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Comparative Drama Volume 47 Summer 2013 • No. 2

This volume will contain the following contributions:
Essays
The Arab Aristophanes

Marvin Carlson

Pourquoi sous cette table?: More Candlelight on Molière’s Tartuffe

David G. Muller

Tragedy and Laughter

Jennifer Wallace

Rape and Rape Mythology in the Plays of Sarah Kane
Ian Ward
 
Reviews
Harold Pinter: The Theatre of Power, by Robert Gordon

reviewed by: William Hutchings

Molière on Stage: What’s So Funny?, by Robert W. Goldsby

reviewed by: Mechele Leon

Shakespeare in America, by Alden T. Vaughan and Virginia Mason Vaughan

reviewed by: Kim Sturgess

Railing, Reviling, and Invective in English Literary Culture, 1588–1617: The Anti-Poetics of Theater and Print,
by Maria Teresa Micaela Predergast

reviewed by: Eric Nebeker

Shakespeare and the Staging of English History, by Janette Dillon

reviewed by: Wai Fong Cheang

The Quest for Cardenio: Shakespeare, Fletcher, Cervantes, and the Lost Play, edited by David Carnegie and Gary Taylor

reviewed by: Hugh Craig

Dramatic Revisions of Myths, Fairy Tales and Legends: Essays on Recent Plays, ed. Verna A. Foster

reviewed by: Stephe Harrop

Shakespeare’s Schoolroom: Rhetoric, Discipline, Emotion, by Lynn Enterline

reviewed by: Jayne Archer