M
Subject/Essay Author Location
MacDonald, Ann-Marie    
Goodnight Desdemona (Good Morning
Juliet): From Shakespearean Tragedy to
Postmodern Satyr Play

 Igor Djordjevic Volume 37, Issue 1
Spring 2003
_________________________________________________________________________________
Machiavelli, Niccolò    
The Comic Ethos of Il Principe
view abstract 		Angus Fletcher Volume 43, Issue 3
Fall 2009
_________________________________________________________________________________
MacKaye, Percy     
Percy MacKaye: Community Drama
and the Masque Tradition 		D. Heyward Brock
and James M. Welsh		 Volume 6, Issue 1
Spring 1972
_________________________________________________________________________________
Mactacio Abel    
The Medieval Plough Team on Stage:
Wordplay and Reality in the Towneley
Mactacio Abel


 Margaret Rogerson Volume 28, Issue 2
Summer 1994
_________________________________________________________________________________
A Mad World, My Masters    
The Trickster-Hero and Middleton's
A Mad World, My Masters 		William W. E. Slights Volume 3, Issue 2
Summer 1969
_________________________________________________________________________________
Magnyfycence    
Fansy and Foly: The Drama of Fools
in Magnyfycence 		Peter Happé Volume 27, Issue 4
Winter 1993-94
_________________________________________________________________________________
The Maid of Normandy    
Edmund Eyer's The Maid of Normandy;
or, Charlotte Corday in Anglo-Irish
Docudrama
view abstract		 Wendy C. Nielsen Volume 40, Issue 2
Summer 2006
_________________________________________________________________________________
The Maid's Tragedy    
Admirable Musicians: Women's Songs
in Othello and The Maid's Tragedy

 Rochelle Smith Volume 28, Issue 3
Fall 1994
_________________________________________________________________________________
Maître Guérin    
The Ending of A Doll House and
Augier's Maître Guérin 		Thomas F. Van Laan Volume 17, Issue 4
Winter 1983-84
_________________________________________________________________________________
Major Barbara    
Wagner and Shaw: Rheingold Motifs in
Major Barbara 		Robert Coskren Volume 14, Issue 1
Spring 1980
_________________________________________________________________________________
Makhadet El-Kohl    
Nonverbal Theatrical Elements in
Ntozake Shange's for colored girls…
and Intissar Abdel-Fatah's Makhadet
El-Kohl (The Kohl Pillow)
read first paragraph

Dalia El-Shayal Volume 37, Issue 3,4
Fall/Winter 2003-04
_________________________________________________________________________________
The Malcontent    
Temporizing as Pyrrhonizing in Marston's
The Malcontent
read first paragraph

William M. Hamlin Volume 34, Issue 3
Fall 2000
_________________________________________________________________________________
Mallarmé, Stéphane    
The Daughters of Herodias in Hérodiade,
Salomé, and A Full Moon in March 		Marilyn Gaddis Rose Volume 1, Issue 3
Fall 1967
_________________________________________________________________________________
The Man of Mode    
Play and Passion in The Man of Mode Derek Hughes Volume 15, Issue 3
Fall 1981
_________________________________________________________________________________
Mankind    
Mankind and Its Audience Lawrence M. Clopper Volume 8, Issue 4
Winter 1974-75
_________________________________________________________________________________
Marco Millions    
Taoism and O'Neill's Marco Millions James A. Robinson Volume 14, Issue 3
Fall 1980
_________________________________________________________________________________
Marlowe, Christopher    
Disorder in the House of God: Disrupted
Worship in Shakespeare and Others
Bruce Boehrer Volume 38, Issue 1
Spring 2004
Doctor Faustus and Hamlet: Contrasting
Kinds of Christian Tragedy 		Thomas B. Stroup Volume 5, Issue 4
Winter 1971-72
Marlowe's Edward II and
the Medieval Passion Play


 Patrick Ryan Volume 32, Issue 4
Winter 1998-99
Marlowe's Texts and Oral Transmissions:
Towards the Zielform
read first paragraph

