P
|
| Subject/Essay |
Author |
Location |
| Paradise Lost |
|
|
The Emotional Theater of Milton’s
Paradise Lost
view abstract
|
Elizabeth Bradburn |
Volume 40, Issue 1,
Spring 2006 |
| _________________________________________________________________________________ |
| Parker, Matthew |
|
|
Matthew Parker's Pastoral Training and
Marlowe's Doctor Faustus |
Celia Barnes |
Volume 15, Issue 3,
Fall 1981
|
| _________________________________________________________________________________ |
| Passion Plays |
|
|
The Christos Paschon and the
Byzantine Theater |
Sandro Sticca |
Volume 8, Issue 1,
Spring 1974
|
"Cockes face" and the Problem of
poydrace in the Chester Passion |
Lorrayne Y. Baird |
Volume 16, Issue 3,
Fall 1982
|
The Dramatic Strategies of Chester's
Passion Pagina |
Peter W. Travis |
Volume 8, Issue 3,
Fall 1974
|
Étalage complaisant? The Torments
of Christ in French Passion Plays
|
Véronique Plesch |
Volume 28, Issue 4,
Winter 1994-95
|
The First Perugian Passion Play:
Aspects of Structure |
Kathleen Falvey |
Volume 11, Issue 2,
Summer 1977
|
| Iconography and the Montecassino Passion |
Robert R. Edwards |
Volume 6, Issue 4,
Winter 1972-73
|
Liturgy and Community in N-Town
Passion Play I
|
Victor I. Scherb |
Volume 29, Issue 4,
Winter 1995-96
|
Marlowe's Edward II and
the Medieval Passion Play
|
Patrick Ryan |
Volume 32, Issue 4,
Winter 1998-99 |
Time, Eternity, and Dramatic Form in
Ludus Coventriae "Passion Play I" |
Daniel P. Poteet II |
Volume 8, Issue 4,
Winter 1974-75
|
| Walls and Scaffolds: Pictorial and Dramatic Passion Cycles in the Duchy of Savoy |
Véronique Plesch |
Volume 32, Issue 2,
Summer 1998
|
| _________________________________________________________________________________ |
| Penthesilea |
|
|
Heinrich Von Kleist's Penthesilea:
Amazon or Bluestocking |
Herman Salinger |
Volume 1, Issue 1,
Spring 1967
|
| _________________________________________________________________________________ |
| Pericles |
|
|
"The care . . . of subjects' good":
Pericles, James I, and the Neglect
of Good Government
|
Stuart M. Kurland |
Volume 30, Issue 2,
Summer 1996
|
| _________________________________________________________________________________ |
| Persian Drama |
|
|
Ta'ziyeh in Exile: Transformations in
a Persian Tradition |
Milla C. Riggio
|
Volume 28, Issue 1,
Spring 1994 |
| _________________________________________________________________________________ |
| Phaedra |
|
|
| The Classicism of Rober Lowell's Phaedra |
Jerome Mazzaro |
Volume 7, Issue 2,
Summer 1973
|
| _________________________________________________________________________________ |
| Philadelphia, Here I Come! |
|
|
Chekhov in Ireland: Brief Notes on
Friel's Philadelphia |
James Coakley |
Volume 7, Issue 3,
Fall 1973
|
| _________________________________________________________________________________ |
| Physical Disabilities |
|
|
Suffering Silences, Woeful Afflictions:
Physical Disability, Melodrama, and
the American Charity Movement
view abstract
|
Sheila Moeschen |
Volume 40, Issue 4,
Winter 2006-07
|
| _________________________________________________________________________________ |
| Pillars of Society |
|
|
The Lacanian Imaginary in Ibsen's
Pillars of Society and The Wild Duck |
Oliver W. Gerland III |
Volume 24, Issue 4,
Winter 1990-91
|
| _________________________________________________________________________________ |
| Pinter, Harold |
|
|
