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| Subject/Essay | Author | Location |
| Pageant of Great Women | ||
| From Great Women to Top Girls: Pageants of Sisterhood in British Feminist Theatre view abstract |
Rebecca Cameron | Volume 43, Issue 2 Summer 2009 |
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| Paradise Lost | ||
| The Emotional Theater of Milton’s Paradise Lost view abstract |
Elizabeth Bradburn | Volume 40, Issue 1 Spring 2006 |
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| Parker, Matthew | ||
| Matthew Parker's Pastoral Training and Marlowe's Doctor Faustus |
Celia Barnes | Volume 15, Issue 3 Fall 1981 |
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| Parks, Suzan-Lori | ||
| Staging a New Literary History: Suzan-Lori Parks’s Venus, In the Blood, and Fucking A view abstract |
Carol Schafer | Volume 42, Issue 2 Summer 2008 |
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| Passion Plays | ||
| The Christos Paschon and the Byzantine Theater |
Sandro Sticca | Volume 8, Issue 1 Spring 1974 |
| "Cockes face" and the Problem of poydrace in the Chester Passion |
Lorrayne Y. Baird | Volume 16, Issue 3 Fall 1982 |
| The Dramatic Strategies of Chester's Passion Pagina |
Peter W. Travis | Volume 8, Issue 3 Fall 1974 |
| Étalage complaisant? The Torments of Christ in French Passion Plays |
Véronique Plesch | Volume 28, Issue 4 Winter 1994-95 |
| The First Perugian Passion Play: Aspects of Structure |
Kathleen Falvey | Volume 11, Issue 2 Summer 1977 |
| Iconography and the Montecassino Passion | Robert R. Edwards | Volume 6, Issue 4 Winter 1972-73 |
| Liturgy and Community in N-Town Passion Play I |
Victor I. Scherb | Volume 29, Issue 4 Winter 1995-96 |
| Marlowe's Edward II and the Medieval Passion Play |
Patrick Ryan | Volume 32, Issue 4 Winter 1998-99 |
| Time, Eternity, and Dramatic Form in Ludus Coventriae "Passion Play I" |
Daniel P. Poteet II | Volume 8, Issue 4 Winter 1974-75 |
| Walls and Scaffolds: Pictorial and Dramatic Passion Cycles in the Duchy of Savoy | Véronique Plesch | Volume 32, Issue 2 Summer 1998 |
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| Penthesilea | ||
| Heinrich Von Kleist's Penthesilea: Amazon or Bluestocking |
Herman Salinger | Volume 1, Issue 1 Spring 1967 |
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| Pericles | ||
| "The care . . . of subjects' good": Pericles, James I, and the Neglect of Good Government |
Stuart M. Kurland | Volume 30, Issue 2 Summer 1996 |
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| Persian Drama | ||
| Ta'ziyeh in Exile: Transformations in a Persian Tradition |
Milla C. Riggio |
Volume 28, Issue 1 Spring 1994 |
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| Phaedra | ||
| The Classicism of Rober Lowell's Phaedra | Jerome Mazzaro | Volume 7, Issue 2 Summer 1973 |
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| Philadelphia, Here I Come! | ||
| Chekhov in Ireland: Brief Notes on Friel's Philadelphia |
James Coakley | Volume 7, Issue 3 Fall 1973 |
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| Physical Disabilities | ||
| Suffering Silences, Woeful Afflictions: Physical Disability, Melodrama, and the American Charity Movement view abstract |
Sheila Moeschen | Volume 40, Issue 4 Winter 2006-07 |
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| Pillars of Society | ||
| The Lacanian Imaginary in Ibsen's Pillars of Society and The Wild Duck |
Oliver W. Gerland III | Volume 24, Issue 4 Winter 1990-91 |
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| Pinter, Harold | ||
| Ariel Dorfman and Harold Pinter: Politics of the Periphery and Theater of the Metropolis |
Stephen Gregory | Volume 30, Issue 3 Fall 1996 |
| Dance to a Cut-Throat Temper: Harold Pinter's Poetry as an Index to Intended Audience Response |
Christopher C. Hudgins | Volume 12, Issue 3 Fall 1978 |
| Pinter's The Homecoming: Displacing and Repeating Ibsen |
Thomas Postlewait | Volume 15, Issue 3 Fall 1981 |
| Radical Mimesis: The "Pinter Problem" Revisited |
David Z. Saltz | Volume 26, Issue 3 Fall 1992 |
| Time and Memory in Pinter's Proust Screenplay |
Enoch Brater | Volume 13, Issue 2 Summer 1979 |
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| Pirandello, Luigi | ||
| Mathematical Certainty and Pirandello's Così è (se vi pare) |
Jerome Mazzaro |
Volume 28, Issue 4 Winter 1994-95 |
| Memory and Madness in Pirandello's Enrico IV |
Jerome Mazzaro | Volume 26, Issue 1 Spring 1992 |
| Pirandello's Sei Personaggi and Expressive Form |
Jerome Mazzaro | Volume 30, Issue 4 Winter 1996-97 |
| Pirandello, the Sacred, and the Death of Tragedy |
Nina daVinci Nichols | Volume 32, Issue 2 Summer 1998 |
| Play and Pirandello's Il giuoco delle parti | Jerome Mazzaro | Volume 27, Issue 4 Winter 1993-94 |
| Wavering Identity: A Pirandellean Reading of Saadallah Wannus's The King Is the King |
Aleya A. Said | Volume 32, Issue 3 Fall 1998 |
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| Pix, Mary | ||
| The Islamization of Spain in William Rowley and Mary Pix: The Politics of Nation and Gender view abstract |
Pilar Cuder-Dominguez | Volume 36, Issue 3,4 Fall/Winter 2002-03 |
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| Planctus Mariae | ||
