Volume 22, Issue 1, Spring 1988
Essays
 
Arthur Sullivan, Haddon Hall, and the Iconic Mode

Michael Beckerman
The Narrator within the Performance: Problems with Two Medieval "Plays"

Bruce Moore
Masking Becomes Electra: O'Neill, Freud, and the Feminine

S. Georgia Nugent
"No innocence is safe,/ When power contests": The Factional Worlds of
Caesar and Sejanus

Stuart M. Kurland
Yonadab: Peter Shaffer's Earlier Dramas Revisited in the Court of King David

Dennis A. Klein
Reviews  
Shakespeare and the Victorian Stage
ed. Richard Foulkes

Michael X. Zelenak
Editing Early English Drama: Special Problems and New Directions
ed. A. F. Johnston

Clifford Davidson
The Drama of J. M. Synge
by Mary C. King

James Coakley
A Critical History of Irish Drama, 1891-1980
by D. E. S. Maxwell

James Coakley
Sean O'Casey and His Critics: An Annotated Bibliography
by E. H. Mikhail

James Coakley
Four Middle English Mystery Cycles: Textual, Contextual, and
Critical Interpretations

by Martin Stevens

Peter Happé
The Patriarchy of Shakespeare's Comedies
by Marilyn L. Williamson

Stephanie Demetrakopoulos
Shakespeare's Comedies: From Roman Farce to Romantic Mystery
by Robert Ornstein

Sidney Homan
International Bibliography of Theatre: 1982;
and International Bibliography of Theatre; 1983


Louis A. Rachow
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Volume 22: Issue 2, Summer 1988
Essays
 
The Five Voices of The Birth of Tragedy

Michael Hinden
The Croxton Play of the Sacrament: A Re-Reading

Ann Eljenholm Nichols
Lucanic Omens in Julius Caesar

Clifford J. Ronan
Placing Shaffer's Lettice and Lovage in Perspective

C. J. Gianakaris
Comedic and Liturgical Restoration in Everyman

John Cunningham
Reviews  
Restoration Comedy in Performance
by J. L. Styan

Derek Hughes
Harley Granville-Barker: A Preface to Modern Shakespeare
by Christine Dymkowski

James Coakley
Shakespeare's Theater of Presence: Language, Spectacle, and
the Audience

by Sidney Homan

Albert E. Kalson
The Play of Truth and State: Historical Drama from Shakespeare to Brecht
by Matthew H. Wikander

Stephen Watt
The Wooster Group, 1975-1985: Breaking the Rules
by David Savran

Bruce King
Beyond Minimalism: Beckett's Late Style in the Theater
by Enoch Brater

David I. Grossvogel
In the Shadows of Romance
by Jeffrey N. Cox

John Ehrstine
Sam Shepard's Metaphorical Stages
by Lynda Hart

William W. Demastes
The Mary Play from the N. town Manuscript
ed. Peter Meredith

Stephen Spector
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Volume 22: Issue 3, Fall 1988
Essays
 
Point of View in Drama: Diegetic Monologue, Unreliable Narrators, and
the Author's Voice on Stage

Brian Richardson
Lucan and the Self-Incised Voids of Julius Caesar

Clifford J. Ronan
Defining the South English Legendary as a Form of Drama: The Relationship between Theory and Praxis

Karen Bjelland
'Shut Up!' 'Be Quiet!' 'Hush!' Talk and Its Suppression in Three Plays by
Tennessee Williams

Thomas F. Van Laan
Reviews  
Harold Pinter: Critical Approaches
ed. Steven H. Gale

Hersh Zeifman
Shakespeare's Tragedies: An Introduction
by Dieter Mehl

Michael Shapiro
Renaissance Drama, n.s. 16
ed. Leonard Barkan

Rolf Soellner
Renaissance Drama, n.s. 17
ed. Mary Beth Rose

Rolf Soellner
Essays on Modern American Drama: Williams, Miller, Albee,
and Shepard

ed. Dorothy Parker

Brenda Murphy
Arthur Miller
by June Schlueter and James K. Flanagan

Brenda Murphy
Shakespeare and the Uses of Comedy
by J. A. Bryant, Jr.

William M. Jones
Americans in the Arts, 1890-1920
by James Gibbons Huneker
ed. Arnold T. Schwab

Philip J. Egan
Critical Essays on Henrik Ibsen
ed. Charles R. Lyons

Michael Hinden
Renaissance Revivals: City Comedy and Revenge Tragedy in the
London Theatre, 1576-1980

by Wendy Griswold

Arthur W. Bloom
"As Ever, Gene": The Letters of Eugene O'Neill to George Jean Nathan
ed. Nancy L. Roberts and Arthur W. Roberts

Thomas P. Adler
Opera and the Uses of Language: Mozart, Verdi, and Britten
by Sandra Corse

John P. Frayne
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Volume 22: Issue 4, Winter 1988-89
Essays
 
"Deep clerks she dumbs": The Learned Heroine in Apollonius of Tyre
and Pericles

Elizabeth Archibald
Musical Structure in the Second Shepherds' Play

Regula Meyer Evitt
Renaissance Power and Stuart Dramaturgy: Shakespeare, Milton, Dryden

John D. Cox
The "New Historicism" and Early Modern Drama: A Review Article

Clifford Davidson
Reviews  
Dangerous Matter: English Drama and Politics in 1623/24
by Jerzy Limon

Maurice Charney
Pirandello and the Crisis of Modern Consciousness
by Anthony Caputi

Jerome Mazarro
Ben Jonson's Parodic Strategy: Literary Imperialism in the Comedies
by Robert N. Watson

Ejner J. Jensen
Myth and Ritual in the Plays of Samuel Beckett
ed. Katherine H. Burkman

June Schlueter
Beckett's Later Fiction and Drama: Texts for Company
ed. James Acheson and Kateryna Arthur

June Schlueter
On Beckett: Essays and Criticism
ed. S. E. Gontarski

June Schlueter
Shakespeare's Playhouses
by Herbert Berry

Kenneth S. Rothwell
Patterns and Perspectives in English Renaissance Drama
by Eugene M. Waith
Cecile Williamson Cary

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