Shakespeare Sub-Index
Subject/Essay Author Location
All's Well That Ends Well    
The King and the Physician's Daughter:
All's Well That Ends Well and the
Late Romances 		Richard P. Wheeler Volume 8, Issue 4,
Winter 1974-75
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Antony and Cleopatra    
The Actor in the Script: Affective Strategies
in Shakespeare's Antony and Cleopatra 		William E. Gruber Volume 19, Issue 1,
Spring 1985
Antony and Cleopatra and Romersholm:
"Third Empire" Love Tragedies


Errol Durbach Volume 20, Issue 1,
Spring 1986
Temperance and the End of Time:
Emblematic Antony and Cleopatra 		Christopher Wortham Volume 29, Issue 1,
Spiring 1995
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As You Like It    
The Masque of Hymen in As You Like It Marilyn L. Williamson Volume 2, Issue 4,
Winter 1968-69
Shakespeare's Book of Genesis Russel Fraser Volume 25, Issue 2,
Summer 1991
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Cardenio    
Theobald's The Double Falsehood:
A Revision of Shakespeare's Cardenio? 		Harriet C. Frazier Volume 1, Issue 3,
Fall 1967
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Coriolanus    
The Common Good and the Necessity
of War: Emergent Republican Ideals in Shakespeare's Henry V and Coriolanus
view abstract

 Rita Banerjee Volume 40.1
Spring 2006
Coriolanus: History and the Crisis
of Semantic Order 		Leonard Tennenhouse Volume 10, Issue 4,
Winter 1976-77
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Cymbeline    
Royalty Unlearned, Honor Untaught:
British Savages and Historiographical
Change in Cymbeline

 John E. Curran, Jr. Volume 31, Issue 2,
Summer 1997
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Edward III    
Shakespeare's Edward III: A Consolation
for English Recusants

 J. P. Conlan Volume 35, Issue 2,
Summer 2001
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Hamlet    
Animal Symbolism in Shakespeare's
Hamlet: The Imagery of Sex Nausea 		Karl P. Wentersdorf Volume 17, Issue 4,
Winter 1983-84
The Beginning of Hamlet Cherrell Guilfoyle Volume 14, Issue 2,
Summer 1980
Doctor Faustus and Hamlet: Contrasting
Kinds of Christian Tragedy 		Thomas B. Stroup Volume 5, Issue 4,
Winter 1971-72
"Forward Backward" Time and
the Apocalypse in Hamlet
read first paragraph


 Maurice Hunt Volume 38, Issue 4,
Winter 2004-05
Hamlet and The Life of Galileo Doc Rossi Volume 32, Issue 4,
Winter 1998-99
Hamlet's Bloody Thoughts and
the Illusion of Inwardness 		Susan Baker Volume 21, Issue 4,
Winter 1987-88
King Hamlet's Two Successors Cherrell Guilfoyle Volume 15, Issue 2,
Summer 1981
Madness and Memory: Shakespeare's
Hamlet and King Lear 		Jerome Mazzaro Volume 19, Issue 2,
Summer 1985
"The Mirror up to Nature":
Notes on Kozintsev's Hamlet		 Barbara Hodgdon Volume 9, Issue 4,
Winter 1975-76
Nietzsche and Spengler on Hamlet:
An Elaboration and Synthesis 		William R. Brashear Volume 5, Issue 2,
Summer 1971
Not Two: Denial and Duality in Hamlet Cherrell Guilfoyle Volume 23, Issue 4,
Winter 1989-90
"Ower Swete Sokor": The Role of
Ophelia in Hamlet		 Cherrell Guilfoyle Volume 14, Issue 1,
Spring 1980
A Palimpset for Olivier's Hamlet Bernice W. Kliman Volume 17, Issue 3,
Fall 1983
Stoppard's Adaptations of Shakespeare:
Dogg's Hamlet, Cahoot's Macbeth 		C. J. Gianakaris Volume 18, Issue 3,
Fall 1984
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Henriad    
Humoral Psychology in
Shakespeare's Henriad

