protestant Play


 B. A. M. Ramakers
_________________________________________________________________________________
Volume 25, Issue 2, Summer 1991
Essays 		 
Shakespeare's Book of Genesis

 Russell Fraser
Harley Granville-Barker and the Response to Spanish Theater,
1920-1932

 David Callahan
All in the Family: Mother Courage and the Ideology in the Gestus

 Claire Gleitman
The Limits of Typology and the Wakefield Master's Processus Noe

 Edgar Schell
Reviews  
Text and Supertext in Ibsen's Drama
by Brian Johnston

 Michael X. Zelenak
The Absent Voice: Narrative Comprehension in the Theater
by Stanton B. Garner, Jr.

 J. L. Styan
The Elizabethan Hamlet
by Arthur McGee

 György E. Szönyi
Hamlet's Choice. "Hamlet"— A Reformation Allegory
by Linda Kay Hoff

 György E. Szönyi
The Artistry of Aeschylus and Zeami
by Mae J. Smethurst

 Sander M. Goldberg
Feminist Rereadings of Modern American Drama
ed. June Schlueter

 Sue-Ellen Case
Interpreting the Theatrical Past: Essays in the Historiography
of Performance
ed. Thomas Postlewait and Bruce A. McConachie

 Timothy Murray
Sondheim and Co.
by Greg Zadan

 Gary Schmidgall
Shakespeare's Play within Play: Medieval Imagery and Scenic Form
in Hamlet, Othello, and King Lear
by Cherrell Guilfoyle

 David Bevington
_________________________________________________________________________________
Volume 25, Issue 3, Fall 1991
Essays 		 
Psychological Aspects of the Expression of Anger and Violence
on the Stage

 Vladimir J. Konečni
Undoing the Dramatic History of the Riga Ludus Prophetarum

 Regula Meyer Evitt
Jonson's Copy of Seneca

 Robert C. Evans
Reviews  
Brecht and the West German Theatre: The Practice and
Politics of Interpretation
by John Rouse

 Gail Finney
Theatre in Spain, 1490-1700
by Melveena McKendrick

 Joseph R. Jones
Shakespeare: Text, Subtext, and Context
ed. Richard Dotterer

 Gregory W. Lanier
Actors and Onlookers: Theater and Twentieth-Century Scientific
Views of Nature
by Natalie Crohn Schmitt

 Daniel Watermeier
The Theater of Devotion: East Anglian Drama and Society in the
Late Middle Ages
by Gail McMurray Gibson

 Sally-Beth Maclean
Waiting for Godot
by Lawrence Graver

 June Schlueter
Waiting for Godot: Form and Movement
by Thomas Cousineau

 June Schlueter
Women in Modern Drama: Freud, Feminism, and European Theater
at the Turn of the Century
by Gail Finney

 Mary Ann Frese Witt
_________________________________________________________________________________
Volume 25, Issue 4, Winter 1991-92
Essays 		 
Three Stages of A Doll House

 Brian Johnston
Byron and the Drama of Temptation

 Mervyn Nicholson
The Actor and the Statue: Space, Time, and Court Performance
in Molière's Dom Juan

 Michael Spingler
The Editorial Recuperation of Claudio

 Michael D. Friedman
Reviews  
Shakespeare and the Dramaturgy of Power
by John D. Cox

 Michael Shapiro
Shakespeare and the Popular Voice
by Annabel Patterson

 Michael Shapiro
The Gallican Saint's Life and the Late Roman Dramatic Tradition
by E. Catherine Dunn

 Robert R. Edwards
The Theatrical Instinct: Nikolai Evreinov and the Russian Theatre
of the Early Twentieth Century
by Sharon Marie Carnicke

 Martha Manheim
Theatre Semiotics: Signs of Life
by Marvin Carlson

 Anthony Graham-White
Medieval English Drama: An Annotated Bibliography of
Recent Criticism
by Sidney Berger

 David N. Klausner
German Classical Drama: Theatre, Humanity and Nation
1750-1870
by F. J. Lamport

 Steven R. Huff
The Birth of American Tragedy
by Peter Egri

 Michael Hinden
Power and Performance: Ethnographic Explorations through Proverbial
Wisdom and Theater in Shaba, Zaire
by Johannes Fabian		 John H. Stroupe

_________________________________________________________________________________
Comparative Drama home Contact the Editors Reproduction Permission
Subscriptions and Back Issues Submission Guidelines Links
Current Issue Upcoming Issues Essay and Contributor Index