| Demonstration Performance of the Cividale Planctus Mariae: A Report view 1st paragraph |
Eric Strand, Matthew Steel, and Clifford Davidson | Volume 42, Issue 2 Summer 2008 |
| Planctus Mariae: A Performance Edition | Audrey Ekdahl Davidson, trans. |
Volume 42, Issue 2 Summer 2008 |
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| Plato | ||
| "Non-Aristotelian" Theater: Brecht's and Plato's Theories of Artistic Imitation |
William E. Gruber | Volume 21, Issue 3 Fall 1987 |
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| Plautus | ||
| Comedy and Control: Shakespeare and the Plautine Poeta |
Douglas Bruster | Volume 24, Issue 3 Fall 1990 |
| Heywood's Adaptation of Plautus' Rudens: The Problem of Slavery in The Captives |
Carolyn Prager | Volume 9, Issue 2 Summer 1975 |
| Shakespeare's Transformation of Plautus | John Arthos | Volume 1, Issue 4 Winter 1967-68 |
| The Tempest, Plautus, and the Rudens | Bruce Louden | Volume 33, Issue 2 Summer 1999 |
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| Play of the Sacrament | ||
| Anti-Semitism, Surrogacy, and the Invocation of Mohammed in thePlay of the Sacrament view abstract |
Michael Mark Chemers | Volume 41, Issue 1 Spring 2007 |
| The Croxton Play of the Sacrament: A Re-Reading |
Ann Eljenholm Nichols | Volume 22, Issue 2 Summer 1988 |
| Devotional Themes in the Violence and Humor of the Play of the Sacrament |
Richard L. Homan | Volume 20, Issue 4 Winter 1986-87 |
| Two Exempla: Analogues to the Play of the Sacrament and Dux Moraud |
Richard L. Homan | Volume 18, Issue 3 Fall 1984 |
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| Play Strindberg | ||
| Play Strindberg and the Theater of Adaptation |
Enoch Brater | Volume 16, Issue 1 Spring 1982 |
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| The Playboy of the Western World | ||
| Transplanting the Work of “that rooted man”: The Reception of John Millington Synge’s Drama in Hungary view abstract |
Maria Kurdi | Volume 41, Issue 2 Summer 2007 |
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| Pleasure Reconciled to Virtue | ||
| 'Other Men's Provision': Ben Jonson's Parody of Robert White in Pleasure Reconciled to Virtue |
Robert C. Evans | Volume 24, Issue 1 Spring 1990 |
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| Plutarch | ||
| Flattery in Shakespeare's Othello: The Relevance of Plutarch and Sir Thomas Elyot read first paragraph |
Robert C. Evans | Volume 35, Issue 1 Spring 2001 |
| "Nothing Undervalued to Cato's Daughter": Plutarch's Porcia in the Shakespeare Canon |
John W. Velz | Volume 11, Issue 4 Winter 1977-78 |
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| Poeta | ||
| Comedy and Control: Shakespeare and the Plautine Poeta |
Douglas Bruster | Volume 24, Issue 3 Fall 1990 |
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| Poetaster | ||
| The Ovids of Ben Jonson in Poetaster and in Epicoene |
Joseph A. Dane | Volume 13, Issue 3 Fall 1979 |
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| Polish Theater | ||
| Dramatists in Search of Self: A Backward Glance |
E. J. Czerwinski | Volume 3, Issue 3 Fall 1969 |
| The Theatre of Ruthless Metaphor: Polish Theatre Between Marxism and Existentialism |
Zbigniew Folejewski | Volume 3, Issue 3 Fall 1969 |
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| Pope, Alexander | ||
| The Scriblerian Stage and Page: Three Hours After Marriage, Pope’s “Minor” Poems, and the Problem of Genre-History view abstract |
Katherine Mannheimer | Volume 43, Issue 1 Spring 2009 |
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| Popovic, Aleksandar | ||
| Aleksandar Popovic and Pop-Theatre: Beyond the Absurd |
E. J. Czerwinski | Volume 3, Issue 3 Fall 1969 |
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| Preston, Thomas | ||
| "Lamentable tragedy mixed ful of pleasant mirth": The Enigma of Cambises |
Howard B. Norland | Volume 26, Issue 4 Winter 1992-93 |
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| Processus Noe | ||
| The Limits of Typology and the Wakefield Master's Processus Noe |
Edgar Schell | Volume 25, Issue 2 Summer 1991 |
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| Professional Foul | ||
| Epistemology and Ethics in Tom Stoppard's Professional Foul |
Richard J. Buhr | Volume 13, Issue 4 Winter 1979-80 |
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| Prometheus Bound | ||
| Prometheus Bound: Robert Lowell and Aeschylus | Jerome Mazzaro | Volume 7, Issue 4 Winter 1973-74 |
| _________________________________________________________________________________ | ||
| Puccini, Giacomo | ||
| Machines for the Supression of Time: Statues in Suor Angelica, The Winter's Tale, and Alcestis |
Robert C. Ketterer | Volume 24, Issue 1 Spring 1990 |
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| Puppet Theater | ||
| Puppets Dallying: Thoughts on Shakespearean Theatricality view abstract |
Kenneth Gross | Volume 41, Issue 3 Fall 2007 |
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| Purgatory | ||
| Curing Oneself of the Work of Time: W. B. Yeats's Purgatory |
Natalie Crohn Schmitt | Volume 7, Issue 4 Winter 1973-74 |
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