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| Subject/Essay | Author | Location |
| O'Casey, Sean | ||
| Some Suggestions about the Relationships between O'Casey and Classical Comedy |
James Coakley and Marvin Felheim |
Volume 4, Issue 4 Winter 1970-71 |
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| Oddi, Sforza | ||
| Sforza Oddi and the Commedia Grave: Setting the Stage for Shakespeare |
Robert W. Leslie | Volume 30, Issue 4 Winter 1996-97 |
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| The Odyssey | ||
| The Double Vision of Euripides' Cyclops: An Ethnographic Odyssey on the Satyr Stage |
Carol Dougherty | Volume 33, Issue 3 Fall 1999 |
| Intertextualizing Polyphemus: Politics and Ideology in Walcott’s Odyssey view abstract |
Zina Giannopoulou | Volume 40, Issue 1 Spring 2006 |
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| Oedipus at Colonus | ||
| The Metamorphoses of Theseus in Oedipus at Colonus |
Brian Johnston | Volume 27, Issue 3 Fall 1993 |
| Oedipus at Colonus: A Crisis in the Greek Notion of Deity |
Richard Forrer | Volume 8, Issue 4 Winter 1974-75 |
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| L'Omme Pecheur | ||
| Staging L'Omme Pecheur and The Castle of Perseverance |
Peter Happé | Volume 30, Issue 3 Fall 1996 |
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| O'Neill, Eugene | ||
| Absurdity in English: Joyce and O'Neill | Ruby Cohn | Volume 3, Issue 3 Fall 1969 |
| Aeschylus and O'Neill: A Phenomenological View |
John Chioles | Volume 14, Issue 2 Summer 1980 |
| The Archetypal Unity of Eugene O'Neill's Drama |
Emil Roy | Volume 3, Issue 4 Winter 1969-70 |
| Correcting Some Errors in the Annals of O'Neill |
Louis Sheaffer | Volume 17, Issue 3 Fall 1983 |
| "Daddy Spoke to Me!": Gods Lost and Found in Long Day's Journey Into Night and Through a Glass Darkly |
Thomas P. Adler | Volume 20, Issue 4 Winter 1986-87 |
| The Defense of Psychoanalysis in Literature: Long Day's Journey Into Night and A View From The Bridge |
Albert Rothenberg and Eugene D. Shapiro |
Volume 7, Issue 1 Spring 1973 |
| Desire and Forgiveness: O'Neill's Diptych |
Michael Hinden | Volume 14, Issue 3 Fall 1980 |
| Eternal Recurrence and the Shaping of O'Neill's Dramatic Structures |
Albert E. Kalson and Lisa M. Schwerdt |
Volume 24, Issue 2 Summer 1990 |
| Eugene O'Neill and the Cruelty of Theater | Joseph J. Moleski | Volume 15, Issue 4 Winter 1981-82 |
| Eugene O'Neill's Joseph: A Touch of the Dreamer |
Kurt Eisen | Volume 23, Issue 4 Winter 1989-90 |
| Eugene O'Neill's The Emperor Jones and The Hairy Ape as Mirror Plays |
Emil Roy | Volume 2, Issue 1 Spring 1968 |
| The Iceman Cometh and the Anatomy of Alcoholism |
Thomas B. Gilmore | Volume 18, Issue 4 Winter 1984-85 |
Jean Anouilh and Eugene O'Neill: |
Joseph J. Moleski and John H. Stroupe |
Volume 20, Issue 4 Winter 1986-87 |
| Masking Becomes Electra: O'Neill, Freud, and the Feminine |
S. Georgia Nugent | Volume 22, Issue 1 Spring 1988 |
| Nonworded Words and Unmentionable Pharmaka in O'Neill and Valle-Inclán |
Wilfredo de Ràfols | Volume 31, Issue 2 Summer 1997 |
| O'Neill and Jamie: A Survivor's Tale read first paragraph |
Michael Hinden | Volume 35, Issue 3,4 Fall/Winter 2001-02 |
| O'Neill and Otto Rank: Doubles, "Death Instincts," and the Trauma of Birth |
Stephen Watt | Volume 20, Issue 3 Fall 1986 |
| O'Neill and the Wobblies: The IWW as a Model for Failure in The Iceman Cometh view abstract |
