Comparative Drama — Reproduction Permissions

Volume 31, Issue 1, Spring 1997
Drama and Opera of the Enlightenment
Who Counts in Farquhar?	Derek Hughes
Castrati, Balzac, and BartheS/Z	Yvonne Noble
The Classical Treatment of Don Juan in Tirso, Molière, and Mozart: What Cultural Work Does It Perform?	J. Douglas Canfield
Masks of the Empress: Polyphony of Personae in Catherine the Great's Oh, These Times!	Lurana Donnels O'Malley
"Wonder not, princely Gloster, at the notice this paper brings you": Women, Writing, and Politics in Jane Shore	Jones DeRitter
"Forget Scotland": Plays by Scots on the London Stage, 1667-1715	Adrienne Scullion
Fortunes and Misfortunes of the Spanish Lyric Theater in the Eighteenth Century	John Dowling
Bianca de'Rossi as Play, Ballet, Opera: Contours of "Modern" Historical Tragedy in the 1790s	Maria Petzoldt McClymonds
Canon, Pedagogy, Prospectus: Redesigning "Restoration and Eighteenth-Century English Drama"	Richard Bevis