Volume 14, Issue 1, Spring 1980
Essays
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"Ower Swete Sokor": The Role of Ophelia in Hamlet
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Cherrell Guilfoyle |
Defeated Sexuality in the Plays and Novels of Samuel Beckett
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Kristin Morrison |
Aphrodite katadyomene : Dryden's Cleopatra on the Cydnos
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Derek Hughes |
On the Dissemination of Quem quaeritis and the Visitatio sepulchri and the Chronology of Their Early Sources
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David A. Bjork
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Wagner and Shaw: Rheingold Motifs in Major Barbara
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Robert Coskren |
Measure for Measure , Montmorency and Sardou's La Tosca
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Mark Eccles |
| Reviews |
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York
ed. Alexandra F. Johnston and Margaret Rogerson
|
Clifford Davidson |
The Gorgon's Head: A Study in Tragedy and Despair
by William R. Brashear
|
John Chioles |
Les Centres dramatiques nationaux de province
by Kenneth White
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Bettina L. Knapp |
Marlowe's The Jew of Malta
ed. N. W. Bawcutt
|
Mark Rose |
The Irish Drama of Europe from Yeats to Beckett
by Katharine Worth
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Marilyn Gaddis Rose |
Robert Anderson
by Thomas P. Adler
|
Stephen S. Stanton |
Opera in the Development of German Critical Thought
by Gloria Flaherty
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Henry A. Lea |
Goethe and the Weimar Theatre
by Marvin Carlson
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Liselotte Dieckmann |
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Volume 14, Issue 2, Summer 1980
Essays
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Verse Drama: A Reconsideration
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William G. McCollom |
Didactic Characterization: the Towneley Abraham
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Donna Smith Vinter |
The Beginning of Hamlet
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Cherrell Guilfoyle |
Aeschylus and O'Neill: A Phenomenological View
|
John Chioles |
| Reviews |
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The Dramatic Works in the Beaumont and Fletcher Canon, Volume IV
ed. Fredson Bowers et al.
|
Christopher Spencer |
Thomas Betterton and the Management of Lincoln's Inn Fields 1695-1708
by Judith Milhous
|
Frederick J. Rogers |
The Playwright as Magician: Shakespeare's Image of the Poet in the
English Public Theater
by Alvin B. Kerman
|
Mark Eccles |
Clifford Odets: Playwright-Poet
by Harold Cantor
|
Walter J. Meserve |
John Ford and the Caroline Theatre
by Dorothy M. Farr
|
Robert C. Jones |
Beyond Absurdity: The Plays of Tom Stoppard
by Victor L. Cahn
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Felicia Hardison Londré |
J. M. Synge and the Western Mind
by Weldon Thornton
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Marilyn Gaddis Rose |
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Volume 14, Issue 3, Fall 1980
Essays
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Continuity in the Art of Dying: The Duchess of Malfi
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Bettie Anne Doebler |
Suicide and Seneca in Two Eighteenth Century Tragedies
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Stephen L. Trainor |
Methods of Drama Criticism
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Roy Battenhouse |
Desire and Forgiveness: O'Neill's Diptych
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Michael Hinden |
Taoism and O'Neill's Marco Millions
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James A. Robinson |
Dream and Ritual Process in A Midsummer Night's Dream
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Florence Falk |
| Reviews |
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Contemporary Approaches to Ibsen: Reports from the Fourth International
Ibsen Seminar
ed. Daniel Haakonsen
|
Brian Johnston |
Records of Early English Drama, Volume 3: Chester
ed. Lawrence M. Clopper
|
Peter W. Travis |
Shaw and Ibsen: Bernard Shaw's The Quintessence of Ibsenism and
Related Writings
by J. L. Wisenthal
|
Arthur Ganz |
Dreams of Passion: The Theater of Luigi Pirandello
by Roger W. Oliver
|
Joseph J. Moleski |
The Dream Structure of Pinter's Plays: A Psychoanalytic Approach
by Lucina Paquet Gabbard
|
Joseph J. Moleski |
The Baptism and Temptation of Christ: The First Day of a Medieval French
Passion Play
ed. John R. Elliott, Jr., and Graham A. Runnalls
|
M. J. Freeman |
Thomas Middleton and the New Comedy Tradition
by George E. Rowe, Jr.
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Donald K. Anderson, Jr. |
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Volume 14, Issue 4, Winter 1980-81
Essays
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| Gadshill, Hotspur, and the Design of Proleptic Parody |
Robert P. Merrix
and Arthur Palacas
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The Home of the Fleury Playbook
|
Fletcher Collins, Jr. |
Rhyme and Reason in Ibsen's Norma
|
Samuel G. McLellan |
The Truth of Spectacle: A Meditation on Clouds
|
Judith Dundas |
Using Comic Devices to Answer the Ultimate Question: Tom Stoppard's Jumpers and Woody Allen's God
| Felicia Hardison Londré |
The Mirror as Stage Prop in Modern Drama
|
Thomas P. Adler |
| Reviews |
|
Forging a Language: A Study of the Plays of Eugene O'Neill
by Jean Chothia
|
Michael Hinden |
Poems: 1912-1944
by Eugene O'Neill
|
Michael Hinden |
Threshold of a Nation: A Study in English and Irish Drama
by Philip Edwards
|
Larry S. Champion |
The Ornament of Action: Text and Performance in Restoration Comedy
by Peter Holland
|
Robert D. Hume |
Plays of Confession and Therapy
by August Strindberg
trans. Walter Johnson
|
Felicia Hardison Londré |
The Abbey: Ireland's National Theatre 1904-1979
by Hugh Hunt
|
Marilyn Gaddis Rose |
Metafictional Characters in Modern Drama
by June Schlueter
|
Enoch Brater |
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