Comparative Drama — Reproduction Permissions

Volume 1, Issue 1, Spring 1967
Tragedy and Its Validating Conditions	R. J. Kaufmann
Giulio Camillo's Idea of the Theatre: The Enigma of the Renaissance	Albert R. Cirillo
Theatrum Mundi and Contemporary Theater	Ruby Cohn
Sanskrit Drama: Theory and Performance	V. Raghavan
Heinrich Von Kleist's Penthesilea: Amazon or Bluestocking	Herman Salinger
Some Variations of Kindermord as Dramatic Archetype	Charles R. Lyons

Volume 1, Issue 2, Summer 1967
Doctor Faustus from Adam to Sartre	Erich Kahler
Archetypal Patterns in Fry	Emil Roy
Tamburlaine "as fierce Achilles was"	John Cutts
West African Drama in English	John Povey
Symbol and Structure in the Secunda Pastorum	Lawrence J. Ross

Volume 1, Issue 3, Fall 1967
The Rediscovery of Anti-Form in Renaissance Drama	Jackson I. Cope
The Daughters of Herodias in Hérodiade, Salomé and A Full Moon in March	Marilyn Gaddis Rose
The Seneca Perspective and the Shakespearean Poetic	R. J. Kaufmann
The Absurd World of Strindberg's The Dance of Death	Orley I. Holtan
Ahab's Quenchless Feud: The Tragic Vision In Shakespeare and Melville	Richard B. Sewall
Theobald's The Double Falsehood: A Revision of Shakespeare's Cardenio?	Harriet C. Frazier

Volume 1, Issue 4, Winter 1967-68
Shakespeare's Transformation of Plautus	John Arthos
Mob Scenes: Their Generic Limitations	Auréliu Weiss
Twelve Year of Dialog	Edward J. Czerwinski
The Anonymous Masque-like Entertainment in Egerton MS. 1994, and Richard Brome	John Cutts
A Hero For All Seasons: Hercules in French Classical Drama	Ronald W. Tobin
Some Analogies Between the Epic Brecht and the Absurdist Beckett	Charles R. Lyons