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| Subject/Essay | Author | Location |
| N-Town Plays | ||
| Devotional Iconography in the N-Town Marian Plays |
Theresa Coletti | Volume 11, Issue 1 Spring 1977 |
| Liturgy and Community in N-Town Passion Play I |
Victor I. Scherb | Volume 29, Issue 4 Winter 1995-96 |
| Re-Membering the Jews: Theatrical Violence in the N-Town Marian Plays view 1st paragraph |
Merrall Llewelyn Price | Volume 41, Issue 4 Winter 2007-08 |
| Staging Disorder: Charivari in the N-Town Cycle view 1st paragraph |
Richard J. Moll | Volume 35, Issue 2 Summer 2001 |
| "This game wel pleyd in good a-ray": The N-Town Playbooks and East Anglican Games |
Douglas Sugano | Volume 28, Issue 2, Summer 1994 |
| Writing Before the Eye: The N-Town Woman Taken in Adultery and the Medieval Ministry Play |
Gail McMurray Gibson | Volume 27, Issue 4 Winter 1993-94 |
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| Narrators | ||
| The Narrator within the Performance: Problems with Two Medieval "Plays" |
Bruce Moore | Volume 22, Issue 1 Spring 1988 |
| Point of View in Drama: Diegetic Monologue, Unreliable Narrators, and The Author's Voice on Stage |
Brian Richardson | Volume 22, Issue 3 Fall 1988 |
| _________________________________________________________________________________ | ||
| Das Narren-Schneyden | ||
| The Birth of Reason from the Spirit of Carnival: Hans Sachs and Das Narren-Schneyden |
Ralf Erik Remhardt | Volume 23, Issue 1 Spring 1989 |
| _________________________________________________________________________________ | ||
| Native Americans in Theater | ||
| Edwin Forrest’s Redding Up: Elocution, Theater, and the Performance of the Frontier view abstract |
Matthew Rebhorn | Volume 40, Issue 4 Winter 2006-07 |
| Opposing Forces: (Re)Playing Pocahontas and the Politics of Indian Removal on the Antebellum Stage view abstract |
Rebecca Jaroff | Volume 40, Issue 4 Winter 2006-07 |
| _________________________________________________________________________________ | ||
| Netherlandic Drama | ||
| The Boundaries of the Rhetoricians Stage |
W. M. H. Hummelen | Volume 28, Issue 2 Summer 1994 |
| Performers and Performance in the Earliest Serious Secular Plays in the Netherlands |
Willem M. H. Hummelen | Volume 26, Issue 1 Spring 1992 |
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| Newly, Leslie Bricusse-Anthony | ||
| Stop the World—I Want to Get Off: the Vice as Everyman |
Ina Rae Hark | Volume 12, Issue 2 Summer 1978 |
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| Nietzsche, Friedrich | ||
| The Five Voices of The Birth of Tragedy |
Michael Hinden | Volume 22, Issue 2 Summer 1988 |
| Nietzsche and Spengler on Hamlet: An Elaboration and Synthesis |
William R. Brashear | Volume 5, Issue 2 Summer 1971 |
| Nietzsche, Georg Brandes, and Ibsen's Master Builder |
Michael W. Kaufman | Volume 6, Issue 3 Fall 1972 |
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| Nō | ||
| The Life of the Adult Nō Player in Japan Today |
Irmgard Johnson | Volume 18, Issue 4 Winter 1984-85 |
| _________________________________________________________________________________ | ||
| Noh | ||
| "Between Two Worlds": The Dybbuk and the Japanese Noh and Kabuki Ghost Plays read first paragraph |
Zvika Serper | Volume 35, Issue 3,4 Fall/Winter 2001-02 |
| Chinese Noh and Japanese Noh: Nuo's Role in the Origination and Formation of Noh view abstract |
Min Tian | Volume 37, Issue 3,4 Fall/Winter 2003-04 |
| Interior Action: The Impact of Noh on Jean-Louis Barrault |
John K. Gillespie | Volume 16, Issue 4 Winter 1982-83 |
| Japanese Noh and Kyōgen Plays: Staging Dichotomy view abstract |
Zvika Serper | Volume 39, Issue 3,4 Fall/Winter 2005-06 |
| The Noh Theater: Mirror, Mask, and Madness |
Mikiko Ishii |
Volume 28, Issue 1 Spring 1994 |
| The Trope of Transformation in Medea: A Noh Cycle view abstract |
Loren Edelson | Volume 37, Issue 1 Spring 2003 |
| _________________________________________________________________________________ | ||
| Norma | ||
| Rhyme and Reason in Ibsen's Norma | Samuel G. McLellan | Volume 14, Issue 4 Winter 1980-81 |
| _________________________________________________________________________________ | ||
| Northward Ho | ||
| Westward-Northward: Structural Development in Dekker's Ho Plays |
Larry S. Champion | Volume 16, Issue 3 Fall 1982 |
| _________________________________________________________________________________ | ||
| Not I | ||
| Noah, Not I, and Beckett's "Incomprehensibly Sublime" |
Enoch Brater | Volume 8, Issue 3 Fall 1974 |
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