| Volume 28, Issue 3, Fall 1994 Music and Drama |
|
| Wagner's Ring as Nineteenth-Century Artifact |
Herbert Lindenberger |
| Admirable Musicians: Women's Songs in Othello and The Maid's Tragedy |
Rochelle Smith |
| False Fidelity: Othello, Otello, and Their Critics |
James Aldrich-Moodie |
| The Ingressus Pilatus Chant in Medieval German Drama |
Stephen K. Wright |
| The Ensalada and the Origins of the Lyric Theater in Spain | Maricarmen Gómez |
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