Volume 10, Issue 1, Spring 1976
Essays
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Myth and Neurosis in Ibsen's Mature Plays
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Margot Norris |
The Undiscovered Country
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John Arthos |
To Out-Herod Herod: The Development of a Dramatic Character
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David Staines |
Thomas Middleton's Prodigal Play
|
Leanore Lieblein |
"All Comes Clear at Last," but "the Readiness is All"
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Thomas B. Stroup |
| Reviews |
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The Drama of Black Africa
by Anthony Graham-White
|
Edward Callan |
Tragic Theory in the Critical Works of Thomas Rymer, John Dennis, and
John Dryden
by Joan C. Grace
|
G. L. Anderson |
Dryden's Classical Theory of Literature
by Edward Pechter
|
G. L. Anderson |
The Comedies of Ariosto
trans. and ed. Edmond M. Beame and Leonard G. Sbrocchi
|
Beatrice Corrigan |
Chekhov, 1860-1904
by Sophie Laffitte
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J. L. Styan |
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Volume 10, Issue 2, Summer 1976
Essays
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The Robin Hood Folk Plays of South-Central England
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Michael J. Preston |
Italian Renaissance Drama in the Eighteenth Century
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Beatrice Corrigan |
The Trinity in Medieval Drama
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Lynette R. Muir |
Brecht's Quarrel with God: From Anti-Theodicy to Eschatology
|
Edward M. Berckman |
The Error of Our Eye in Troilus and Cressida
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John D. Cox |
| Reviews |
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The Theatrical Event: A Mythos, a Vocabulary, a Perspective
by David Cole
|
Natalie Crohn Schmitt |
The Contemporary Spanish Theater (1949-1972)
by Marion P. Holt
|
George Woodyard |
Schiller's Drama: Talent and Integrity
by Ilse Graham
|
Liselotte Dieckmann |
The Marlovian World Picture
by W. L. Godshalk
|
William M. Jones |
Off-Stage Voices: Interviews with Modern French Dramatists
by Bettina Knapp
|
Marilyn Gaddis Rose |
Céline: Man of Hate
by Bettina Knapp
|
Marilyn Gaddis Rose |
The Contemporary French Theater
ed. Bettina Knapp
|
Marilyn Gaddis Rose |
Comedy: The Irrational Vision
by Morton Gurewitch
|
Edward L. Galligan |
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Volume 10, Issue 3, Fall 1976
Essays
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Byron's "Mental Theatre" and the German Classical Precedent
|
Frederick W. Shilstone |
Liturgical Drama in Byzantine Literature
|
Theodore Bagdanos |
Genet's The Blacks and The Screens : Dialectic of Refusal and Revolutionary
Consciousness
|
W. F. Sohlich |
The Allegory of Wisdom in Lyly's Endimion
|
Carolyn Ruth Swift Lenz |
| Reviews |
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The Pinter Problem
by Austin E. Quigley
|
Enoch Brater |
Shakespeare's Tragic Perspective
by Larry Champion
|
Rolf Soellner |
Ironic Drama, A Study of Euripides' Method and Meaning
by Philip Vellacott
|
Niki Stavrolakes |
Artificial Persons: The Formation of Character in the Tragedies of Shakespeare
by J. Leeds Barroll
|
Joseph J. Moleski |
Maurice Maeterlinck
by Bettina L. Knapp
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Martin Schwarz |
An Index of Characters in English Printed Drama to the Restoration
by Thomas L. Berger and William C. Bradford, Jr.
|
Christopher Spencer |
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Volume 10, Issue 4, Winter 1976-77
Essays
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|
Dramatic Elements in Japanese Literature
|
Donald Keene |
Typology, Criticism, and Medieval Drama: Some Observations on Method
|
Patrick J. Collins |
Crommelynck's Farcical and Mythmaking Expressionism
|
Bettina Knapp |
Coriolanus: History and the Crisis of Semantic Order
|
Leonard Tennenhouse |
| Reviews |
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The Drama Revolt: A Critical Study of Georg Büchner
by Maurice Benn
|
Enoch Brater |
Brecht the Dramatist
by Ronald Gray
|
Enoch Brater |
Sean O'Casey: The Man and His Work
by David Krause
|
Michael W. Kaufman |
The Actor's Freedom: Toward A Theory of Drama
by Michael Goldman
|
Robert L. Smith |
"Their Form Confounded": Studies in the Burlesque Play from Udall to Sheridan
by Robert F. Willson, Jr.
|
Sidney R. Homan |
Bertolt Brecht
by Claude Hill |
Betty Nance Weber |
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