 Robert L. Reid Volume 30, Issue 4,
Winter 1996-97
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Henry IV    
Gadshill, Hotspur, and the Design
of Proleptic Parody		 Robert P. Merrix
and Arthur Palacas 		Volume 14, Issue 4,
Winter 1980-81
Metatheater, Gender, and Subjectivity
in Richard II and Henry IV, Part I 		R. A. Martin Volume 23, Issue 3,
Fall 1989
The Protean Prince Hal Matthew H. Wikander Volume 26, Issue 4,
Winter 1992-93
Towards a Theater of Immobility:
Henry IV, The Condemned of
Altona, and The Balcony

Mary Ann Frese Witt Volume 24, Issue 2,
Summer 1990
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Henry V    
The Common Good and the Necessity
of War: Emergent Republican Ideals in Shakespeare's Henry V and Coriolanus
view abstract

 Rita Banerjee Volume 40.1
Spring 2006
Kenneth Branagh's Henry V: The Gilt
[Guilt] in the Crown Re-Examined		 Kenneth S. Rothwell Volume 24, Issue 2,
Summer 1990
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Henry VI    
3 Henry VI: Dramatic Convention and the
Shakespearean History Play


John D. Cox Volume 12, Issue 1,
Spring 1978
'Hay for the Daughters!' Gender and
Patriarchy in The Miseries of Civil
War and Henry VI


Joyce Green MacDonald Volume 24, Issue 3,
Fall 1990
Shakespeare's "Books of Memory":
1 and 2 Henry VI		 Jerome Mazzaro Volume 35, Issue 3,4, Fall/Winter 2001-02 
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Henry VIII    
"A beggar's book/ Outworths a
noble's blood": The Politics of
Faction in Henry VIII
Stuart M. Kurland Volume 26, Issue 3,
Fall 1992
Disorder in the House of God: Disrupted
Worship in Shakespeare and Others 		Bruce Boehrer Volume 38, Issue 1,
Spring 2004
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Juluis Caesar    
Julius Caesar from a Euripidean
Perspective 		J. A. Bryant, Jr. Volume 16, Issue 2,
Summer 1982
Lucan and the Self-Incised
Voids of Julius Caesar		 Clifford J. Ronan Volume 22, Issue 3,
Fall 1988
Lucanic Omens in Julius Caesar Clifford J. Ronan Volume 22, Issue 2,
Summer 1988
"No innocence is safe,/ When power
contests": The Factional Worlds of
Caesar and Sejanus


Stuart M. Kurland Volume 22, Issue 1,
Spring 1988
Shakespeare's Caesar: The Language
of Sacrifice		 Peter S. Anderson Volume 3, Issue 1,
Spring 1969

Shakespeare's Julius Caesar:
An Apollonian and Comparative Reading 		R.J. Kaufmann
and Clifford J. Ronan 		Volume 4, Issue 1,
Spring 1970
Shakespeare’s Julius Caesar, Erasmus’
De Copia, and Sentential Ambiguity
view abstract

 Jeffrey J. Yu Volume 41, Issue 1
Spring 2007
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King John    
The Bastard in the Time of King John



Ronald Stroud Volume 6, Issue 2,
Summer 1972
Memory, Composition, and the Relationship
of King John to The Troublesome Reigne
of King John
view abstract

 Beatrice Groves Volume 38, Issue 2,3,
Summer/Fall 2004
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King Lear    
The Fragile World of Lear Peter S. Anderson Volume 5, Issue 4,
Winter 1971-72
Leir and Lear: Matthew 5:33-37, the
Turning Point and the Rescue Theme 		James H. Jones Volume 4, Issue 2,
Summer 1970
Madness and Memory: Shakespeare's
Hamlet and King Lear 		Jerome Mazzaro Volume 19, Issue 2,
Summer 1985
"The Redemption of King Lear" Cherrell Guilfoyle Volume 23, Issue 1,
Spring 1989
Self-Discovery in Montaigne's
"Of Solitarinesse" and King Lear
read first paragraph


