Volume 22, Issue 1, Spring 1988
Essays
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Arthur Sullivan, Haddon Hall, and the Iconic Mode
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Michael Beckerman |
The Narrator within the Performance: Problems with Two Medieval "Plays"
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Bruce Moore |
Masking Becomes Electra: O'Neill, Freud, and the Feminine
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S. Georgia Nugent |
"No innocence is safe,/ When power contests": The Factional Worlds of
Caesar and Sejanus
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Stuart M. Kurland |
Yonadab: Peter Shaffer's Earlier Dramas Revisited in the Court of King David
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Dennis A. Klein |
| Reviews |
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Shakespeare and the Victorian Stage
ed. Richard Foulkes
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Michael X. Zelenak |
Editing Early English Drama: Special Problems and New Directions
ed. A. F. Johnston
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Clifford Davidson |
The Drama of J. M. Synge
by Mary C. King
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James Coakley |
A Critical History of Irish Drama, 1891-1980
by D. E. S. Maxwell
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James Coakley |
Sean O'Casey and His Critics: An Annotated Bibliography
by E. H. Mikhail
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James Coakley |
Four Middle English Mystery Cycles: Textual, Contextual, and
Critical Interpretations
by Martin Stevens
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Peter Happé |
The Patriarchy of Shakespeare's Comedies
by Marilyn L. Williamson
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Stephanie Demetrakopoulos |
Shakespeare's Comedies: From Roman Farce to Romantic Mystery
by Robert Ornstein
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Sidney Homan |
International Bibliography of Theatre: 1982;
and International Bibliography of Theatre; 1983
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Louis A. Rachow |
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Volume 22: Issue 2, Summer 1988
Essays
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The Five Voices of The Birth of Tragedy
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Michael Hinden |
The Croxton Play of the Sacrament: A Re-Reading
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Ann Eljenholm Nichols |
Lucanic Omens in Julius Caesar
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Clifford J. Ronan |
Placing Shaffer's Lettice and Lovage in Perspective
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C. J. Gianakaris |
Comedic and Liturgical Restoration in Everyman
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John Cunningham |
| Reviews |
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Restoration Comedy in Performance
by J. L. Styan
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Derek Hughes |
Harley Granville-Barker: A Preface to Modern Shakespeare
by Christine Dymkowski
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James Coakley |
Shakespeare's Theater of Presence: Language, Spectacle, and
the Audience
by Sidney Homan
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Albert E. Kalson |
The Play of Truth and State: Historical Drama from Shakespeare to Brecht
by Matthew H. Wikander
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Stephen Watt |
The Wooster Group, 1975-1985: Breaking the Rules
by David Savran
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Bruce King |
Beyond Minimalism: Beckett's Late Style in the Theater
by Enoch Brater
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David I. Grossvogel |
In the Shadows of Romance
by Jeffrey N. Cox
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John Ehrstine |
Sam Shepard's Metaphorical Stages
by Lynda Hart
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William W. Demastes |
The Mary Play from the N. town Manuscript
ed. Peter Meredith
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Stephen Spector |
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Volume 22: Issue 3, Fall 1988
Essays
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Point of View in Drama: Diegetic Monologue, Unreliable Narrators, and
the Author's Voice on Stage
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Brian Richardson |
Lucan and the Self-Incised Voids of Julius Caesar
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Clifford J. Ronan |
Defining the South English Legendary as a Form of Drama: The Relationship between Theory and Praxis
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Karen Bjelland |
'Shut Up!' 'Be Quiet!' 'Hush!' Talk and Its Suppression in Three Plays by
Tennessee Williams
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Thomas F. Van Laan |
| Reviews |
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Harold Pinter: Critical Approaches
ed. Steven H. Gale
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Hersh Zeifman |
Shakespeare's Tragedies: An Introduction
by Dieter Mehl
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Michael Shapiro |
Renaissance Drama, n.s. 16
ed. Leonard Barkan
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Rolf Soellner |
Renaissance Drama, n.s. 17
ed. Mary Beth Rose
|
Rolf Soellner |
Essays on Modern American Drama: Williams, Miller, Albee,
and Shepard
ed. Dorothy Parker
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Brenda Murphy |
Arthur Miller
by June Schlueter and James K. Flanagan
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Brenda Murphy |
Shakespeare and the Uses of Comedy
by J. A. Bryant, Jr.
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William M. Jones |
Americans in the Arts, 1890-1920
by James Gibbons Huneker
ed. Arnold T. Schwab
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Philip J. Egan |
Critical Essays on Henrik Ibsen
ed. Charles R. Lyons
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Michael Hinden |
Renaissance Revivals: City Comedy and Revenge Tragedy in the
London Theatre, 1576-1980
by Wendy Griswold
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Arthur W. Bloom |
"As Ever, Gene": The Letters of Eugene O'Neill to George Jean Nathan
ed. Nancy L. Roberts and Arthur W. Roberts
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Thomas P. Adler |
Opera and the Uses of Language: Mozart, Verdi, and Britten
by Sandra Corse
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John P. Frayne |
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Volume 22: Issue 4, Winter 1988-89
Essays
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"Deep clerks she dumbs": The Learned Heroine in Apollonius of Tyre
and Pericles
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Elizabeth Archibald |
Musical Structure in the Second Shepherds' Play
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Regula Meyer Evitt |
Renaissance Power and Stuart Dramaturgy: Shakespeare, Milton, Dryden
|
John D. Cox |
The "New Historicism" and Early Modern Drama: A Review Article
|
Clifford Davidson |
| Reviews |
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Dangerous Matter: English Drama and Politics in 1623/24
by Jerzy Limon
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Maurice Charney |
Pirandello and the Crisis of Modern Consciousness
by Anthony Caputi
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Jerome Mazarro |
Ben Jonson's Parodic Strategy: Literary Imperialism in the Comedies
by Robert N. Watson
|
Ejner J. Jensen |
Myth and Ritual in the Plays of Samuel Beckett
ed. Katherine H. Burkman
|
June Schlueter |
Beckett's Later Fiction and Drama: Texts for Company
ed. James Acheson and Kateryna Arthur
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June Schlueter |
On Beckett: Essays and Criticism
ed. S. E. Gontarski
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June Schlueter |
Shakespeare's Playhouses
by Herbert Berry
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Kenneth S. Rothwell |
Patterns and Perspectives in English Renaissance Drama
by Eugene M. Waith |
Cecile Williamson Cary |
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