Volume 12, Issue 1, Spring 1978
Essays
 
The Retrospective Technique and Its Implications for Tragedy

Charles A. Hallett
The Idea of a Person in Medieval Morality Plays

Natalie Crohn Schmitt
A Footnote to Footfalls : Footsteps of Infinity on Beckett's Narrow Space

Enoch Brater
3 Henry VI : Dramatic Convention and the Shakespearean History Play

John D. Cox
The Shape of Brecht's Duchess of Malfi


M. S. Barranger
Reviews  
Shakespeare on the American Stage: From Hallams to Edwin Booth
by Charles H. Shattuck

Oscar G. Brockett
Neo-Classical Dramatic Criticism: 1560-1770
by Thora Burnley Jones & Bernard de Bear Nicol

John Scott Colley
Ritual and Pathos—the Theater of O'Neill
by Leonard Chabrowe

John H. Stroupe
MACBETH Onstage: An Annotated Facsimile of Glen Byam Shaw's
1955 Promptbook

ed. Michael Mullin

Anthony Graham-White
Walter Kerr: An Analysis of His Criticism
by Roderick Bladel

James Coakley
The Great Feast of Language in LOVE'S LABOUR'S LOST
by William C. Carroll

David M. Bergeron
Shakespeare Survey 29
ed. Kenneth Muir

William L. Godshalk
The Montecassino Passion and the Poetics of Medieval Drama
by Robert Edwards

David H. Darst
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Volume 12, Issue 2, Summer 1978
Essays
 
Stop the World—I Want to Get Off : The Vice as Everyman

Ina Rae Hark
Iconography and Characterization in English Tragedy 1585-1642

Huston Diehl
Woyzeck and Othello : The Dimentions of Melodrama

Terry Otten
Why Do the Shepherds Prophesy?

Thomas P. Campbell
Work and Play: Some Aspects of Folk Drama in Russia


Elizabeth A. Warner
Reviews  
Cultural Thematics: The Formation of the Faustian Ethos
by T. K. Seung

Robert McCauley
Faust
A New Translation by Walter Arndt

Edith Potter
Oscar Wilde
by Louis Kronenberger

Charles A. Berst
August Strindberg
by Walter Johnson

Bettina L. Knapp
The World of Harlequin: A Critical Study of The Commedia Dell Arte
by Allardyce Nicoll

Henry B. Williams
Jean Anouilh
by Lewis W. Falb

Marilyn Gaddis Rose
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Volume 12, Issue 3, Fall 1978
Essays
 
Krapp's Last Tape and Critical Theory

SueEllen Campbell
Law and Disorder in Ludus Coventriae

Lynn Squires
Dance to a Cut-Throat Temper: Harold Pinter's Poetry as an Index to Intended
Audience Response

Christopher C. Hudgins
A Shakespearean Tribute to Ben Jonson in Garrick's Operatic Version of A Midsummer Night's Dream

John P. Cutts
Martin Walser's Sauspiel and the Contemporary German History Play


Gerald A. Fetz
Reviews  
Spirits Finely Touched: The Testing of Value and Integrity in Four
Shakespearean Plays

by Harold Skulsky

Roy Battenhouse
A Life in a Wooden O: Memoirs of the Theatre
by Ben Iden Payne

J. L. Styan
Poetry and Drama in the York Corpus Christi Play
by Richard J. Collier

Clifford Davidson
The Shakespeare Revolution
by J. L. Styan

Eugene M. Waith
"Curious-Knotted Garden": The Form, Themes, and Contexts of Shakespeare's Love's Labour's Lost
by Louis Adrian Montrose

John Arthos
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Volume 12, Issue 4, Winter 1978-79
Essays
 
Richard Cumberland, Comic Force, and Misanthropy

Eugene M. Waith
"Christicolae," Prudentius, and the Quem Quaeritis Easter Dialogue

Robert E. Jungman
Henry II in Drama: Changing Historical Outlooks

Thomas M. Jones
W. H. Auden's Plays for the Group Theatre: From Revelation to Revelation

Edward Callan
Eve's Flesh and Blood in Jonson's Bartholomew Fair

Renu Juneja
Reviews  
Children of the Revels: The Boy Companies of Shakespeare's Time and
Their Plays

by Michael Shapiro

Philip Kolin
Das englische Drama der Gegenwart. Interpretationen
ed. Horst Oppel

David Bronsen
The Language of Adam: On the Limits and Systems of Discourse
by Russell Fraser

William M. Jones
Elizabethan Drama and the Viewer's Eye
by Alan C. Dessen

Brownell Salomon
The Honor Plays of Lope de Vega
by Donald R. Larson

David H. Darst
Antonio's Revenge
ed. W. Reavley Gair

Robert C. Jones
English Drama, 1900-1950: A Guide to Information Sources
by E. H. Mikhail

Nancy Cutbirth
Polish Romantic Drama: Three Plays in English Translation
ed. Harold B. Segel

E. J. Czerwinski
Dürrenmatt. A Study in Plays, Prose, Theory
by Timo Tiusanen
Hans Banziger

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