Volume 13, Issue 1, Spring 1979
Essays
 
Anti-Semitism and the English Mystery Plays

Stephen Spector
The Demons of John Gabriel Borkman

Brian Johnston
Paterian Aesthetics in Yeats' Drama

F. C. McGrath
Sleep and Death: The Twins in Shakespeare

S. Viswanathan
Edward Bond's Lear

Leslie Smith
Reviews  
The Saint Gall Passion Play
trans. Larry E. West

John E. Tailby
Savage Comedy: Structures of Humor
ed. Kenneth S. White

Marilyn Gaddis Rose
Sheridan's Comedies: Their Contexts and Achievements
by Mark S. Auburn

Judith Milhous
Literature as Opera
by Gary Schmidgall

John Henry Raleigh
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Volume 13, Issue 2, Summer 1979
Essays
 
The Sound of a Poet Singing Loudly: A Look at Elegy for Young Lovers

Marc A. Roth
Time and Memory in Pinter's Proust Screenplay

Enoch Brater
"Framing" as Collaborative Technique: Two Middleton-Rowley Plays

Michael E. Mooney
The Director Intervenes: Christopher Hampton's Savages

Peter Holland
The Iconography of Food and the Motif of World Order in Friar Bacon
and Friar Bungay


Cecile Williamson Cary
Reviews  
The Walter Scott Operas
by Jerome Mitchell

John Ehrstine
English Drama: Forms and Development. Essays in Honour of Muriel
Clara Bradbrook

ed. Marie Axton and Raymond Williams

Rolf Soellner
The Masks of Macbeth
by Marvin Rosenberg

J. L. Styan
The Beaux' Stratagem
ed. Charles N. Fifer

Eric Rothstein
Shakespearean Representation: Mimesis and Modernity in Elizabethan
Tragedy

by Howard Felperin

W. David Kay
Fields of Play in Modern Drama
by Thomas R. Whitaker

Frederick P. W. McDowell
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Volume 13, Issue 3, Fall 1979
Essays
 
The Playwright as Perfect Wagnerite: Motifs from the Music Dramas in
the Theatre of Bernard Shaw

Arthur Ganz
The Morality Play: Ancestor of Elizabethan Drama?

John Wasson
The Ovids of Ben Jonson in Poetaster and in Epicoene

Joseph A. Dane
An Interlude or Mystery Play by William Ireland, 1975

J. W. Robinson
High Tide in the London Theatre: Some Notes on the 1978-79 Season

J. L. Styan
Reviews  
The Ways of the World: Comedy and Society
by Robert R. Heilman

Thomas B. Stroup
The Two Faces of Ionesco
by Rosette Lamont and Melvin Friedman

Leonard C. Pronko
Ibsen: A Dissenting View
by Ronald Gray

Otto Reinert
Studies in the Continental Background of Renaissance English Literature:
Essays Presented to John L. Lievsay

ed. Dale Randall and George Williams

J. A. Bryant, Jr.
Poetic Drama as Mirror of the Will
by Michael Black

Judith Milhous
Jonson and Elizabethan Comedy: Essays in Dramatic Rhetoric
by L. A. Beaurline

Mark Eccles
Script into Performance: A Structuralist View of Play Production
by Richard Hornby

Ina Rae Hark
Shakespeare Survey 30 (Henry IV to Hamlet)
ed. Kenneth Muir

John W. Velz
Role-Playing in Shakespeare
by Thomas Van Laan

Marvin Rosenberg
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Volume 13, Issue 4, Winter 1979-80
Essays
 
Theory and Practice in French Wagnerian Drama: Édouard Dujardin and
La Légende d'Antonia

K. M. McKilligan
On the Uses of Iconographic Study: The Example of the Sponsus From
St. Martial of Limoges

Clifford Davidson
Epistemology and Ethics in Tom Stoppard's Professional Foul

Richard J. Buhr
Herod the Great in Medieval European Drama

Miram Anne Skey
Reviews  
From Büchner to Beckett: Dramatic Theory and the Modes of Tragic
Drama

by Alfred Schwarz

Enoch Brater
The Second Maiden's Tragedy
ed. Anne Lancashire

Christopher Spencer
Martin Walser: The Development as Dramatist 1950-1970
by Anthony Edward Waine

Gerald A. Fetz
Aristophanes
by Lois Spatz

Peter Arnott
Shakespeare in the Theatre
by Richard David

W. L. Godshalk
The Esthetic of Jean Cocteau
by Lydia Crowson

James Coakley
Oktoberrevolution und Sowjetrussland auf dem deutschen Theater:
Zur Verwendung eines geschichtlichen Motivs im deutschen
Schauspiel von 1918 bis sur Gegenwart

by Gunter Reus

Reinhart Jost
Shakespeare's Tragedies
by Phyllis Rackin

David A. Richardson
Edward Albee: The Poet of Loss
by Anita M. Stenz

Terry Otten

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