| Volume 29, Issue 1, Spring 1995 Emblems and Drama |
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| Temperance and the End of Time: Emblematic Antony and Cleopatra |
Christopher Wortham |
| The Masks of Cupid and Death |
Judith Dundas |
| "Sweet Power of Music": The Political Magic of "the Miraculous Harp" in Shakespeare's The Tempest |
Peggy Muñoz Simonds |
| Spring and Winter in Love's Labor's Lost: An Iconographic Reconstruction |
Frederick Kiefer |
| Jonson and the Emblematic Tradition: Ralegh, Brant, the Poems, The Alchemist, and Volpone |
Robert C. Evans |
| Speaking Sweet: Emblems in the Plays of John Ford |
Lisa Hopkins |
| Emblematic Pictures for the Less Privileged in Shakespeare's England |
Elizabeth Truax |
| Quarles as Dramatist | Elizabeth K. Hill |
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