R
Subject/Essay Author Location
Raising of Lazarus    
The Fleury Raising of Lazarus and
Twelfth-Century Currents of Thought 		Kathleen M. Ashley Volume 15, Issue 2
Summer 1981
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Ralegh, Sir Walter    
Jonson and the Emblematic Tradition:
Ralegh, Brant, the Poems,
The Alchemist, and Volpone

Robert C. Evans Volume 29, Issue 1
Spiring 1995
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Rank, Otto    
O'Neill and Otto Rank: Doubles, "Death
Instincts," and the Trauma of Birth

 Stephen Watt Volume 20, Issue 3
Fall 1986
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Realism    
The Alogical and Absurdist Aspects of
Russian Realist Drama 		Simon Karlinsky Volume 3, Issue 3
Fall 1969
The Mythic Foundation of Ibsen's Realism Brian Johnston Volume 3, Issue 1
Spring 1969

Understanding Sam Shepard's Realism William W. Demastes Volume 21, Issue 3
Fall 1987
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The Recruiting Officer    
Bertolt Brecht and George Farquhar's
The Recruiting Officer 		Albert Wertheim Volume 7, Issue 3
Fall 1973
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Redford, John    
"It lak'th but life": Redford's Wit and
Science, Anne of Cleves, and the
Politics of Interpretation

 Hillary Nunn Volume 33, Issue 2
Summer 1999
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The Relapse    
Vanbrugh and Cibber: Language, Place,
and Social Order in The Relapse 		Derek Hughes Volume 21, Issue 1
Spring 1987
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Regnum Humanitatis    
The Regnum Humanitatis Trilogy:
A Humanist Manifesto		 Eugene J. Devlin Volume 26, Issue 1
Spring 1992
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Religious Drama    
Doctor Faustus and Hamlet: Contrasting
Kinds of Christian Tragedy 		Thomas B. Stroup Volume 5, Issue 4
Winter 1971-72
Dramatic Elements in Early Monastic
Iduction Ceremonies 		George Klawitter Volume 15, Issue 3
Fall 1981
Fifteenth-Century Flamboyant Style and
The Castle of Perseverance		 Michael R. Kelley Volume 6, Issue 1
Spring 1972
Mary's Obedience and Power in the
Trial of Joseph and Mary


 Cindy L. Carlson Volume 29, Issue 3
Fall 1995
The Mass on the English Stage Lynette R. Muir Volume 23, Issue 4
Winter 1989-90
The Melodies of the Medieval
Church-Dramas and Their Significance 		William L. Smolden Volume 2, Issue 3
Fall 1968
Narrative Bible Cycles in Medieval
Art and Drama		 Patrick J. Collins Volume 9, Issue 2
Summer 1975
The Play of Wisdom and the
Abbey of St. Edmund 		Gail McMurray Gibson Volume 19, Issue 2
Summer 1985
The Song of Songs as a Drama in the
Commentators from Origen to the
Twentieth Century


Joseph R. Jones Volume 17, Issue 1
Spring 1983
Structure, Characterization, and the
New Community in Four Plays of
Jesus and the Doctors


Daniel T. Kline Volume 26, Issue 4
Winter 1992-93
The Winter's Tale and
Early Religious Drama 		Darryll Grantley Volume 20, Issue 1
Spring 1986
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Renaissance Drama    
The Bible in English Renaissance
Civic Pageants 		David M. Bergeron



 Volume 20, Issue 2
Summer 1986
The Changing Faces of Love in
English Renaissance Comedy 		Ejner J. Jensen Volume 6, Issue 4
Winter 1972-73
Creating Entertainments for Prince Henry’s Creation (1610)
read first paragraph

David M. Bergeron
 Volume 42, Issue 4
Winter 2008
The Farced Epistle as Dramatic Form
in the Twelfth Century Renaissance


