Volume 23, Issue 1, Spring 1989
Essays
  
Trial and Terror: Medea Prima Facie

 Anthony Kubiak
Irish Babel: Brian Friel's Translations and George Steiner's After Babel

 F. C. McGrath
"The Redemption of King Lear"

 Cherrell Guilfoyle
The Birth of Reason from the Spirit of Carnival: Hans Sachs and
Das Narren-Schneyden

 Ralf Erik Remhardt
Reviews  
Staging O'Neill: The Experimental Years, 1920-1934
by Ronald H. Wainscott

 Normand Berlin
Aristophanes' Old-and-New Comedy, I: Six Essays in Perspective
by Kenneth J. Reckford

 Michael X. Zelenak
Shakespeare's Revision of King Lear
by Steven Urkowitz

 John Wasson
Critical Essays on Edward Albee
ed. Philip C. Kolin and J. Madison

 Philip J. Egan
Conversations with Edward Albee
ed. Philip C. Kolin

 Philip J. Egan
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Volume 23, Issue 2, Summer 1989
Essays
  
"It Is Written": Tom Stoppard and the Drama of the Intertext

 Kinereth Meyer
Silent Women and Shrews: Eroticism and Convention in Epicoene and
Measure for Measure

 Charles R. Lyons
The Imperial Play as Final Chapter in the Jesuit Theater in Austria

 Eugene J. Devlin
Theatrical Pragmatics: The Actor-Audience Relationship from the Mystery
Cycles to the Early Tudor Comedies

 Hans-Jürgen Diller
"Both bodily deth and werldly shame": "Little Musgrave and Lady Barnard"
as Source for A Woman Killed With Kindness

 Dean A. Hoffman
Reviews  
Selected Letters of Eugene O'Neill
ed. Travis Bogard and Jackson R. Bryer

 Michael Manheim
A Companion to Henslowe's Diary
by Neil Carson

 Arthur F. Kinney
The Shifting Point: Theatre, Film, Opera, 1946-1987
by Peter Brook

 Enoch Brater
The Mahabharata
trans. Peter Brook

 Enoch Brater
The Field of Drama
by Martin Esslin

 Enoch Brater
Vladimir's Carrot: Modern Drama and the Modern Imagination
by John Jeter

 Enoch Brater
Peter Shaffer: Roles, Rites, and Rituals in the Theater
by Gene A. Plunka

 Dennis A. Klein
"Concord in Discord": The Plays of John Ford 1586-1986
ed. Donald K. Anderson

 Phoebe S. Spinrad
Tom Stoppard: The Artist as Critic
by Neil Sammells

 Katherine E. Kelly
Hamlet: Film, Television, and Audio Performance
ed. Bernice Kliman

 Frances Teague
The Banished Prince: Time, Memory, and Ritual in the Late Plays
of Eugene O'Neill
by Laurin Porter

 Michael Hinden
The Designs of Carolean Comedy
by Eric Rothstein and Frances Kavenik

 Christopher Spencer
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Volume 23, Issue 3, Fall 1989
Essays
  
The "Full Meaning" of The Two Gentlemen of Verona

 Howard C. Cole
Wisdom Enthroned: Iconic Stage Portraits

 Milla Riggio
Metatheater, Gender, and Subjectivity in Richard II and Henry IV, Part I

 R. A. Martin
The Treatment of Space in Italian and English Renaissance Theater:
The Example of Gl'Ingannati and Twelfth Night

 Jack D'Amico
Reviews  
W. H. Auden and Christopher Isherwood: Plays, and Other Dramatic
Writings by W. H. Auden, 1928-1938
ed. Edward Mendelson

 Edward Callan
Ancient Scripts and Modern Experience on the English Stage 1500-1700
by Bruce R. Smith

 Arthur F. Kinney
Russian Drama of the Revolutionary Period
by Robert Russell

 E. J. Czerwinski
Russian and Soviet Theater 1905-1932
by Konstantin Rudnitsky
trans. Roxanne Permar
ed. Lesley Milne

 James Fisher
Native Americans as Shown on the Stage 1753-1916
by Eugene H. Jones

 John H. Stroupe
Ibsen's Forsaken Merman: Folklore in the Late Plays
by Per Schelde Jacobsen and Barbara Fass Leavy

 Thomas F. Van Laan
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Volume 23, Issue 4, Winter 1989-90
Essays
  
Not Two: Denial and Duality in Hamlet

 Cherrell Guilfoyle
The Mass on the English Stage

 Lynette R. Muir
The Refusal to Paint: Shakespeare's Poetry of Place

 Judith Dundas
Eugene O'Neill's Joseph: A Touch of the Dreamer

 Kurt Eisen
Macbeth and Hercules: The Hero Bewitched

 Elizabeth Truax
Reviews  
Performance Dynamics and the Amsterdam Werkteater
by Dunbar H. Ogden

 Thomas Postlewait
Renaissance Tragicomedy: Explorations in Genre and Politics
ed. Nancy Klein Maguire

 John D. Cox
Contemporary Polish Theater and Drama (1956-1984)
by E. J. Czerwinski

 Zbigniew Folejewski
Acrobats of the Soul: Comedy and Virtuosity in Contemporary
American Theatre
by Ron Jenkins

 James Fisher
Tragic Drama and the Family: Psychoanalytic Studies from
Aeschylus to Beckett
by Bennett Simon

 Nancy M. Tischler
Playboys and Killjoys: An Essay on the Theory and Practice of Comedy
by Harry Levin

 William W. Combs
J. B. Priestley's Plays
by Holger Klein		 Albert E. Kalson

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