Comparative Drama Volume 42 • Spring 2008 • No. 1
Guest Edited by Robert Markley
This Volume will contain the following contributions:
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Introduction: Rethinking Restoration and Eighteenth-Century Drama
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Robert Markley
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All injury’s forgot”: Restoration Sex Comedy and National Amnesia
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Laura Rosenthal
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Gimcrack’s Legacy: Sex, Wealth, and the Theater of Experimental Philosophy
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Tita Chico
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The Paradoxes of Slavery in Thomas Southerne’s Oroonoko
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Diana Jaher
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Performing the West Indies: Comedy, Feeling, and British Identity
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Jean Marsden
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Sheridan, The School for Scandal, and Aggression
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James Thompson
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Comparative Drama Volume 42 • Summer 2008 • No. 2
This Volume will contain the following contributions:
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Essays
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The Secular Morality of Middleton’s City Comedies
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Derek Alwes
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Dragon Fathers and Unnatural Children: Warring Generations in King Lear and its Sources
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Meredith Skura
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Mary Zimmerman’s Metamorphoses: Mythic Revision as Cathartic Ritual
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Miriam M. Chirico
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Re-Membering the Canon: The Literature Plays of Suzan-Lori Parks
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Carol Schafer
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“The End of Nigerian History”: Wole Soyinka and Yorùbá Historiography
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Glen Odom
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Reviews
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Eugene O'Neill's America: Desire Under Democracy
by John Patrick Diggins
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Reviewed by Larry Dugan
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The Regal Theater and Black Culture
by Clovis E. Semmes
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Reviewed by Rena Fraden
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Kenneth Burke on Shakespeare
Scott L. Newstok, ed.
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Reviewed by Ira Clark
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Shakespeare Films in the Making: Vision, Production, and Reception
by Russell Jackson
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Reviewed by Samuel Crowl
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Drama, Theatre, and Identity in the American New Republic
by Jeffrey Richards
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Reviewed by Scott Slawinski
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Theatricality and Narrative in Medieval and Early Modern Scotland
by John J. McGavin
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Reviewed by David Klausner
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Rhetorical Readings, Dark Comedies, and Shakespeare's Problem Plays
by Ira Clark
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Reviewed by Christopher Crosbie
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The Third Citizen: Shakespeare's Theater and the Early Modern House of Commons
by Oliver Arnold
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Reviewed by Richard McCoy
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Cheshire: Records of Early English Drama
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Reviewed by Peter Happé
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