 E. Catherine Dunn Volume 29, Issue 3
Fall 1995
Giulio Camillo's Idea of the Theater:
The Enigma of the Renaissance		 Albert R. Cirillo Volume 1, Issue1
Spring 1967

Italian Renaissance Drama in the
Eighteenth Century


Beatrice Corrigan Volume 10, Issue 2
Summer 1976
Nativity and Magi Plays in
Renaissance Florence


 Konrad Eisenbichler Volume 29, Issue 3
Fall 1995
The Rediscovery of Anti-Form in
Renaissance Drama 		Jackson I. Cope Volume 1, Issue 3
Fall 1967

Renaissance Power and Stuart Dramaturgy:
Shakespeare, Milton, Dryden


John D. Cox Volume 22, Issue 4
Winter 1988-89
Two Renaissance Views of Carthage:
Trissino's Sofonisba and Castellini's
Asdrubale


 Beatrice Corrigan Volume 5, Issue 3
Fall 1971
Soft Touch: On the Renaissance
Staging and Meaning of the
"Noli me tangere" Icon
view abstract


 Cynthia Lewis Volume 36, Issue 1,2
Spring/Summer 2002
Suicide as Message and Metadrama in
English Renaissance Tragedy 		Richard K. Sanderson Volume 26, Issue 3
Fall 1992
The Treatment of Space in Italian and
English Renaissance Theater:
The Example of Gl'Ingannati
and Twelfth Night


Jack D'Amico Volume 23, Issue 3
Fall 1989
Women and Mimesis in Medieval and
Renaissance Somerset (and Beyond) 		James Stokes Volume 27, Issue 2
Summer 1993
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Requiem pour un nonne    
Imprisonment in Camus' "Modern Tragedies":
Les Justes, Requiem pour un nonne,
Le Malentendu 		Mary Ann Frese Witt Volume 5, Issue 1
Spring 1971

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Restoration Drama    
All injury’s forgot”: Restoration Sex Comedy
and National Amnesia
view abstract

 Laura J. Rosenthal Volume 42, Issue 1
Spring 2008
Gimcrack’s Legacy: Sex, Wealth, and the
Theater of Experimental Philosophy
view 1st paragraph

 Tita Chico Volume 42, Issue 1
Spring 2008
The Paradoxes of Slavery in Thomas
Southerne’s Oroonoko
view abstract

 Diana Jaher Volume 42, Issue 1
Spring 2008
Performing the West Indies: Comedy,
Feeling, and British Identity
view abstract

 Jean Marsden Volume 42, Issue 1
Spring 2008
Sheridan, The School for Scandal,
and Aggression
view abstract

 James Thompson Volume 42, Issue 1
Spring 2008
Who's Holding the Mirror? Irving Kreutz Volume 4, Issue 2
Summer 1970
Windings and Turnings: The Metaphoric
Labyrinth of Restoration Dramatic Theory 		Scott Cutler Shershow Volume 26, Issue 1
Spring 1992
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The Revenger's Tragedy    
If Looks Could Kill: Fathers and Sons
in The Revenger's Tragedy		 Stephen Wigler Volume 9, Issue 3
Fall 1975
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Revesby Sword Play    
English Folk Drama in the Eighteenth
Century: A Defense of the
Revesby Sword Play 		Thomas Pettitt Volume 15, Issue 1
Spring 1981
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Revista Comtemporáneos    
The Revista Contemporáneos and the
Development of the Mexican Theater 		Edward J. Mullen Volume 4, Issue 4
Winter 1970-71
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Das Rheingold    
Wagner and Shaw: Rheingold Motifs in
Major Barbara 		Robert Coskren Volume 14, Issue 1
Spring 1980
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Richard Crookback    
More's Richard III and Jonson's
Richard Crookback and Sejanus 		Robert C. Evans Volume 24, Issue 2
Summer 1990
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The Ride Across Lake Constance    
Peter Handke's The Ride Across Lake
Constance: The Illusion of Self-Sufficiency 		June Schlueter Volume 11, Issue 2
Summer 1977
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The Ring    
The Rise of Intellect in Wagner's Ring S. K. Land Volume 5, Issue 1
Spring 1971

