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| Subject/Essay | Author | Location |
| Wagner, Richard | ||
| Joyce contra Wagner | John MacNicholas | Volume 9, Issue 1, Spring 1975 |
| The Playwright as Perfect Wagnerite: Motifs from the Music Dramas in the Theatre of Bernard Shaw |
Arthur Ganz | Volume 13, Issue 3, Fall 1979 |
| The Rise of Intellect in Wagner's Ring | S. K. Land | Volume 5, Issue 1, Spring 1971 |
| Theory and Practice in French Wagnerian Drama: Édouard Dujardin and La Légende d'Antonia |
K. M. McKilligan | Volume 13, Issue 4,
Winter 1979-80 |
| Wagner and Shaw: Rheingold Motifs in Major Barbara |
Robert Coskren | Volume 14, Issue 1,
Spring 1980 |
| Wagner's Ring as Nineteenth-Century Artifact |
Herbert Lindenberger | Volume 28, Issue 3,
Fall 1994 |
| _________________________________________________________________________________ | ||
| Waiting for Godot | ||
| Three Times Godot: Beckett, Brecht, Bulatovic |
Clas Zilliacus | Volume 4, Issue 1, Spring 1970 |
| The Globalization of Beckett's Godot read first paragraph |
Enoch Brater | Volume 37, Issue 2, Summer 2003 |
| _________________________________________________________________________________ | ||
| The Wakefield Master | ||
| Audience and Meaning in Two Medieval Dramatic Realisms |
William F. Munson | Volume 9, Issue 1, Spring 1975 |
| Did the Wakefield Master Write a Nine-Line Stanza? |
Martin Stevens | Volume 15, Issue 2, Summer 1981 |
| Didactic Characterization: the Townely Abraham |
Donna Smith Vinter | Volume 14, Issue 2, Summer 1980 |
| The Dramatic Function of the Ministry Group in the Towneley Cycle |
Robert A. Brawer | Volume 4, Issue 3, Fall 1970 |
| The Figure of Mahomet in the Towneley Cycle |
Michael Paull | Volume 6, Issue 3, Fall 1972 |
| The Limits of Typology and the Wakefield Master's Processus Noe |
Edgar Schell | Volume 25, Issue 2, Summer 1991 |
| The Medieval Plough Team on Stage: Wordplay and Reality in the Towneley Mactacio Abel |
Margaret Rogerson | Volume 28, Issue 2, Summer 1994 |
| Musical Structure in the Second Sheperd's Play |
Regula Meyer Evitt | Volume 22, Issue 4, Winter 1988-89 |
| Noah's Flood, the River Jordan, the Red Sea: Staging in the Towneley Cycle |
Cynthia Haldenby Tyson | Volume 8, Issue 1, Spring 1974 |
| The Shepherd's Gifts in The Second Shepherd's Play and Bosch's "Adoration of the Magi" |
John P. Cutts | Volume 4, Issue 2, Summer 1970 |
| Symbol and Structure in the Secunda Pastorum |
Lawrence J. Ross | Volume 1, Issue 2, Summer 1967 |
| "Towneley Plays" or "Wakefield Cycle" Revisited |
Barbara D. Palmer | Volume 21, Issue 4, Winter 1987-88 |
| Why do the Shepherds Prophesy? | Thomas P. Campbell | Volume 12, Issue 2, Summer 1978 |
| _________________________________________________________________________________ | ||
| Walcott, Derek | ||
| Intertextualizing Polyphemus: Politics and Ideology in Walcott’s Odyssey view abstract |
Zina Giannopoulou | Volume 40, Issue 1, Spring 2006 |
| _________________________________________________________________________________ | ||
| Walser, Martin | ||
| Martin Walser's Sauspiel and the Contemporary German History Play |
Gerald A. Fetz | Volume 12, Issue 3, Fall 1978 |
| _________________________________________________________________________________ | ||
| Wannus, Saadallah | ||
| Wavering Identity: A Pirandellean Reading of Saadallah Wannus's The King Is the King |
Aleya A. Said | Volume 32, Issue 3, Fall 1998 |
| _________________________________________________________________________________ | ||
| Webster, John | ||
| A Contemporary View of The Duchess of Malfi |
Louis D. Giannetti | Volume 3, Issue 4, Winter 1969-70 |
| Continuity in the Art of Dying: The Duchess of Malfi |
Bettie Anne Doebler | Volume 14, Issue 3, Fall 1980 |
| The Democritean Universe in Webster's The White Devil |
Norma Kroll | Volume 7, Issue 1, Spring 1973 |
| Fortune and Virtue in The Duchess of Malfi |
Leslie Thomson | Volume 33, Issue 4, Winter 1999-2000 |
| Lope de Vega's and Webster's Amalfi Plays |
John Loftis | Volume 16, Issue 1, Spring 1982 |
| Wit Without Money: A Fletcherian Antecedent to Keep the Widow Waking |
Charles R. Forker | Volume 8, Issue 2, Summer 1974 |
| _________________________________________________________________________________ | ||
| Wedekind, Frank | ||
| Frank Wedekind: A German Dramatist of the Absurd? |
Robert A. Jones | Volume 4, Issue 4, Winter 1970-71 |
| _________________________________________________________________________________ | ||
| Westward Ho | ||
| Westward-Northward: Structural Development in Dekker's Ho Plays |
Larry S. Champion | Volume 16, Issue 3, Fall 1982 |
| _________________________________________________________________________________ | ||
| What Time does a Train Leave for Paris? | ||
| A New Play by Apollinaire | Willard Bohn | Volume 11, Issue 1, Spring 1977 |
| _________________________________________________________________________________ | ||
