Volume 17, Issue 1, Spring 1983
Essays
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"To Set a Form upon that Indigest": Shakespeare's Fictions of History
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David Scott Kastan |
The Song of Songs as a Drama in the Commentators from Origen to the
Twentieth Century
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Joseph R. Jones |
Sounding Ionesco: Problems in Translating La Leçon and Jacques ou
La Soumission
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Richard Takvorian
and Michael Spingler |
The Iconography of Herod in the Fleury Playbook and the Visual Arts
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Miriam Anne Skey |
| Reviews |
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Modern Drama in Theory and Practice
by J. L. Styan
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Peter W. Ferran |
Records of Plays and Players in Norfolk and Suffolk
ed. David Galloway and John Wasson
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Alan H. Nelson |
When the Theatre Turns to Itself: The Aesthetic Metaphor
in Shakespeare
by Sidney Homan
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William M. Jones |
The Censorship of English Drama 1824-1901
by John Russell Stephens
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Carl Woodring |
Lost Angels of a Ruined Paradise
by Erika Gottlieb
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Carl Woodring |
At Play with Krishna: Pilgrimage Dramas from Brindavan
by John Stratton Hawley
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Farley Richmond |
Javanese Wayang Kulit
by Edward Van Ness
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Farley Richmond |
Henry Irving, Shakespearean
by Alan Hughes
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Margaret Rubin |
Shakespeare and the Dance
by Alan Brissenden
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Elise Bickford Jorgens |
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Volume 17, Issue 2, Summer 1983
Essays
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A Dramatic History of Misanthropes
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David Konstan |
Liturgical Dramaturgy
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Cynthia Bourgeault |
Formalizing French Farce: Johan Johan and Its French Connection
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Howard B. Norland |
Korean Shamanist Theater and Drama
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Daniel A. Kister, S. J. |
| Reviews |
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"Ibsen the Romantic": Analogues of Paradise in The Later Plays
by Errol Durbach
|
Brian Johnston |
Shakespear Survey 34: Characterization in Shakespeare
ed. Stanley W. Wells
|
Michael Manheim |
Renaissance Drama, n.s. 12
ed. Alan Dessen
|
Marie Axton |
The Calms of Capricorn: A Preliminary Edition
by Eugene O'Neill
ed. Donald Gallup
|
Michael Hinden |
Work Diary 1924-1943
by Eugene O'Neill
ed. Donald Gallup
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Michael Hinden |
Eugene O'Neill at Work: Newly Released Ideas for Plays
ed. Virginia Floyd
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Michael Hinden |
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Volume 17, Issue 3, Fall 1983
Essays
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Correcting Some Errors in Annals of O'Neill
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Louis Sheaffer |
An Interpretation of DeWitt's Drawing on the Methodological Ground of Perspective Restitution
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Henryk Limon
and Jerzy Limon |
A Palimpset for Olivier's Hamlet
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Bernice W. Kliman |
The Durham Play of Mary and the Poor Knight: Sources and Analogues of a
Lost English Miracle Play
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Stephen K. Wright |
Shakespeare and Brecht: The Perils and Pleasures of Inheritance
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John Rouse |
| Reviews |
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Molière: A Playwright and his Audience
by W. D. Howarth
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Peter V. Conroy, Jr. |
Bertolt Brecht. Political Theory and Literary Practice
ed. Betty Nance Weber and Hubert Heinen
|
James K. Lyon |
Roger Planchon. Director and Playwright
by Yvette Daoust
|
Felicia H. Londré |
"The Theatre We Worked For": The Letters of Eugene O'Neill
to Kenneth Macgowan
ed. Jackson R. Bryer
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Michael Manheim |
French Tragedy: The Power of Enactment
by Albert Cook
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Jacqueline Van Baelen |
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Volume 17, Issue 4, Winter 1983-84
Essays
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The Ending of A Doll House and Augier's Maître Guérin
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Thomas F. Van Laan |
A Little-Known Fragment of a Dutch Abraham-and-Sarah Play
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Mary-Jo Arn |
Canvas Walls and Cardboard Fortresses: Representatives of Place in the
National Historical Dramas of Early Nineteenth-Century France
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Barbara T. Cooper |
Animal Symbolism in Shakespeare's Hamlet: The Imagery of Sex Nausea
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Karl P. Wentersdorf |
| Reviews |
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The Poetics of Jacobean Drama
by Coburn Freer
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Michael Shapiro |
Max Reinhardt
by J. L. Styan
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Cary M. Mazer |
Two Plays, 'Sodom and Gamorrah' and 'Comedy: A Tragedy in One Act'
by Nikos Kazantzakis
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M. Byron Raizis |
Dramatic Design in the Chester Cycle
by Peter W. Travis
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Theresa Coletti |
Eugène Labiche and Georges Feydeau
by Leonard C. Pronko
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Oscar G. Brockett |
Drama and Symbolism (Themes in Drama, 4)
ed. James Redmond |
James Coakley |
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