Wagner's Ring as Nineteenth-Century
Artifact

 Herbert Lindenberger Volume 28, Issue 3
Fall 1994
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Ritual in Drama    
Ritual in Marlowe's Plays Thomas B. Stroup Volume 7, Issue 3
Fall 1973
Ritual and Ceremony in the Drama Thomas B. Stroup Volume 11, Issue 2
Summer 1977
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Robin Hood    
The Robin Hood Folk Plays of
South-Central England 		Michael J. Preston Volume 10, Issue 2
Summer 1976
__________________________________________________________________________________
Rockaby    
Perceiving Rockaby— As a Text, As a
Text by Samuel Beckett, As a Text
for Performance
 Charles R. Lyons Volume 16, Issue 4
Winter 1982-83

__________________________________________________________________________________
Roman Drama    
A Proposal for a Theater Museum:
Staging the Fragments of Greek
and Roman Drama

 Timothy Richard Wutrich Volume 29, Issue 4
Winter 1995-96
__________________________________________________________________________________
Romersholm    
Antony and Cleopatra and Romersholm:
"Third Empire" Love Tragedies 		Errol Durbach Volume 20, Issue 1
Spring 1986
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Rosamond    
Mocking the Meat It Feeds On:
Representing Sarah Churchill's
Hystericks in Addison's Rosamond

 Luis R. Gámez Volume 29, Issue 2
Summer 1995
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Rosencrantz and Guildenstern Are Dead    
"Wheels within wheels, etcetera":
Artistic Design in Rosencrantz
and Guildenstern Are Dead 		William E. Gruber Volume 15, Issue 4
Winter 1981-82
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Rowley, William    
The Changeling: Notes on Mannerism
in Dramatic Form 		Raymond J. Pentzell Volume 9, Issue 1
Spring 1975
"Framing" as Collaborative Technique:
Two Middleton-Rowley Plays 		Michael E. Mooney Volume 13, Issue 2
Summer 1979
Interrogating the Devil: Social and Demonic
Pressure in The Witch of Edmonton
read first paragraph

 David Nicol Volume 38, Issue 4
Winter 2004-05
The Islamization of Spain in William
Rowley and Mary Pix: The Politics
of Nation and Gender
view abstract
 Pilar Cuder-Domínguez Volume 36, Issue 3,4
Fall/Winter 2002-03

Madhouse Optics: The Changeling
 Joseph M. Duffy Volume 8, Issue 2
Summer 1974
Wit Without Money: A Fletcherian
Antecedent to Keep the Widow Waking 		Charles R. Forker Volume 8, Issue 2
Summer 1974
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The Royall King and the Loyall Subject    
Thomas Heywood's The Royall King,
and the Loyall Subject and the Fall of
Robert Devereux, Second Earl of Essex
view abstract

Kevin Lindberg Volume 39, Issue 1
Spring 2005
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Rudens    
Heywood's Adaptation of Plautus'
Rudens: The Problem of Slavery in
The Captives


Carolyn Prager Volume 9, Issue 2
Summer 1975
The Tempest, Plautus, and the Rudens

 Bruce Louden Volume 33, Issue 2
Summer 1999
__________________________________________________________________________________
Russian Drama    
The Alogical and Absurdist Aspects of
Russian Realist Drama 		Simon Karlinsky Volume 3, Issue 3
Fall 1969
Work and Play: Some Aspects of Folk
Drama in Russia 		Elizabeth A. Warner

Volume 12, Issue 2
Summer 1978

__________________________________________________________________________________
Ruzante    
Comparing Poverty: Fictions of a
“Poor Theater” in Ruzante and Shakespeare
view abstract 		Robert Henke Volume 41, Issue 2
Summer 2007

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