 Thomas Pettitt Volume 39, Issue 2
Summer 2005
Marlowe's Travesty of Virgil: Dido
and Elizabethan Dreams of Empire
read first paragraph


 Donald Stump Volume 34, Issue 1
Spring 2000
Matthew Parker's Pastoral Training and
Marlowe's Doctor Faustus 		Celia Barnes Volume 15, Issue 3
Fall 1981
Ritual in Marlowe's Plays Thomas B. Stroup Volume 7, Issue 3
Fall 1973
Tamburlaine "as fierce Achilles was" John Cutts Volume 1, Issue 2
 Summer 1967

Unpardonable Sins: The Hazards of
Performative Language in the Tragic Cases
of Francesco Spiera and Doctor Faustus

 Daniel Gates Volume 38, Issue 1
Spring 2004
The Voice of Marlowe's Tamburlaine in
Early Shakespeare


 Maurice Charney Volume 31, Issue 2
Summer 1997
"You Talks Brave and Bold": The Origins
of an Elizabethan Stage Device 		Kenneth Friedenreich Volume 8, Issue 3
Fall 1974
_________________________________________________________________________________
Marquis de Sade    
From Cruelty to Theatre: Antonin Artaud
and the Marquis de Sade 		Franco Tonelli Volume 3, Issue 2
Summer 1969
_________________________________________________________________________________
Marston, John    
Antonio's Revenge: "Never more woe in
lesser plot was found" 		George L. Geckle Volume 6, Issue 4
Winter 1972-73
Borrowings and the Authorial Domain:
Gostanzo, Polonius, and Marston's
Gonzago
view abstract

Charles Cathcart Volume 37, Issue 2
Summer 2003
John Marston's Histriomastix
and the Golden Age 		George L. Geckle Volume 6, Issue 3
Fall 1972
The Sacrilization of Revenge in
Antonio's Revenge
read first paragraph

 Phoebe S. Spinrad Volume 39, Issue 2
Summer 2005
Temporizing as Pyrrhonizing in Marston's
The Malcontent
read first paragraph

William M. Hamlin Volume 34, Issue 3
Fall 2000
Writing and Revenge: John Marston's
Histriomastix
view abstract		 James P. Bednarz Volume 36, Issue 1,2
Spring/Summer 2002
_________________________________________________________________________________
Marxism    
The Marxist Theater of Amiri Baraka W. D. E. Andrews Volume 18, Issue 2
Summer 1984
The Theatre of Ruthless Metaphor:
Polish Theatre Between Marxism
and Existentialism 		Zbigniew Folejewski Volume 3, Issue 3
Fall 1969

_________________________________________________________________________________
Mary Magdalene    
Sovereignty in the Digby Mary Magdalene John W. Velz Volume 2, Issue 1
Spring 1968
_________________________________________________________________________________
Maslow, Abraham    
Ecstasy and Peak-Experience:
W. B. Yeats, Marghanita Laski,
and Abraham Maslow

 Natalie Crohn Schmitt Volume 28, Issue 2
Summer 1994
_________________________________________________________________________________
Masque Drama    
The Anonymous Masque-like Entertainment
in Egerton MS. 1994, and Richard Brome		 John Cutts Volume 1, Issue 4
Winter 1967-68
The Masks of Cupid and Death Judith Dundas Volume 29, Issue 1
Spiring 1995
The Masque of Hymen in As You Like It Marilyn L. Williamson Volume 2, Issue 4
Winter 1968-69
Percy MacKaye: Community Drama and the
Masque Tradition		 Brock D. Heyward
and James M. Welsh		 Volume 6, Issue 1
Spring 1972

Seventeenth-Century Illustrations of Three
Masques by Jonson		 John P. Cutts Volume 6, Issue 2
Summer 1972

"Those Beautiful Characters of Sense":
Classical Deities and the Court Masque		 Judith Dundas Volume16, Issue 2
Summer 1982
_________________________________________________________________________________
Massinger, Philip    
Fletcher, Massinger, and Roman
Imperial Character
view abstract