Ariel Dorfman and Harold Pinter:
Politics of the Periphery and
Theater of the Metropolis
|
Stephen Gregory |
Volume 30, Issue 3,
Fall 1996 |
Dance to a Cut-Throat Temper: Harold
Pinter's Poetry as an Index to Intended
Audience Response
|
Christopher C. Hudgins |
Volume 12, Issue 3,
Fall 1978
|
Pinter's The Homecoming: Displacing
and Repeating Ibsen
|
Thomas Postlewait |
Volume 15, Issue 3,
Fall 1981
|
Radical Mimesis:
The "Pinter Problem" Revisited
|
David Z. Saltz |
Volume 26, Issue 3,
Fall 1992
|
Time and Memory in Pinter's
Proust Screenplay
|
Enoch Brater |
Volume 13, Issue 2,
Summer 1979 |
| _________________________________________________________________________________ |
| Pirandello, Luigi |
|
|
Mathematical Certainty and Pirandello's
Così è (se vi pare) |
Jerome Mazzaro
|
Volume 28, Issue 4,
Winter 1994-95 |
Memory and Madness in Pirandello's
Enrico IV
|
Jerome Mazzaro |
Volume 26, Issue 1,
Spring 1992
|
Pirandello's Sei Personaggi
and Expressive Form |
Jerome Mazzaro |
Volume 30, Issue 4,
Winter 1996-97
|
Pirandello, the Sacred, and
the Death of Tragedy
|
Nina daVinci Nichols |
Volume 32, Issue 2,
Summer 1998
|
| Play and Pirandello's Il giuoco delle parti |
Jerome Mazzaro |
Volume 27, Issue 4,
Winter 1993-94
|
Wavering Identity: A Pirandellean
Reading of Saadallah Wannus's
The King Is the King
|
Aleya A. Said |
Volume 32, Issue 3,
Fall 1998 |
| _________________________________________________________________________________ |
| Pix, Mary |
|
|
The Islamization of Spain in William
Rowley and Mary Pix: The Politics
of Nation and Gender
view abstract
|
Pilar Cuder-Dominguez |
Volume 36, Issue 3,4,
Fall/Winter 2002-03
|
| _________________________________________________________________________________ |
| Plato |
|
|
"Non-Aristotelian" Theater: Brecht's and
Plato's Theories of Artistic Imitation |
William E. Gruber |
Volume 21, Issue 3,
Fall 1987
|
| _________________________________________________________________________________ |
| Plautus |
|
|
Comedy and Control: Shakespeare
and the Plautine Poeta
|
Douglas Bruster |
Volume 24, Issue 3,
Fall 1990
|
Heywood's Adaptation of Plautus'
Rudens: The Problem of Slavery in
The Captives
|
Carolyn Prager |
Volume 9, Issue 2,
Summer 1975
|
| Shakespeare's Transformation of Plautus |
John Arthos |
Volume 1, Issue 4,
Winter 1967-68
|
| The Tempest, Plautus, and the Rudens |
Bruce Louden |
Volume 33, Issue 2,
Summer 1999
|
| _________________________________________________________________________________ |
| Play of the Sacrament |
|
|
Anti-Semitism, Surrogacy, and the Invocation
of Mohammed in thePlay of the Sacrament
view abstract
|
Michael Mark Chemers |
Volume 41, Issue 1
Spring 2007 |
The Croxton Play of the Sacrament:
A Re-Reading
|
Ann Eljenholm Nichols |
Volume 22, Issue 2,
Summer 1988
|
Devotional Themes in the Violence and
Humor of the Play of the Sacrament |
Richard L. Homan |
Volume 20, Issue 4,
Winter 1986-87
|
Two Exempla: Analogues to the Play
of the Sacrament and Dux Moraud |
Richard L. Homan |
Volume 18, Issue 3,
Fall 1984
|
| _________________________________________________________________________________ |
| Play Strindberg |
|
|
Play Strindberg and the
Theater of Adaptation |
Enoch Brater |
Volume 16, Issue 1,
Spring 1982
|
| _________________________________________________________________________________ |
| The Playboy of the Western World |
|
|
Transplanting the Work of “that rooted man”:
