Volume 12, Issue 1, Spring 1978
Essays
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The Retrospective Technique and Its Implications for Tragedy
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Charles A. Hallett |
The Idea of a Person in Medieval Morality Plays
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Natalie Crohn Schmitt |
A Footnote to Footfalls : Footsteps of Infinity on Beckett's Narrow Space
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Enoch Brater |
3 Henry VI : Dramatic Convention and the Shakespearean History Play
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John D. Cox |
The Shape of Brecht's Duchess of Malfi
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M. S. Barranger |
| Reviews |
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Shakespeare on the American Stage: From Hallams to Edwin Booth
by Charles H. Shattuck
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Oscar G. Brockett |
Neo-Classical Dramatic Criticism: 1560-1770
by Thora Burnley Jones & Bernard de Bear Nicol
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John Scott Colley |
Ritual and Pathos—the Theater of O'Neill
by Leonard Chabrowe
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John H. Stroupe |
MACBETH Onstage: An Annotated Facsimile of Glen Byam Shaw's
1955 Promptbook
ed. Michael Mullin
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Anthony Graham-White |
Walter Kerr: An Analysis of His Criticism
by Roderick Bladel
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James Coakley |
The Great Feast of Language in LOVE'S LABOUR'S LOST
by William C. Carroll
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David M. Bergeron |
Shakespeare Survey 29
ed. Kenneth Muir
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William L. Godshalk |
The Montecassino Passion and the Poetics of Medieval Drama
by Robert Edwards
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David H. Darst |
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Volume 12, Issue 2, Summer 1978
Essays
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Stop the World—I Want to Get Off : The Vice as Everyman
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Ina Rae Hark |
Iconography and Characterization in English Tragedy 1585-1642
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Huston Diehl |
Woyzeck and Othello : The Dimentions of Melodrama
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Terry Otten |
Why Do the Shepherds Prophesy?
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Thomas P. Campbell |
Work and Play: Some Aspects of Folk Drama in Russia
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Elizabeth A. Warner |
| Reviews |
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Cultural Thematics: The Formation of the Faustian Ethos
by T. K. Seung
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Robert McCauley |
Faust
A New Translation by Walter Arndt
|
Edith Potter |
Oscar Wilde
by Louis Kronenberger
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Charles A. Berst |
August Strindberg
by Walter Johnson
|
Bettina L. Knapp |
The World of Harlequin: A Critical Study of The Commedia Dell Arte
by Allardyce Nicoll
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Henry B. Williams |
Jean Anouilh
by Lewis W. Falb
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Marilyn Gaddis Rose |
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Volume 12, Issue 3, Fall 1978
Essays
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Krapp's Last Tape and Critical Theory
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SueEllen Campbell |
Law and Disorder in Ludus Coventriae
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Lynn Squires |
Dance to a Cut-Throat Temper: Harold Pinter's Poetry as an Index to Intended
Audience Response
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Christopher C. Hudgins |
A Shakespearean Tribute to Ben Jonson in Garrick's Operatic Version of A Midsummer Night's Dream
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John P. Cutts |
Martin Walser's Sauspiel and the Contemporary German History Play
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Gerald A. Fetz |
| Reviews |
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Spirits Finely Touched: The Testing of Value and Integrity in Four
Shakespearean Plays
by Harold Skulsky
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Roy Battenhouse |
A Life in a Wooden O: Memoirs of the Theatre
by Ben Iden Payne
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J. L. Styan |
Poetry and Drama in the York Corpus Christi Play
by Richard J. Collier
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Clifford Davidson |
The Shakespeare Revolution
by J. L. Styan
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Eugene M. Waith |
"Curious-Knotted Garden": The Form, Themes, and Contexts of Shakespeare's Love's Labour's Lost
by Louis Adrian Montrose
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John Arthos |
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Volume 12, Issue 4, Winter 1978-79
Essays
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Richard Cumberland, Comic Force, and Misanthropy
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Eugene M. Waith |
"Christicolae," Prudentius, and the Quem Quaeritis Easter Dialogue
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Robert E. Jungman |
Henry II in Drama: Changing Historical Outlooks
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Thomas M. Jones |
W. H. Auden's Plays for the Group Theatre: From Revelation to Revelation
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Edward Callan |
Eve's Flesh and Blood in Jonson's Bartholomew Fair
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Renu Juneja |
| Reviews |
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Children of the Revels: The Boy Companies of Shakespeare's Time and
Their Plays
by Michael Shapiro
|
Philip Kolin |
Das englische Drama der Gegenwart. Interpretationen
ed. Horst Oppel
|
David Bronsen |
The Language of Adam: On the Limits and Systems of Discourse
by Russell Fraser
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William M. Jones |
Elizabethan Drama and the Viewer's Eye
by Alan C. Dessen
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Brownell Salomon |
The Honor Plays of Lope de Vega
by Donald R. Larson
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David H. Darst |
Antonio's Revenge
ed. W. Reavley Gair
|
Robert C. Jones |
English Drama, 1900-1950: A Guide to Information Sources
by E. H. Mikhail
|
Nancy Cutbirth |
Polish Romantic Drama: Three Plays in English Translation
ed. Harold B. Segel
|
E. J. Czerwinski |
Dürrenmatt. A Study in Plays, Prose, Theory
by Timo Tiusanen |
Hans Banziger |
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