Comparative Drama Volume 47 • Summer 2013 • No. 2
This volume will contain the following contributions: |
| Essays |
| The Arab Aristophanes |
Marvin Carlson
|
| Pourquoi sous cette table?: More Candlelight on Molière’s Tartuffe |
David G. Muller
|
| Tragedy and Laughter |
Jennifer Wallace
|
| Rape and Rape Mythology in the Plays of Sarah Kane |
Ian Ward |
| |
| Reviews |
| Harold Pinter: The Theatre of Power, by Robert Gordon |
reviewed by: William Hutchings
|
| Molière on Stage: What’s So Funny?, by Robert W. Goldsby |
reviewed by: Mechele Leon
|
| Shakespeare in America, by Alden T. Vaughan and Virginia Mason Vaughan |
reviewed by: Kim Sturgess
|
Railing, Reviling, and Invective in English Literary Culture, 1588–1617: The Anti-Poetics of Theater and Print,
by Maria Teresa Micaela Predergast |
reviewed by: Eric Nebeker
|
| Shakespeare and the Staging of English History, by Janette Dillon |
reviewed by: Wai Fong Cheang
|
| The Quest for Cardenio: Shakespeare, Fletcher, Cervantes, and the Lost Play, edited by David Carnegie and Gary Taylor |
reviewed by: Hugh Craig
|
| Dramatic Revisions of Myths, Fairy Tales and Legends: Essays on Recent Plays, ed. Verna A. Foster |
reviewed by: Stephe Harrop
|
| Shakespeare’s Schoolroom: Rhetoric, Discipline, Emotion, by Lynn Enterline |
reviewed by: Jayne Archer
|
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| |
