Comparative Drama — Reproduction Permissions

Volume 24, Issue 1, Spring 1990
Essays

Machines for the Supression of Time: Statues in Suor Angelica,
The Winter's Tale, and Alcestis

Robert C. Ketterer

Text as Agent in Sam Shepard's Curse of the Starving Class

Charles R. Lyons

Visions and Voices: The Rhetoric of Memory and Music in Liturgical Drama

Jody Enders

'Other Men's Provision': Ben Jonson's Parody of Robert White in Pleasure Reconciled to Virtue

Robert C. Evans

Reviews

Records of Early English Drama: Cambridge ed. Alan H. Nelson	Peter Happé
Shakespeare Survey 40: Current Approaches to Shakespeare Through Language, Text, and Theatre ed. Stanley Wells	June Schlueter
Mirror on the Stage: The Pulitzer Plays as an Approach to American Drama by Thomas P. Adler	Tom Small
Ben Jonson and the Poetics of Patronage by Robert C. Evans	Frances Teague
Anticourt Drama in England 1603-1642 by Albert H. Tricomi	Richard Finkelstein
New Tragedy and Comedy in France, 1945-70 by Peter Norrish	Venne-Richard Londré
Experiencing Shakespeare: Essays on Text, Classroom, and Performance by Charles H. Frey	Michael Shapiro

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Volume 24, Issue 2, Summer 1990
Essays

More's Richard III and Jonson's Richard Crookback and Sejanus

Robert C. Evans

Eternal Recurrence and the Shaping of O'Neill's Dramatic Structures

Albert E. Kalson
and Lisa M. Schwerdt

Towards a Theater of Immobility: Henry I, The Condemned of Altona,
and The Balcony

Mary Ann Frese Witt

Reviews

Tragedy and Theory: The Problem of Conflict Since Aristotle by Michelle Gellrich	Michael X. Zelenak
La Scena della Memoria: Intertestualità nel teatro Tudor by Robert Mullini	Peter Happé
Images of Shakespeare: Proceedings of the Third Congress of the International Shakespeare Association ed Werner Habicht, D. J. Palmer, and Roger Pringle	June Schlueter
Playing God: Medieval Mysteries on the Modern Stage by John R. Elliott, Jr.	William Tydeman
Places of Performance: The Semiotics of Theatre Architecture by Marvin Carlson	Felicia Hardison Londré
The Vengeance of Our Lord: Medieval Dramatizations of the Destruction of Jerusalem by Stephen K. Wright	Lynette R. Muir

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Volume 24, Issue 3, Fall 1990
Essays

'Hay for the Daughters!' Gender and Patriarchy in The Miseries of Civil War
and Henry VI

Joyce Green MacDonald

Comedy and Control: Shakespeare and the Plautine Poeta

Douglas Bruster

Records of Early French Drama in Parisian Notary Registers

Stephen K. Wright

Richard II and Some Forms of Theatrical Time

Edgar Schell

Reviews

Shakespeare und die Macht der Mimesis: Autorität und Repräsentation im elizabethanischen Theater by Robert Wiemann	Hans-Jürgen Diller
Shakespeare's Mercutio: His History and Drama by Joseph A. Porter	Eugene M. Waith
Tragic Method and Tragic Theology: Evil in Contemporary Drama and Religious Thought by Larry D. Bouchard	Michael Hinden
Vsevold Meyerhold by Robert Leach	James Fisher
Sources of Four Plays Ascribed to Shakespeare ed. G. Harold Metz	Harriet C. Frazier
Feminine Focus: The New Women Playwrights ed. Enoch Brater	Gail Finney
Imaginary Audition: Shakespeare on Stage and Page by Harry Berger, Jr.	Lorraine Helms
Shakespeare—The Theater and the Book by Robert S. Knapp	Lorraine Helms
About the Harrowing of Hell: A Seventeenth-Century Ukrainian Play in Its European Context trans. Irena R. Markaryk	Jody Enders

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Volume 24, Issue 4, Winter 1990-91
Essays

Visible Words: The York Plays, Brecht, and Gestic Writing

Garrett P. J. Epp

Friedrich Hartwich's Globus Fortunae (1617): A Dramatization of the Amadis

Steven R. Huff

Drama, Politics, and the Hero: Coriolanus, Brecht, and Grass

Martin Scofield

The Lacanian Imaginary in Ibsen's Pillars of Society and The Wild Duck

Oliver W. Gerland III

Reviews

Samuel Beckett by Andrew K. Kennedy	Stanton B. Garner, Jr.
Samuel Beckett: Repetition, Theory and Text by Steven Connor	Stanton B. Garner, Jr.
Everyman and Company ed. Donald Gilman	Darryll Grantley
The Play Out of Context: Transferring Plays from Culture to Culture ed. Hanna Scolnicov and Peter Holland	Margaret Loftus Ranald
Visualizing the Moral Life: Medieval Iconography and the Macro Moralities by Clifford Davidson	Edgar Schell
Contexts for Early English Drama ed. Marianne Briscoe and John C. Coldewey	Anne Eljenholm Nichols
"Bad" Shakespeare: Revaluations of the Shakespeare Canon ed. Maurice Charney	Philip C. McGuire
Renaissance Magic and the Return of the Golden Age: The Occult Tradition and Marlowe, Jonson, and Shakespeare by John S. Mebane	David M. Bergeron
Tarte à la crème: Comedy and Gastronomy in Moliére's Theater by Ronald W. Tobin	Ronald D. LeBlanc