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Comparative Drama Volume 49 Summer 2015 • No. 2

This volume will contain the following contributions:
Essays
Gender, Authenticity, and Diasporic Identities in Adebayo’s Moj of the Antarctic and Iizuka’s 36 Views
Ellen Moll
The Naked Fellow': Performing Feral Reversion in King Lear

Julián Jiménez Heffernan

Law, Farce, and Counter-Kingship in the Semur Fall of Lucifer

Nicole Rice

 
Reviews
Emulation on the Shakespearean Stage, by Vernon Guy Dickson

reviewed by Marissa Greenberg

Domesticating Ibsen for Italy: Enrico and Icilio Poleses's Ibsen Campaign, by Giuliano D'Amico

reviewed by Patricia Gaborik

The Cambridge Introduction to Tom Stoppard, by William W. Demastes

reviewed by David Kornhaber

Dark Matter: Invisibility in Drama, Theater, and Performance, by Andrew Sofer

reviewed by Frances Teague

Caryl Churchill, by Mary Luckhurst

reviewed by Verna Foster

New World Drama: The Performative Commons in the Atlantic World, by Elizabeth Maddock Dillion

reviewed by Meredith Conti

Befriending the Commedia dell’Arte of Flamino Scala: The Comic Scenarios, by Natalie Crohn Schmitt

reviewed by Jenna Soleo-Shanks

Staging Authority in Caroline England: Prerogative, Law and Order in Drama, 1625–1642, by Jessica Dyson

reviewed by Heather A Hirschfeld