 Philip D. Collington Volume 35, Issue 3,4,
Fall/Winter 2001-02 
The Way to Dover: Arthurian
Imagery in King Lear 		Cherrell Guilfoyle Volume 21, Issue 3,
Fall 1987
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Love's Labour's Lost    
"Folly, in wisdom hatch'd": The Exemplary
Comedy of Love's Labour's Lost 		Louis Adrian Montrose Volume 11, Issue 2,
Summer 1977
Spring and Winter in Love's Labour's
Lost: An Iconographic Reconstruction 		Frederick Kiefer Volume 29, Issue 1,
Spiring 1995
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Macbeth    
Macbeth and Hercules:
The Hero Bewitched		 Elizabeth Truax Volume 23, Issue 4,
Winter 1989-90
Stoppard's Adaptations of Shakespeare:
Dogg's Hamlet, Cahoot's Macbeth 		C. J. Gianakaris Volume 18, Issue 3,
Fall 1984
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Measure for Measure    
Measure for Measure and the
Unreconciled Virtues		 Tom McBride Volume 8, Issue 3,
Fall 1974

Measure for Measure, Montmorency,
and Sardou's La Tosca		 Mark Eccles Volume 14, Issue 1,
Spring 1980
Prolegomenon for a Theory of Drama
Reception: Peter Brook's Measure for
Measure and the Emergent Bourgeoisie		 Wolfgang Sohlich Volume 18, Issue 1,
Spring 1984
Silent Women and Shrews: Eroticism and
Convention in Epicoene and
Measure for Measure 		Charles R. Lyons Volume 23, Issue 2,
Summer 1989

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The Merchant of Venice    
The Merchant of Venice, the Arab-Israeli
Conflict, and the Perils of Shakespearean
Appropriation
view abstract

Mark Bayer Volume 41, Issue 4,
Winter 2007-08
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The Merry Wives of Windsor    
Falstaff's False Staff: "Jonsonian"
Asexuality in The Merry Wives
of Windsor


 Grace Tiffany Volume 26, Issue 3,
Fall 1992
From Fat Falstaff to Francophile Fop:
Russian Nationalism in Catherine the
Great's Merry Wives


 Lurana Donnels O'Malley Volume 33, Issue 3,
Fall 1999
The Merry Wives of Windsor:
Classical and Italian Intertexts

 Robert S. Miola Volume 27, Issue 3,
Fall 1993
Money Changes Everything: Quarto and
Folio The Merry Wives of Windsor
and the Case for Revision
view abstract

 Peter Grav Volume 40, Issue 2,
Summer 2006
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A Midsummer Night's Dream    
A Shakespearean Tribute to Ben Jonson
in Garrick's Operatic Version of
A Midsummer Night's Dream

John P. Cutts Volume 12, Issue 3,
Fall 1978
Bartholomew Fair: Ben Jonson's
"A Midsummer Night's Dream"


 John Scott Colley Volume 11, Issue 1,
Spring 1977
Dream and Ritual Process in
A Midsummer Night's Dream


Florence Falk Volume 14, Issue 3,
Fall 1980
Shakespeare's Italian Dream:
Cinquecento Sources for
A Midsummer Night's Dream


 Robert W. Leslie Volume 29, Issue 4,
Winter 1995-96
A Speculative Political Allegory in
A Midsummer Night's Dream
read first paragraph

 Maurice Hunt Volume 34, Issue 4,
Winter 2000-01
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Much Ado About Nothing    
The Editorial Recuperation of Claudio Michael D. Friedman Volume 25, Issue 4,
Winter 1991-92
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Non Play-Specific Essays    
Ahab's Quenchless Feud: The Tragic
Vision In Shakespeare and Melville 		Richard B. Sewall Volume 1, Issue 3,
Fall 1967

Brecht on Shakespeare: A Revaluation Doc Rossi Volume 30, Issue 2,
Summer 1996


Can We Define the Nature of
Shakespearean Tragedy? 		Robert Ornstein Volume 19, Issue 3,
Fall 1985

Comedy and Control: Shakespeare
and the Plautine Poeta


Douglas Bruster Volume 24, Issue 3,
Fall 1990
Comparing Poverty: Fictions of a
“Poor Theater” in Ruzante and Shakespeare
view abstract


Robert Henke Volume 41, Issue 2,
Summer 2007
Criticism and the Films of
Shakespeare's Plays


