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Comparative Drama Volume 48 • Fall 2014 • No. 3

This volume will contain the following contributions:
Essays
Madonna/Whore: Mary’s Sexuality in the N-Town Plays
Emma Maggie Solberg
Antonio’s (Happy) Ending: Queer Closure in All-Male Twelfth Night

Chad Allen Thomas

Tyrants, Tudors, and the Digby Mary Magdalen

Heather Mitchell-Buck

From Pain, Poetry: Howard Barker's Blok/Eko and the Poetics of Plethoric Theater

Matthew Roberts

The Country Wife, Dance of the Cuckolds

David Gelineau

 
Reviews
Performing Masculinity in English University Drama, 1598-1636, by Christopher Marlow
reviewed by Jeanne McCarthy
Five Words: Critical Semantics in the Age of Shakespeare and Cervantes, by Roland Greene

reviewed by Gabriela Carrión

Modernity, Community, and Place in Brian Friel’s Drama, by Richard Rankin Russell
reviewed by Rhona Trench
Bernard Kops: Fantasist, London Jew, Apocalyptic Humorist, by William Baker and Jeanette Roberts Shumaker

reviewed by Laini Kavaloski

Tom Stoppard: Bucking the Postmodern, by Daniel Keith Jernigan

reviewed by William Demastes

The Theater of Terrence McNally: A Critical Study, by Peter Wolfe

reviewed by James Marland