Volume 17, Issue 1, Spring 1983
Essays
 
"To Set a Form upon that Indigest": Shakespeare's Fictions of History

David Scott Kastan
The Song of Songs as a Drama in the Commentators from Origen to the
Twentieth Century

Joseph R. Jones
Sounding Ionesco: Problems in Translating La Leçon and Jacques ou
La Soumission


Richard Takvorian
and Michael Spingler
The Iconography of Herod in the Fleury Playbook and the Visual Arts

Miriam Anne Skey
Reviews  
Modern Drama in Theory and Practice
by J. L. Styan

Peter W. Ferran
Records of Plays and Players in Norfolk and Suffolk
ed. David Galloway and John Wasson

Alan H. Nelson
When the Theatre Turns to Itself: The Aesthetic Metaphor
in Shakespeare

by Sidney Homan

William M. Jones
The Censorship of English Drama 1824-1901
by John Russell Stephens

Carl Woodring
Lost Angels of a Ruined Paradise
by Erika Gottlieb

Carl Woodring
At Play with Krishna: Pilgrimage Dramas from Brindavan
by John Stratton Hawley

Farley Richmond
Javanese Wayang Kulit
by Edward Van Ness

Farley Richmond
Henry Irving, Shakespearean
by Alan Hughes

Margaret Rubin
Shakespeare and the Dance
by Alan Brissenden

Elise Bickford Jorgens
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Volume 17, Issue 2, Summer 1983
Essays
 
A Dramatic History of Misanthropes

David Konstan
Liturgical Dramaturgy

Cynthia Bourgeault
Formalizing French Farce: Johan Johan and Its French Connection

Howard B. Norland
Korean Shamanist Theater and Drama

Daniel A. Kister, S. J.
Reviews  
"Ibsen the Romantic": Analogues of Paradise in The Later Plays
by Errol Durbach

Brian Johnston
Shakespear Survey 34: Characterization in Shakespeare
ed. Stanley W. Wells

Michael Manheim
Renaissance Drama, n.s. 12
ed. Alan Dessen

Marie Axton
The Calms of Capricorn: A Preliminary Edition
by Eugene O'Neill
ed. Donald Gallup

Michael Hinden
Work Diary 1924-1943
by Eugene O'Neill
ed. Donald Gallup

Michael Hinden
Eugene O'Neill at Work: Newly Released Ideas for Plays
ed. Virginia Floyd

Michael Hinden
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Volume 17, Issue 3, Fall 1983
Essays
 
Correcting Some Errors in Annals of O'Neill

Louis Sheaffer
An Interpretation of DeWitt's Drawing on the Methodological Ground of Perspective Restitution

Henryk Limon
and Jerzy Limon
A Palimpset for Olivier's Hamlet

Bernice W. Kliman
The Durham Play of Mary and the Poor Knight: Sources and Analogues of a
Lost English Miracle Play

Stephen K. Wright
Shakespeare and Brecht: The Perils and Pleasures of Inheritance

John Rouse
Reviews  
Molière: A Playwright and his Audience
by W. D. Howarth

Peter V. Conroy, Jr.
Bertolt Brecht. Political Theory and Literary Practice
ed. Betty Nance Weber and Hubert Heinen

James K. Lyon
Roger Planchon. Director and Playwright
by Yvette Daoust

Felicia H. Londré
"The Theatre We Worked For": The Letters of Eugene O'Neill
to Kenneth Macgowan
ed. Jackson R. Bryer

Michael Manheim
French Tragedy: The Power of Enactment
by Albert Cook

Jacqueline Van Baelen
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Volume 17, Issue 4, Winter 1983-84
Essays
 
The Ending of A Doll House and Augier's Maître Guérin

Thomas F. Van Laan
A Little-Known Fragment of a Dutch Abraham-and-Sarah Play

Mary-Jo Arn
Canvas Walls and Cardboard Fortresses: Representatives of Place in the
National Historical Dramas of Early Nineteenth-Century France

Barbara T. Cooper
Animal Symbolism in Shakespeare's Hamlet: The Imagery of Sex Nausea

Karl P. Wentersdorf
Reviews  
The Poetics of Jacobean Drama
by Coburn Freer

Michael Shapiro
Max Reinhardt
by J. L. Styan

Cary M. Mazer
Two Plays, 'Sodom and Gamorrah' and 'Comedy: A Tragedy in One Act'
by Nikos Kazantzakis

M. Byron Raizis
Dramatic Design in the Chester Cycle
by Peter W. Travis

Theresa Coletti
Eugène Labiche and Georges Feydeau
by Leonard C. Pronko

Oscar G. Brockett
Drama and Symbolism (Themes in Drama, 4)
ed. James Redmond
James Coakley

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