 Marvin Felheim Volume 9, Issue 2,
Summer 1975
Emblematic Pictures for the Less
Privileged in Shakespeare's England		 Eliazabeth Truax Volume 29, Issue 1,
Spiring 1995
Epiphanal Encounters in Shakespearean Dramaturgy


 Robert L. Reid Volume 32, Issue 4,
Winter 1998-99
The Evolution of Shakespearean
Metadrama: Abel, Burkhardt,
and Calderwood		 Richard Fly Volume 20, Issue 2,
Summer 1986
From Jerusalem to Damascus:
Bilocal Dramaturgy in Medieval and
Shakespearean Conversion Plays


 John W. Velz Volume 15, Issue 4,
Winter 1981-82
"I See a Voice" Thomas B. Stroup Volume 15, Issue 1,
Spring 1981
"Like a Liar Gone to Burning Hell":
Shakespeare and Dying Declarations 		Harriet C. Frazier Volume 19, Issue 2,
Summer 1985
"Master Harold" and the Bard:
Education and Succession in
Fugard and Shakespeare		 David E. Hoegberg Volume 29, Issue 4,
Winter 1995-96
Men Beware Men: Shakespeare's
Warnings for Unfair Husbands		 Ruth Vanita Volume 28, Issue 2,
Summer 1994

"Nothing Undervalued to Cato's Daughter":
Plutarch's Porcia in the Shakespeare Canon 		John W. Velz Volume 11, Issue 4,
Winter 1977-78
The Ordering of Shakespeare's Earliest
Comedies: New Uses of Old Evidence 		Howard C. Cole Volume 27, Issue 2,
Summer 1993
The Player's Eye: Shakespeare
on Television 		William B. Worthen Volume 18, Issue 3,
Fall 1984
Puppets Dallying: Thoughts on
Shakespearean Theatricality
view abstract


 Kenneth Gross Volume 41, Issue 3,
Fall 2007
The Refusal to Paint: Shakespeare's
Poetry of Place 		Judith Dundas Volume 23, Issue 4,
Winter 1989-90
Renaissance Power and Stuart Dramaturgy: Shakespeare, Milton, Dryden John D. Cox Volume 22, Issue 4,
Winter 1988-89
The Seneca Perspective and the
Shakespearean Poetic 		R. J. Kaufmann Volume 1, Issue 3,
Fall 1967

Sforza Oddi and the Commedia Grave:
Setting the Stage for Shakespeare		 Robert W. Leslie Volume 30, Issue 4,
Winter 1996-97
Shakespeare and Beckett Revisited:
A Phenomenology of Theater


 Marguerite Tassi Volume 31, Issue 2,
Summer 1997
Shakespeare and Brecht: The Perils and
Pleasures of Inheritance 		John Rouse Volume 17, Issue 3,
Fall 1983
Shakespeare and the Genuis of the Absurd Anne Paolucci Volume 7, Issue 3,
Fall 1973
Shakespeare, Goldoni, and the Clowns Eugene Steele Volume 11, Issue 3,
Fall 1977
Shakespeare on Fortune's Hill:
A Review Essay 		Russell Fraser Volume 18, Issue 2,
Summer 1984
Shakespeare's Transformation of Plautus John Arthos Volume 1, Issue 4,
Winter 1967-68
The Shape of Time: Form and Value in the
Shakespearean History Play
 David Scott Kastan Volume 7, Issue 4,
Winter 1973-74
"Some shall be pardon'd, and some
punished": Medieval Dramatic
Eschatology in Shakespeare


 John W. Velz Volume 26, Issue 4,
Winter 1992-93
Theater, Drama, and the Second World:
A Prologue to Shakespeare		 Harry Berger, Jr. Volume 2, Issue 1,
Spring 1968
"Those Proud Titles Thou Hast Won":
Sovereignty, Power, and Combat in
Shakespeare's Second Tetralogy		 Jennifer Low Volume 34, Issue 3,
Fall 2000
"To See Feelingly": The Language of the
Senses and the Language of the Heart		 Judith Dundas Volume 19, Issue 1,
Spring 1985
"To Set a Form upon that Indigest":
Shakespeare's Fictions of History		 David Kastan Volume 17, Issue 1,
Spring 1983
The Undiscovered Country John Arthos Volume 10, Issue 1,
Spring 1976
The Voice of Marlowe's Tamburlaine in
Early Shakespeare		 Maurice Charney Volume 31, Issue 2,
Summer 1997
When Troy Fell: Shakespeare's
Iconography of Sorrow and Survival		 John Doebler Volume 19, Issue 4,
Winter 1985-86
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Othello    
Admirable Musicians: Women's Songs
in Othello and The Maid's Tragedy