The Reception of John Millington Synge’s
Drama in Hungary
view abstract
|
Maria Kurdi |
Volume 41, Issue 2,
Summer 2007
|
| _________________________________________________________________________________ |
| Pleasure Reconciled to Virtue |
|
|
'Other Men's Provision': Ben Jonson's
Parody of Robert White in
Pleasure Reconciled to Virtue
|
Robert C. Evans |
Volume 24, Issue 1,
Spring 1990
|
| _________________________________________________________________________________ |
| Plutarch |
|
|
Flattery in Shakespeare's Othello:
The Relevance of Plutarch and
Sir Thomas Elyot
read first paragraph
|
Robert C. Evans |
Volume 35, Issue 1,
Spring 2001
|
"Nothing Undervalued to Cato's Daughter":
Plutarch's Porcia in the Shakespeare Canon
|
John W. Velz |
Volume 11, Issue 4,
Winter 1977-78
|
| _________________________________________________________________________________ |
| Poeta |
|
|
Comedy and Control: Shakespeare
and the Plautine Poeta |
Douglas Bruster |
Volume 24, Issue 3,
Fall 1990
|
| _________________________________________________________________________________ |
| Poetaster |
|
|
The Ovids of Ben Jonson in Poetaster
and in Epicoene |
Joseph A. Dane |
Volume 13, Issue 3,
Fall 1979
|
| _________________________________________________________________________________ |
| Polish Theater |
|
|
Dramatists in Search of Self:
A Backward Glance |
E. J. Czerwinski |
Volume 3, Issue 3,
Fall 1969
|
The Theatre of Ruthless Metaphor:
Polish Theatre Between Marxism and Existentialism |
Zbigniew Folejewski |
Volume 3, Issue 3,
Fall 1969
|
| _________________________________________________________________________________ |
| Popovic, Aleksandar |
|
|
Aleksandar Popovic and Pop-Theatre:
Beyond the Absurd
|
E. J. Czerwinski |
Volume 3, Issue 3, Fall 1969
|
| _________________________________________________________________________________ |
| Preston, Thomas |
|
|
"Lamentable tragedy mixed ful
of pleasant mirth": The Enigma
of Cambises
|
Howard B. Norland |
Volume 26, Issue 4,
Winter 1992-93
|
| _________________________________________________________________________________ |
| Processus Noe |
|
|
The Limits of Typology and the Wakefield
Master's Processus Noe
|
Edgar Schell |
Volume 25, Issue 2,
Summer 1991
|
| _________________________________________________________________________________ |
| Professional Foul |
|
|
Epistemology and Ethics in Tom
Stoppard's Professional Foul |
Richard J. Buhr |
Volume 13, Issue 4,
Winter 1979-80
|
| _________________________________________________________________________________ |
| Prometheus Bound |
|
|
| Prometheus Bound: Robert Lowell and Aeschylus |
Jerome Mazzaro |
Volume 7, Issue 4,
Winter 1973-74
|
| _________________________________________________________________________________ |
| Puccini, Giacomo |
|
|
Machines for the Supression of Time:
Statues in Suor Angelica, The
Winter's Tale, and Alcestis
|
Robert C. Ketterer |
Volume 24, Issue 1,
Spring 1990 |
| _________________________________________________________________________________ |
| Puppet Theater |
|
|
Puppets Dallying: Thoughts on
Shakespearean Theatricality
view abstract |
Kenneth Gross |
Volume 41, Issue 3,
Fall 2007 |
| _________________________________________________________________________________ |
| Purgatory |
|
|
Curing Oneself of the Work of Time:
W. B. Yeats's Purgatory
|
Natalie Crohn Schmitt |
Volume 7, Issue 4,
Winter 1973-74
|
| |
|
|
| |
|
|