Volume 44, Issue 3 / Volume 45, Issue 1, Winter 2010 / Spring 2011
Translation, Performance, and Reception of Greek Drama, 1900-1960:
International Dialogues
Amanda Wrigley, Guest Editor

Greek Drama in the First Six Decades of the Twentieth Century:
Tradition, Identity, Migration
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Amanda Wrigley
Toward a National Heterotopia: Ancient Theaters and the
Cultural Politics of Performing Ancient Drama in Modern Greece
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Eleftheria Ioannidou
Oedipus, Shmedipus: Ancient Greek Drama on the Yiddish Stage
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Debra Caplan
‘The Kingdom of Heaven within Us’: Inner (World) Peace in Gilbert
Murray’s Trojan Women
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Simon Perris
Touring the Ivies with Iphigenia, 1915
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Niall W. Slater
Is Mr Euripides a Communist? The Federal Theatre Project’s
1938 Trojan Incident
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Robert Davis
Oedipus and Afrikaans Theater
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Betine Van Zyl Smit
"Now the struggle is for all!" (Aeschylus's Persians 405): What a
Difference a Few Years Make When Interpreting a Classic
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Gonda Van Steen
Oedipus, Suez, and Hungary: T. S. Eliot’s Tradition and The Elder Statesman
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Michael Simpson
Research Notes  
African-American Classicist William Sanders Scarborough
and the 1921 Film of the Orestia at Cambridge University

Michele Valerie Ronnick
Alberto Savinio’s Alcesti di Samuele in the Aftermath of the
Second World War

Giulia Torello
Politics, War, and Adaptation: Ewan MacColl’s
Operation Olive Branch
, 1947

Claire Warden
Aristophanes and Douglas Young

C. W. Marshall
Afterword Lorna Hardwick

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