Comparative Drama Volume 43 • Winter 2009 • No. 4
This volume will contain the following contributions: |
Essays |
Sumptuously Re-edified: The Reformation of Sacred Space in Titus Andronicus
|
Helga L. Duncan
|
Voices of Violence: Medieval French Farce and the Dover Cliff Scene in King Lear |
Edward Wheatley
|
“You were an actor with your handkerchief”: Women, Windows, and Moral Agency |
Cynthia Lewis
|
| Doing the Usual Things: Gender, Race, and Inwardness in Harley Granville Barker’s The Marrying of Ann Leete and The Secret Life |
Christopher Wixson
|
| |
Reviews |
The Discourse of Courtly Love in Seventeenth-Century Spanish Theater,
by Robert Bayliss |
Reviewed by Hilaire Kallendorf
|
The Swastika and the Stage: German Theatre and Society, 1933-1945,
by Gerwin Strobl |
Reviewed by John London
|
Playing a Part in History: The York Mysteries, 1951-2006,
by Margaret Rogerson |
Reviewed by Nicole Rice
|
Shakespeare and Elizabeth: The Meeting of Two Myths,
by Helen Hackett
|
Reviewed by Linda Shenk
|
| _________________________________________________________________________________ |
|