| The White Devil | ||
| The Democritean Universe in Webster's The White Devil |
Norma Kroll | Volume 7, Issue 1, Spring 1973 |
| _________________________________________________________________________________ | ||
| White, Robert | ||
| 'Other Men's Provision': Ben Jonson's Parody of Robert White in Pleasure Reconciled to Virtue |
Robert C. Evans | Volume 24, Issue 1, Spring 1990 |
| _________________________________________________________________________________ | ||
| The Wild Duck | ||
| "Diverse Galskaber" in Ibsen's The Wild Duck |
Brian Johnston | Volume 30, Issue 1, Spring 1996 |
| The Lacanian Imaginary in Ibsen's Pillars of Society and The Wild Duck |
Oliver W. Gerland III | Volume 24, Issue 4, Winter 1990-91 |
| _________________________________________________________________________________ | ||
| Wilde, Oscar | ||
| The Daughters of Herodias in Hérodiade, Salomé, and A Full Moon in March |
Marilyn Gaddis Rose | Volume 1, Issue 3, Fall 1967 |
| _________________________________________________________________________________ | ||
| Willhelm Tell | ||
| Staging Act Five of Schiller’s Wilhelm Tell view abstract |
Timothy Richard Wutrich | Volume 40, Issue 1, Spring 2006 |
| _________________________________________________________________________________ | ||
| Williams, Tennessee | ||
| 'Shut Up!' 'Be Quiet!' 'Hush!' Talk and Its Supression in Three Plays by Tennesse Williams |
Thomas F. Van Laan | Volume 22, Issue 3, Fall 1988 |
| _________________________________________________________________________________ | ||
| Wisdom | ||
| Wisdom Enthroned: Iconic Stage Portraits | Milla Riggio | Volume 23, Issue 3, Fall 1989 |
| _________________________________________________________________________________ | ||
| Wisdom Who Is Christ | ||
| "Blake and wyght, fowll and fayer": Stage Picture in Wisdom Who Is Christ |
David Bevington | Volume 19, Issue 2, Summer 1985 |
| _________________________________________________________________________________ | ||
| W;t | ||
| Cancer and the Common Woman in Margaret Edison's W;t |
Jacqueline VanHoutt | Volume 36, Issue 3,4, Fall/Winter 2002-03 |
| _________________________________________________________________________________ | ||
| Wit and Science | ||
| "It lak'th but life": Redford's Wit and Science, Anne of Cleves, and the Politics of Interpretation |
Hillary Nunn | Volume 33, Issue 2, Summer 1999 |
| _________________________________________________________________________________ | ||
| Wit Without Money | ||
| Wit Without Money: A Fletcherian Antecedent to Keep the Widow Waking |
Charles R. Forker | Volume 8, Issue 2, Summer 1974 |
| _________________________________________________________________________________ | ||
| The Witch of Edmonton | ||
| Interrogating the Devil: Social and Demonic Pressure in The Witch of Edmonton |
David Nicol | Volume 38, Issue 4, Winter 2004-05 |
| _________________________________________________________________________________ | ||
| Witkiewicz, Stanislaw | ||
| Brecht and Witkeiwicz: Two Concepts of Revolution |
Andrzej Wirth | Volume 3, Issue 3, Fall 1969 |
| Witkeiwicz, Artaud and the Theatre of Cruelty |
Adam Tarn | Volume 3, Issue 3, Fall 1969 |
| Witkeiwicz's Anthroponoymy | Jerzy R. Krzyzanowski | Volume 3, Issue 3, Fall 1969 |
| _________________________________________________________________________________ | ||
| A Woman Killed With Kindness | ||
| "Both bodily deth and werldly shame": "Little Musgrave and Lady Barnard" as Source for A Woman Killed With Kindness |
Dean A. Hoffman | Volume 23, Issue 2, Summer 1989 |
| _________________________________________________________________________________ | ||
| Woman Taken in Adultery | ||
| Writing Before the Eye: The N-Town Woman Taken in Adultery and the Medieval Ministry Play |
Gail McMurray Gibson | Volume 27, Issue 4, Winter 1993-94 |
| _________________________________________________________________________________ | ||
| Women Beware Women | ||
| Settling House in Middleton's Women Beware Women |
Ann C. Christensen | Volume 29, Issue 4, Winter 1995-96 |
| _________________________________________________________________________________ | ||
| Woodworth, Samuel | ||
| Race and the Yankee: Woodworth's The Forest Rose read first paragraph |
Jeffrey H. Richards | Volume 34, Issue 1, Spring 2000 |
| _________________________________________________________________________________ | ||
| Woyzeck | ||
| Woyzeck and Othello: The Dimensions of Melodrama |
Terry Otten | Volume 12, Issue 2, Summer 1978 |
| _________________________________________________________________________________ | ||
| Wycherley, William | ||
| The Amorous Machiavellism of The Country Wife |
Gorman Beauchamp | Volume 11, Issue 4, Winter 1977-78 |
| Naming and Enlightenment in Wycherley, Etherege, and Dryden |
Derek Hughes | Volume 21, Issue 3, Fall 1987 |
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