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Comparative Drama Volume 49Fall 2015 • No.3

This volume will contain the following contributions:
Re-Proofing the ‘Zero Part of Speech’ in Hamlet
John Freeman
Langston Hughes and Performing Transnational Presence: Scottsboro Limited and Harvest

Ramona Tougas

Food Production and the Croxton Play of the Sacrament

Ernst Gerhardt

Staging Women and the Soul-Body Dynamic in Early Modern England, by Sarah E. Johnson

reviewed by Ariane M. Balizet

At Work in the Early Modern English Theater: Valuing Labor, by Matthew Kendrick

reviewed by Elizabeth Rivlin

Marlowe’s Ovid: The Elegies in the Marlowe Canon, by M. L. Stapleton

reviewed by Bruce Brandt

Suzan-Lori Parks in Person: Interviews and Commentaries, edited by Philip C. Kolin and Harvey Young

reviewed by Valerie Joyce