Lawrence Dugan | Volume 36, Issue 1,2 Spring/Summer 2002 |
| O'Neill's Transcendence of Melodrama in A Touch of the Poet and A Moon for the Misbegotten |
Michael Manheim | Volume 16, Issue 3 Fall 1982 |
| Taoism and O'Neill's Marco Millions | James A. Robinson | Volume 14, Issue 3 Fall 1980 |
| The Tyrone Anthology: Authority in the Last Act of Long Day's Journey Into Night view abstract |
Lawrence Dugan | Volume 37, Issue 3,4 Fall/Winter 2003-04 |
| When Playwrights Talk to God: Peter Shaffer and the Legacy of O'Neill |
Michael Hinden | Volume 16, Issue 1 Spring 1982 |
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| Opera | ||
| Arthur Sullivan, Haddon Hall, and the Iconic Mode |
Michael Beckerman | Volume 22, Issue 1 Spring 1988 |
| Brokering Glory for the Chinese Nation: Peking Opera's 1930 American Tour view abstract |
Nancy Guy | Volume 35, Issue 3,4 Fall/Winter 2001-02 |
| Machines for the Supression of Time: Statues in Suor Angelica, The Winter's Tale, and Alcestis |
Robert C. Ketterer | Volume 24, Issue 1 Spring 1990 |
| Mocking the Meat It Feeds On: Representing Sarah Churchill's Hystericks in Addison's Rosamond |
Luis R. Gámez | Volume 29, Issue 2 Summer 1995 |
| Peking Opera before the Twentieth Century |
Colin Mackerras | Volume 28, Issue 1 Spring 1994 |
| (Re)cycling Culture: Chinese Opera in the United States view abstract |
Cecilia J. Pang | Volume 39, Issue 3,4 Fall/Winter 2005-06 |
| A Shakespearean Tribute to Ben Jonson in Garrick's Operatic Version of A Midsummer Night's Dream |
John P. Cutts | Volume 12, Issue 3 Fall 1978 |
| The Sound of a Poet Singing Loudly: A Look at Elegy for Young Lovers |
Marc A. Roth | Volume 13, Issue 2 Summer 1979 |
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| Ordinalia | ||
| A Reassessment of the Date and Provenance of the Cornish Ordinalia |
Gloria J. Betcher | Volume 29, Issue 4 Winter 1995-96 |
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| Ordo Prophetarum | ||
| Sermons, Exegesis, and Performance: The Laon Ordo Prophetarum and the Meaning of Advent view abstract |
Robert C. Lagueux | Volume 43, Issue 2 Summer 2009 |
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| Ordo Virtutum | ||
| The Ordo Virtutum: Ancestor of the English Moralities? |
Robert Potter | Volume 20, Issue 3 Fall 1986 |
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| Oreste | ||
| The Problem of the Bieseances in Voltaire's Oreste |
Marcus Allen | Volume 5, Issue 2 Summer 1971 |
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| Otello | ||
| False Fidelity: Othello, Otello, and Their Critics |
James Aldrich-Moodie | Volume 28, Issue 3 Fall 1994 |
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| Oroonoko | ||
| The Paradoxes of Slavery in Thomas Southerne’s Oroonoko view abstract |
Diana Jaher | Volume 42, Issue 1 Spring 2008 |
| The Politics of Adapting Behn's Oroonoko read first paragraph |
Anne F. Widmayer | Volume 37, Issue 2 Summer 2003 |
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| Ovid | ||
| Hermione's Wrinkles, or, Ovid Transformed: An Essay on The Winter's Tale |
Martin Mueller | Volume 5, Issue 3 Fall 1971 |
| Ovid in the Andes: The New World Morality Play, El rapto Proserpina y sueño de Endimion |
Barbara H. Jaye | Volume 28, Issue 4 Winter 1994-95 |
| The Ovids of Ben Jonson in Poetaster and in Epicoene |
Joseph A. Dane | Volume 13, Issue 3 Fall 1979 |
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