Comparative Drama — Reproduction Permissions

Volume 25, Issue 1, Spring 1991 Iconographic and Comparative Studies in Medieval Drama
Introduction	Meg Twycross
On the Use of Figurative Art as a Source for the Study of Medieval Spectacles	Paola Ventron
The Staging of the Assumption in Europe	J. Francesc Massip
The Hierosphthitic Topos, or the Fate of Fergus: Notes on the N-Town Assumption	Ann Eljenholm Nichols
The Staging of the First Murder in the Mystery Plays in England	Cherrell Guilfoyle
The Great Calvaries of Brittany and the Medieval Breton Burzud braz Jezuz	Stanley Damberger and Ellin M. Kelly
Positional Symbolism and English Medieval Drama	Clifford Davidson
The Way of Vice and Virtue: A Medieval Psychology	Eva Kimminich
St. Crépin, St. Crispin, Sant Crespí: French, Breton, and Catalan Mystères	Elisabeth Lalou
The Iconography of Audience in the Cuzco Corpus Christi Paintings	Barbara H. Jaye and William P. Mitchell
St. Denis in Antwerp: Hagiographica in a Protestant Play	B. A. M. Ramakers