 Rochelle Smith Volume 28, Issue 3,
Fall 1994
Emblems of Folly in the First Othello:
Renaissance Blackface, Moor's Coat,
and "Muckender"
view abstract

Robert Hornback Volume 35, Issue 1,
Spring 2001
False Fidelity: Othello, Otello,
and Their Critics		 James Aldrich-Moodie Volume 28, Issue 3,
Fall 1994
Felt Absences: The Stage Properties
of Othello's Handkerchief

 Andrew Sofer Volume 31, Issue 3,
Fall 1997
Flattery in Shakespeare's Othello:
The Relevance of Plutarch and
Sir Thomas Elyot
read first paragraph

 Robert C. Evans Volume 35, Issue 1,
Spring 2001
Goodnight Desdemona (Good Morning
Juliet): From Shakespearean Tragedy to Postmodern Satyr Play

 Igor Djordjevic Volume 37, Issue 1,
Spring 2003
Intercession, Detraction, and Just
Judgement in Othello
read first paragraph

 R. Chris Hassel, Jr. Volume 35, Issue 1,
Spring 2001
Mactacio Desdemonae: Medieval Scenic
Form in the Last Scene of Othello 		Cherrell Guilfoyle Volume 19, Issue 4,
Winter 1985-86
Othello and New Comedy Frances Teague Volume 20, Issue 1,
Spring 1986

"Othello/me": Racial Drag and the
Pleasures of Boundry-Crossing
with Othello
read 1st paragraph

 Elise Marks Volume 35, Issue 1,
Spring 2001
Predestination and the Heresy
of Merit in Othello		 Maurice Hunt Volume 30, Issue 3,
Fall 1996

Woyzeck and Othello: The Dimensions
of Melodrama 		Terry Otten Volume 12, Issue 2,
Summer 1978
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Pericles    
"Deep clerks she dumbs":
The Learned Heroine in
Apollonius of Tyre and Pericles

 Elizabeth Archibald Volume 22, Issue 4,
Winter 1988-89
__________________________________________________________________________________
Richard II    
Magic Mirrors in Richard II
read first paragraph 		Robert M. Schuler Volume 38, Issue 2,3,
Summer/Fall 2004
Metatheater, Gender, and Subjectivity
in Richard II and Henry IV, Part I

R. A. Martin Volume 23, Issue 3,
Fall 1989
Richard II and Some Forms
of Theatrical Time		 Edgar Schell Volume 24, Issue 3,
Fall 1990
__________________________________________________________________________________
Richard III    
History, Character and Conscience
in Richard III 		Richard P. Wheeler Volume 5, Issue 4,
Winter 1971-72
Mocking Dead Bones: Historical Memory
and the Theater of the Dead in Richard III
read first paragraph 		Stephen Marche Volume 37, Issue 1,
Spring 2003

Profane Icon: The Throne Scene of
Shakespeare's Richard III 		Peggy Endel Volume 20, Issue 2,
Summer 1986
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Romeo and Juliet    
"The Dark Disorders of a Divided State":
Otway and Shakespeare's
Romeo and Juliet 		Jessica Munns Volume 19, Issue 4,
Winter 1985-86
Goodnight Desdemona (Good Morning
Juliet): From Shakespearean Tragedy to Postmodern Satyr Play
read first paragraph

 Igor Djordjevic Volume 37, Issue 1,
Spring 2003
"We were born to die":
Romeo and Juliet 		William C. Carroll Volume 15, Issue 1,
Spring 1981
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The Taming of the Shrew    
Disorder in the House of God: Disrupted
Worship in Shakespeare and Others
read first paragraph


