T
|
| Subject/Essay |
Author |
Location |
| Tamburlaine |
|
|
| Tamburlaine "as fierce Achilles was" |
John Cutts |
Volume 1, Issue 2,
Summer 1967
|
The Voice of Marlowe's Tamburlaine in
Early Shakespeare
|
Maurice Charney |
Volume 31, Issue 2,
Summer 1997
|
"You Talks Brave and Bold": The Origins
of an Elizabethan Stage Device |
Kenneth Friedenreich |
Volume 8, Issue 3,
Fall 1974
|
| _________________________________________________________________________________ |
| Tartuffe |
|
|
The King's Play: Censorship and the Politics
of Performance in Molière's Tartuffe |
Michael Spingler |
Volume 19, Issue 3,
Fall 1985
|
| _________________________________________________________________________________ |
| Terence |
|
|
| Terence and the Death of Comedy |
Sander M. Goldberg |
Volume 16, Issue 4,
Winter 1982-83
|
| _________________________________________________________________________________ |
| Theater of Cruelty |
|
|
From Cruelty to Theatre: Antonin Artaud
and the Marquis de Sade |
Franco Tonelli |
Volume 3, Issue 2,
Summer 1969
|
The Language of Cruelty in Ford's
'Tis Pity She's a Whore |
Carol C. Rosen |
Volume 8, Issue 4,
Winter 1974-75
|
Witkeiwicz, Artaud and the
Theatre of Cruelty |
Adam Tarn |
Volume 3, Issue 3,
Fall 1969
|
| _________________________________________________________________________________ |
| Theatrum Mundi |
|
|
Theatrum Mundi and Contemporary
Theater |
Ruby Cohn |
Volume 1, Issue 1,
Spring 1967
|
| _________________________________________________________________________________ |
| Theobald, Lewis |
|
|
Theobald's The Double Falsehood:
A Revision of Shakespeare's Cardenio? |
Harriet C. Frazier |
Volume 1, Issue 3,
Fall 1967
|
| _________________________________________________________________________________ |
| Through a Glass Darkly |
|
|
"Daddy Spoke to Me!": Gods Lost and
Found in Long Day's Journey Into
Night and Through a Glass Darkly
|
Thomas P. Adler |
Volume 20, Issue 4,
Winter 1986-87
|
| _________________________________________________________________________________ |
| Timbreo and Fenicia |
|
|
Bandello's "Timbreo and Fenicia"
and The Winter's Tale
read first paragraph |
Thomas E. Mussio |
Volume 34, Issue 2,
Summer 2000
|
| _________________________________________________________________________________ |
| Timon of Athens |
|
|
Tragedy and Timon of Athens
view abstract
|
Robert B. Pierce |
Volume 36, Issue 1,2,
Spring/Summer 2002
|
| _________________________________________________________________________________ |
| 'Tis Pity She's a Whore |
|
|
The Language of Cruelty in Ford's
'Tis Pity She's a Whore |
Carol C. Rosen |
Volume 8, Issue 4,
Winter 1974-75
|
| _________________________________________________________________________________ |
| Torahiko, Kori |
|
|
Kori Torahiko and Edith Craig:
A Japanese Playwright in London
and Toronto
|
Yoko Chiba |
Volume 30, Issue 4,
Winter 1996-97 |
| _________________________________________________________________________________ |
| La Tosca |
|
|
Measure for Measure, Montmorency,
and Sardou's La Tosca
|
Mark Eccles |
Volume 14, Issue 1,
Spring 1980 |
| _________________________________________________________________________________ |
| A Touch of the Poet |
|
|
O'Neill's Transcendence of Melodrama
in A Touch of the Poet and A Moon
for the Misbegotten
|
Michael Manheim |
Volume 16, Issue 3,
Fall 1982
|
| _________________________________________________________________________________ |
| Tourneur, Cyril |
|
|
Building a Scene: The Text and Its
Representation in The Atheist's Tragedy
|
William E. Gruber |
Volume 19, Issue 3,
Fall 1985 |
Theodicy, Tragedy, and the Psalmist:
Tourneur's Atheist's Tragedy |
R. J. Kaufmann |
Volume 3, Issue 4,
Winter 1969-70
|
| _________________________________________________________________________________ |
| The Towneley Cycle |
|
|
Audience and Meaning in Two Medieval
Dramatic Realisms |
William F. Munson |
Volume 9, Issue 1,
Spring 1975
|
Didactic Characterization:
the Townely Abraham |
Donna Smith Vinter |
Volume 14, Issue 2,
Summer 1980
|
The Dramatic Function of the Ministry
Group in the Towneley Cycle |
Robert A. Brawer |
Volume 4, Issue 3,
Fall 1970
|
The Figure of Mahomet in the
Towneley Cycle |
Michael Paull |
Volume 6, Issue 3,
Fall 1972
|
The Medieval Plough Team on Stage:
Wordplay and Reality in the Towneley
Mactacio Abel
|
Margaret Rogerson |
Volume 28, Issue 2,
Summer 1994 |
Musical Structure in the
