Volume 16, Issue 1, Spring 1982
Essays
  
Comedia and Trauerspiel: On Benjamin and Calderón

 Anthony J. Cascardi
Play Strindberg and the Theater of Adaptation

 Enoch Brater
Isidore and the Theater

Joseph R. Jones
When Playwrights Talk to God: Peter Shaffer and the Legacy of O'Neill

 Michael Hinden
Lope de Vega's and Webster's Amalfi Plays

 John Loftis
Reviews  
Shakespeare's Revision of "King Lear"
by Steven Urkowitz

 John W. Velz
The Theatrical Compositions of the Major English Romantic Poets
by Joan Mandell Baum

 John W. Ehrstine
Tennessee Williams
by Felicia Hardison Londré

 Ina Rae Hark
Early English Stages, 1300 to 1660: Vol. III: Plays and Their Makers
to 1576
by Glynne Wickham

 Clifford Davidson
Plays about the Theatre in England, 1737-1800
by Dane Farnsworth Smith and M. L. Lawhon

 Robert D. Hume
The Victorian Theatre 1792-1914: A Survey
by George Rowell

 Carl Woodring
John Marston's Drama: Themes, Images, Sources
by George C. Geckle

 Robert C. Jones
Shakespeare, Jonson, Molière: The Comic Contract
by Nicholas Grene
 Oscar G. Brockett
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Volume 16, Issue 2, Summer 1982
Essays
  
Julius Caesar from a Euripidean Perspective

 J. A. Bryant, Jr.
The Skill of Cain in the English Mystery Cycles

 Blair W. Boone
From Play to Plays: The Folklore of Comedy

 Harry Levin
The Two Cities in the Fleury Playbook

 Thomas P. Campbell
"Those Beautiful Characters of Sense": Classical Deities and the Court Masque

 Judith Dundas
Reviews  
Realms of the Self: Variations on a Theme in Modern Drama
by Arthur Ganz

 Enoch Brater
Symbolic Action in the Plays of the Wakefield Master
by Jeffrey Helterman

 Barbara Palmer
A Middle English Treatise on the Playing of Miracles
ed. Clifford Davidson

 Theresa Coletti
The Shakespeare Play as Poem: A Critical Tradition in Perspective
by S. Viswanathan

 J. A. Bryant, Jr.
Chekhov: The Critical Heritage
ed. Victor Emeljanov

 James Curtis
Two Tudor Interludes
ed. Ian Lancashire

 John Scott Colley
John Skelton, Magnificance
ed. Paula Neuss

 John Scott Colley
Pirandello: An Approach to His Theatre
by Olga Ragusa

 Anne Paolucci
Bertolt Brecht in America
by James K. Lyon

 Oscar G. Brockett
A Complete Concordance to The Chester Mystery Plays and a KWIC
Concordance to the Plays of the Wakefield Master
by Michael Preston and Jean Pfleiderer

 Clifford Davidson
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Volume 16, Issue 3, Fall 1982
Essays
  
Actor, Maschera, and Role: An Approach to Irony in Performance

 Raymond J. Pentzell
"Cockes face" and the Problem of poydrace in the Chester Passion

 Lorrayne Y. Baird
O'Neill's Transcendence of Melodrama in A Touch of the Poet and A Moon for
the Misbegotten

 Michael Manheim
Westward-Northward: Structural Development in Dekker's Ho Plays

 Larry S. Champion
Reviews  
Patterns in Ibsen's Middle Plays
by Richard Hornby

 Brian Johnston
The London Theatre World, 1660-1800
ed. Robert D. Hume

 G. L. Anderson
Shakespeare: Contemporary Critical Approaches
ed. Harry R. Garvin and Michael D. Payne

 Cecile Williamson Cary
Shakespeare's Development and the Problem Comedies:
Turn and Counter-Turn
by Richard P. Wheeler

 Cecile Williamson Cary
New Zealand Drama
by Howard McNaughton

 David Carnegie
The Small Theatre Handbook: A Guide to Management and Production
by Joann Green

 Thomas Small
A Shakespeare Workbook, Volume I: Tragedies and Volume II: Comedies
by Bertram Joseph

 Walter J. Meserve
Aristophanes: Essays in Interpretation
ed. Jeffrey Henderson

 Roger A. Hornsby
The History of the Greek and Roman Theater
by Margarete Bieber

 William S. Rodner
Shakespeare and the Problem of Meaning
by Norman Rabkin

 Michael E. Mooney
Peer Gynt
by Henrik Ibsen
trans. Rolf Fjelde

 Marie Wells
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Volume 16, Issue 4, Winter 1982-83
Essays
  
Perceiving Rockaby —As a Text, As a Text by Samuel Beckett, As a Text for Performance

 Charles R. Lyons
Terence and the Death of Comedy

 Sander M. Goldberg
Interior Action: The Impact of Noh on Jean-Louis Barrault

 John K. Gillespie
Modal and Motivic Coherence in the Music of the Fleury Play Book

 Clyde W. Brockett
Reviews  
The Privileged Playgoers of Shakespeare's London
by Ann Jennalie Cook

 Alan C. Dessen
Drama, Dance and Music
ed. James Redmond

 John L. Styan
The Strands Entwined: A New Direction in American Drama
by Samuel J. Bernstein

 Ina Rae Hark
An Introduction to French Classical Tragedy
by C. J. Gossip

 Peter V. Conroy, Jr.
Prefaces to Nineteenth-Century Theatre
by Michael R. Booth

 James S. Moy
Tom Stoppard
by Felicia H. Londré

 Marilyn G. Rose
The Classical Tradition in Shakespeare, Donne, Herbert, and Milton
by Camlille W. Slights

 Warren H. Chelline
Shakespeare and the Solitary Man
by Jeanette Dillon

 Robert C. Jones
Russian Dramatic Theory from Pushkin to the Symbolists
ed. Laurence Senelick

 Felicia H. Londré
The Transformations of Godot
by Frederick Busi		 Leonard Powlick

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