 Bruce Boehrer Volume 38, Issue 1,
Spring 2004
"Look not big, nor stamp, nor stare":
Acting Up in The Taming of the Shrew
and the Coventry Herod Plays
read first paragraph


Jonathan Gil Harris Volume 34, Issue 4,
Winter 2000-01
Performing Marriage with a Difference:
Wooing, Wedding, and Bedding in
The Taming of the Shrew
read first paragraph


 Amy L. Smith Volume 36, Issue 3,4,
Fall/Winter 2002-03
Shakespeare, Molly House Culture,
and the Eighteenth-Century Stage
view abstract


Charles Conaway Volume 38, Issue 4,
Winter 2004-05
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The Tempest    
Caribbean Caliban: Shifting
the "I" of the Storm


James E. Robinson Volume 33, Issue 4,
Winter 1999-2000
"My charms crack not": The Alchemical
Structure of The Tempest

 Peggy Muñoz Simonds Volume 31, Issue 4,
Winter 1997-98
Sacerdotal Vestiges in The Tempest
view abstract

 Robert L. Reid Volume 41, Issue 4,
Winter 2007-08
"Sweet Power of Music": The Political
Magic of "the Miraculous Harp" in
Shakespeare's The Tempest


Peggy Muñoz Simonds Volume 29, Issue 1,
Spiring 1995
The Tempest, Plautus, and the Rudens
 Bruce Louden Volume 33, Issue 2,
Summer 1999
__________________________________________________________________________________
Troilus and Cressida    
The Error of Our Eye in
Troilus and Cressida 		John D. Cox Volume 10, Issue 2,
Summer 1976
"Monsters in Love's Train": Euripides and
Shakespeare's Troilus and Cressida 		Margaret J. Arnold Volume 18, Issue 1,
Spring 1984
War and Manliness in Shakespeare's
Troilus and Cressida 		Emil Roy Volume 7, Issue 2,
Summer 1973
__________________________________________________________________________________
Titus Andronicus    
Shadow and Substance: Structural Unity
in Titus Andronicus 		John P. Cutts Volume 2, Issue 3,
Fall 1968
__________________________________________________________________________________
Troilus and Cressida    
Troilus and Cressida: The Observer
as Basilisk 		Harry Berger, Jr. Volume 2, Issue 2,
Summer 1968
__________________________________________________________________________________
Twelfth Night    
As Secret as Maidenhead: The Profession
of the Boy-Actress in Twelfth Night 		Matthew H. Wikander Volume 20, Issue 4,
Winter 1986-87
The Treatment of Space in Italian and
English Renaissance Theater:
The Example of Gl'Ingannati
and Twelfth Night

Jack D'Amico Volume 23, Issue 3,
Fall 1989
__________________________________________________________________________________
The Two Gentlemen of Verona    
The "Full Meaning" of
The Two Gentlemen of Verona

Howard C. Cole Volume 23, Issue 3,
Fall 1989
Wherefore Verona in The Two Gentlemen
of Verona
view abstract 		David M. Bergeron Volume 41, Issue 4,
Winter 2007-08
__________________________________________________________________________________
The Winter's Tale    
Bandello's "Timbreo and Fenicia"
and The Winter's Tale
read first paragraph


Thomas E. Mussio Volume 34, Issue 2,
Summer 2000
Granville Barker's Production of
The Winter's Tale (1912)


 Brian Pearce Volume 30, Issue 3,
Fall 1996
Hermione's Wrinkles, or, Ovid
Transformed: An Essay on
The Winter's Tale


Martin Mueller Volume 5, Issue 3,
Fall 1971
Machines for the Supression of Time:
Statues in Suor Angelica, The
Winter's Tale, and Alcestis


Robert C. Ketterer Volume 24, Issue 1,
Spring 1990
The Winter's Tale and
Early Religious Drama 		Darryll Grantley Volume 20, Issue 1,
Spring 1986

"What means Sicilia? He something
seems unsettled": Sicily, Russia, and
Bohemia in The Winter's Tale


 R. W. Desai Volume 30, Issue 3,
Fall 1996
The Winter's Tale and
Guarinian Dramaturgy 		Robert Henke Volume 27, Issue 2,
Summer 1993

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