O
Subject/Essay Author Location
O'Casey, Sean    
Some Suggestions about the Relationships
between O'Casey and Classical Comedy 		James Coakley
and Marvin Felheim 		Volume 4, Issue 4,
Winter 1970-71
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Oddi, Sforza    
Sforza Oddi and the Commedia Grave:
Setting the Stage for Shakespeare

 Robert W. Leslie Volume 30, Issue 4,
Winter 1996-97
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The Odyssey    
The Double Vision of Euripides'
Cyclops: An Ethnographic Odyssey
on the Satyr Stage

 Carol Dougherty Volume 33, Issue 3,
Fall 1999
Intertextualizing Polyphemus: Politics
and Ideology in Walcott’s Odyssey
view abstract 		Zina Giannopoulou Volume 40, Issue 1,
Spring 2006
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Oedipus at Colonus    
The Metamorphoses of Theseus in
Oedipus at Colonus 		Brian Johnston Volume 27, Issue 3,
Fall 1993
Oedipus at Colonus: A Crisis in the
Greek Notion of Deity

Richard Forrer Volume 8, Issue 4,
Winter 1974-75
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L'Omme Pecheur    
Staging L'Omme Pecheur and
The Castle of Perseverance

 Peter Happé Volume 30, Issue 3,
Fall 1996
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O'Neill, Eugene    
Absurdity in English: Joyce and O'Neill Ruby Cohn Volume 3, Issue 3,
Fall 1969
Aeschylus and O'Neill:
A Phenomenological View 		John Chioles Volume 14, Issue 2,
Summer 1980
The Archetypal Unity of
Eugene O'Neill's Drama 		Emil Roy Volume 3, Issue 4,
Winter 1969-70
Correcting Some Errors in the
Annals of O'Neill 		Louis Sheaffer Volume 17, Issue 3,
Fall 1983
"Daddy Spoke to Me!": Gods Lost and
Found in Long Day's Journey Into
Night and Through a Glass Darkly


Thomas P. Adler Volume 20, Issue 4,
Winter 1986-87
The Defense of Psychoanalysis in Literature:
Long Day's Journey Into Night and
A View From The Bridge 		Albert Rothenberg
and Eugene D. Shapiro 		Volume 7, Issue 1,
Spring 1973
Desire and Forgiveness:
O'Neill's Diptych		 Michael Hinden Volume 14, Issue 3,
Fall 1980
Eternal Recurrence and the Shaping
of O'Neill's Dramatic Structures		 Albert E. Kalson
and Lisa M. Schwerdt


 Volume 24, Issue 2,
Summer 1990
Eugene O'Neill and the Cruelty of Theater Joseph J. Moleski Volume 15, Issue 4,
Winter 1981-82
Eugene O'Neill's Joseph:
A Touch of the Dreamer		 Kurt Eisen Volume 23, Issue 4,
Winter 1989-90
Eugene O'Neill's The Emperor Jones
and The Hairy Ape as Mirror Plays 		Emil Roy Volume 2, Issue 1,
Spring 1968
The Iceman Cometh and the
Anatomy of Alcoholism


Thomas B. Gilmore Volume 18, Issue 4,
Winter 1984-85

Jean Anouilh and Eugene O'Neill:
Repetition and Negativity

 Joseph J. Moleski
and John H. Stroupe		 Volume 20, Issue 4,
Winter 1986-87
Masking Becomes Electra:
O'Neill, Freud, and the Feminine		 S. Georgia Nugent Volume 22, Issue 1,
Spring 1988
Nonworded Words and Unmentionable
Pharmaka in O'Neill and Valle-Inclán


 Wilfredo de Ràfols Volume 31, Issue 2,
Summer 1997
O'Neill and Jamie: A Survivor's Tale
read first paragraph		 Michael Hinden Volume 35, Issue 3,4,
Fall/Winter 2001-02 

O'Neill and Otto Rank: Doubles, "Death
Instincts," and the Trauma of Birth		 Stephen Watt Volume 20, Issue 3,
Fall 1986
O'Neill and the Wobblies:
The IWW as a Model for Failure
in The Iceman Cometh
view abstract


 Lawrence Dugan Volume 36, Issue 1,2,
Spring/Summer 2002
O'Neill's Transcendence of Melodrama
in A Touch of the Poet and A Moon
for the Misbegotten


Michael Manheim Volume 16, Issue 3,
Fall 1982
Taoism and O'Neill's Marco Millions James A. Robinson Volume 14, Issue 3,
Fall 1980
The Tyrone Anthology: Authority in the Last
Act of Long Day's Journey Into Night
view abstract

Lawrence Dugan Volume 37, Issue 3,4,
Fall/Winter 2003-04

When Playwrights Talk to God: Peter
Shaffer and the Legacy of O'Neill 		Michael Hinden Volume 16, Issue 1,
Spring 1982
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Opera    
Arthur Sullivan, Haddon Hall,
and the Iconic Mode 		Michael Beckerman Volume 22, Issue 1,
Spring 1988
Brokering Glory for the Chinese Nation:
Peking Opera's 1930 American Tour
view abstract


 Nancy Guy Volume 35, Issue 3,4,
Fall/Winter 2001-02 
Machines for the Supression of Time:
Statues in Suor Angelica, The
Winter's Tale, and Alcestis
Robert C. Ketterer Volume 24, Issue 1,
Spring 1990
Mocking the Meat It Feeds On:
Representing Sarah Churchill's
Hystericks in Addison's Rosamond


 Luis R. Gámez Volume 29, Issue 2,
Summer 1995
Peking Opera before the
Twentieth Century


 Colin Mackerras Volume 28, Issue 1,
Spring 1994
(Re)cycling Culture: Chinese Opera
in the United States
view abstract

 Cecilia J. Pang Vol 39, No. 3,4
Fall/Winter 2005-06
A Shakespearean Tribute to Ben Jonson
in Garrick's Operatic Version of
A Midsummer Night's Dream 		John P. Cutts Volume 12, Issue 3,
Fall 1978
The Sound of a Poet Singing Loudly:
A Look at Elegy for Young Lovers 		Marc A. Roth Volume 13, Issue 2,
Summer 1979
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Ordinalia    
A Reassessment of the Date and
Provenance of the Cornish Ordinalia

 Gloria J. Betcher Volume 29, Issue 4,
Winter 1995-96
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Ordo Virtutum    
The Ordo Virtutum: Ancestor of the
English Moralities? 		Robert Potter Volume 20, Issue 3,
Fall 1986
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Oreste    
The Problem of the Bieseances
in Voltaire's Oreste		 Marcus Allen Volume 5, Issue 2,
Summer 1971
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Otello    
False Fidelity: Othello, Otello,
and Their Critics

 James Aldrich-Moodie Volume 28, Issue 3,
Fall 1994
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Oroonoko    
The Politics of Adapting Behn's Oroonoko
read first paragraph 		Anne F. Widmayer Volume 37, Issue 2,
Summer 2003
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Ovid    
Hermione's Wrinkles, or, Ovid
Transformed: An Essay on
The Winter's Tale


Martin Mueller Volume 5, Issue 3,
Fall 1971
Ovid in the Andes: The New World
Morality Play, El rapto Proserpina
y sueño de Endimion

 Barbara H. Jaye Volume 28, Issue 4,
Winter 1994-95


The Ovids of Ben Jonson in Poetaster
and in Epicoene 		Joseph A. Dane Volume 13, Issue 3,
Fall 1979
     

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