Second Sheperd's Play
|
Regula Meyer Evitt |
Volume 22, Issue 4,
Winter 1988-89
|
Noah's Flood, the River Jordan, the
Red Sea: Staging in the Towneley Cycle
|
Cynthia Haldenby Tyson |
Volume 8, Issue 1,
Spring 1974
|
The Shepherd's Gifts in
The Second Shepherd's Play
and Bosch's "Adoration of the Magi" |
John P. Cutts |
Volume 4, Issue 2,
Summer 1970
|
Symbol and Structure in the
Secunda Pastorum |
Lawrence J. Ross |
Volume 1, Issue 2,
Summer 1967
|
"Towneley Plays" or "Wakefield Cycle"
Revisited |
Barbara D. Palmer |
Volume 21, Issue 4,
Winter 1987-88
|
| _________________________________________________________________________________ |
| Tragedy |
|
|
Ahab's Quenchless Feud: The Tragic
Vision In Shakespeare and Melville
|
Richard B. Sewall |
Volume 1, Issue 3,
Fall 1967
|
Anouilh's Little Antigone: Tragedy,
Theatricalism, and the Romantic Self |
Michael Spingler |
Volume 8, Issue 3,
Fall 1974
|
Can We Define the Nature of
Shakespearean Tragedy? |
Robert Ornstein |
Volume 19, Issue 3,
Fall 1985
|
Doctor Faustus and Hamlet: Contrasting
Kinds of Christian Tragedy |
Thomas B. Stroup |
Volume 5, Issue 4,
Winter 1971-72
|
Drama and Ritual Once Again: Notes
toward a Revival of Tragic Theory |
Michael Hinden |
Volume 29, Issue 2,
Summer 1995
|
Entropy and the "Death" of Tragedy:
Notes for a Theory of Drama |
George Kurman |
Volume 9, Issue 4,
Winter 1975-76
|
Imprisonment in Camus' "Modern
Tragedies":Les Justes, Requiem pour
un nonne, Le Malentendu |
Mary Ann Frese Witt |
Volume 5, Issue 1,
Spring 1971
|
Pirandello, the Sacred, and
the Death of Tragedy
|
Nina daVinci Nichols |
Volume 32, Issue 2,
Summer 1998 |
The Rebirth of Tragedy: Protest and
Evolution in Modern Greek Drama |
Stratos E. Costantinidis |
Volume 21, Issue 2,
Summer 1987
|
The Retrospective Technique and Its
Implications for Tragedy |
Charles A. Hallett |
Volume 12, Issue 1,
Spring 1978
|
Theodicy, Tragedy, and the Psalmist:
Tourneur's Atheist's Tragedy |
R. J. Kaufmann |
Volume 3, Issue 4,
Winter 1969-70
|
Tragedy, Gender, Performance:
Women as Tragic Heroes on the
Nineteenth-Century Stage
|
Anne Russell |
Volume 30, Issue 2,
Summer 1996
|
| Tragedy and Its Validating Conditions |
R. J. Kaufmann |
Volume 1, Issue 1,
Spring 1967
|
Tragedy and Timon of Athens
view abstract
|
Robert B. Pierce |
Volume 36, Issue 1,2,
Spring/Summer 2002
|
Suicide and Seneca in Two Eighteenth
Century Tragedies |
Stephen L. Trainor |
Volume 14, Issue 3,
Fall 1980
|
| _________________________________________________________________________________ |
| The Tragedy of Dido, Queen of Carthage |
|
|
Marlowe's Travesty of Virgil: Dido
and Elizabethan Dreams of Empire
read first paragraph
|
Donald Stump |
Volume 34, Issue 1,
Spring 2000 |
| _________________________________________________________________________________ |
| Translations |
|
|
Irish Babel: Brian Friel's Translations
and George Steiner's After Babel
|
F. C. McGrath |
Volume 23, Issue 1,
Spring 1989
|
| _________________________________________________________________________________ |
| Trissino, Gian Giorgio |
|
|
Two Renaissance Views of Carthage:
Trissino's Sofonisba and Castellini's
Asdrubale
|
Beatrice Corrigan |
Volume 5, Issue 3,
Fall 1971
|
| _________________________________________________________________________________ |
| The Troublesome Reigne of King John |
|
|
Memory, Composition, and the
Relationship of King John to The
Troublesome Reigne of King John
view abstract
|
Beatrice Groves |
Volume 38, Issue 2,3,
Summer/Fall 2004 |
| _________________________________________________________________________________ |
| Tudor Plays |
|
|
Episodic Structure in Four Tudor Plays:
A Virtue of Necessity |
John W. Velz |
Volume 6, Issue 2,
Summer 1972
|
| _________________________________________________________________________________ |
| The Turke |
|
|
Political Allegory in Late Elizabethan
and Early Jacobean "Turk" Plays:
Lust's Dominion and The Turke
view abstract
|
Claire Jowitt |
Volume 36, Issue 3,4,
Fall/Winter 2002-03
|
| _________________________________________________________________________________ |
| Twelfth Century Drama |
|
|
The Fleury Raising of Lazarus and
Twelfth-Century Currents of Thought |
Kathleen M. Ashley |
Volume 15, Issue 2,
Summer 1981
|
The Staging of Twelfth-Century Liturgical
Drama in the Pleury Playbook
|
David Bevington |
Volume 18, Issue 2,
Summer 1984
|
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