John E. Curran, Jr. Volume 43, Issue 3
Fall 2009
_________________________________________________________________________________
Master Builder    
Nietzsche, Georg Brandes, and Ibsen's
Master Builder 		Michael W. Kaufman Volume 6, Issue 3
Fall 1972
_________________________________________________________________________________
Master Harold and the Boys    
"Master Harold" and the Bard:
Education and Succession in
Fugard and Shakespeare

 David E. Hoegberg Volume 29, Issue 4
Winter 1995-96
_________________________________________________________________________________
Medea    
Euripides in South Africa:
Medea and Demea


 Albert Wertheim Volume 29, Issue 3
Fall 1995
Euripides' Medea: The Stranger
in the House

S. Georgia Nugent
 Volume 27, Issue 3
Fall 1993
Trial and Terror: Medea Prima Facie Anthony Kubiak Volume 23, Issue 1
Spring 1989
The Trope of Transformation in Medea:
A Noh Cycle
view abstract		 Loren Edelson Volume 37, Issue 1
Spring 2003
_________________________________________________________________________________
Medieval Drama    
Audience and Meaning in Two Medieval
Dramatic Realisms		 William F. Munson Volume 9, Issue 1
Spring 1975
Code-Switching in Medieval
English Drama		 Hans-Jürgen Diller Volume 31, Issue 4
Winter 1997-98
Comic Eschatology in the Chester
Coming of Antichrist		 Leslie Howard Martin Volume 5, Issue 3
Fall 1971
Damnable Deconstructions: Vice
Language in the Interlude


 Alan Somerset Volume 31, Issue 4
Winter 1997-98
The Earliest Middle English Interludes
view abstract

Stephanie Thompson Lundeen  Volume 43, Issue 3
Fall 2009
European Influences and National Tradition in Medieval Hungarian Theater György E. Szönyi Volume 15, Issue 2
Summer 1981
The Fleury Playbook and the Traditions
of Medieval Latin Drama 		C. Clifford Flanigan Volume 18, Issue 4
Winter 1984-85
From Jerusalem to Damascus:
Bilocal Dramaturgy in Medieval and
Shakespearean Conversion Plays


 John W. Velz Volume 15, Issue 4
Winter 1981-82
Herod the Great in Medieval
European Drama 		Miriam Anne Skey Volume 13, Issue 4
Winter 1979-80

The Idea of a Person in Medieval
Morality Plays		 Natalie Crohn Schmitt Volume 12, Issue 1
Spring 1978
Medieval Korean Drama:
The Pongsan Mask Dance
view abstract

Dongchoon Lee Volume 39, Issue 3,4
Fall/Winter 2005-06
Laughter in Medieval English Drama:
A Critique of Modernizing and
Historical Analyses
read first paragraph


Hans-Jürgen Diller Volume 36, Issue 1,2
Spring/Summer 2002
Mactacio Desdemonae: Medieval Scenic
Form in the Last Scene of Othello 		Cherrell Guilfoyle Volume 19, Issue 4
Winter 1985-86
Marriage in Late Medieval German Easter
and Shrovetide Plays
view abstract

Albrecht Classen Volume 40, Issue 1
Spring 2006
Medieval Drama: Diversity and Theatricality Clifford Davidson Volume 8, Issue 1
Spring 1974
The Medieval Plough Team on Stage:
Wordplay and Reality in the Towneley
Mactacio Abel


 Margaret Rogerson Volume 28, Issue 2
Summer 1994
The Melodies of the Medieval
Church-Dramas and Their Significance 		William L. Smolden Volume 2, Issue 3
Fall 1968
The Middle English Resurrection Play
and Its Dramatic Antecedents		 Brawer, Robert A. Volume 8, Issue 1
Spring 1974
Narrative Bible Cycles in Medieval
Art and Drama		 Patrick J. Collins Volume 9, Issue 2
Summer 1975
The Narrator within the Performance:
Problems with Two Medieval "Plays" 		Bruce Moore Volume 22, Issue 1
Spring 1988
Quod quaeritis, o discipuli Merle Fifield Volume 5, Issue 1
Spring 1971
Sacred Blood and the Medieval Stage


 Clifford Davidson Volume 31, Issue 3
Fall 1997

Some Clerical Notions of Dramatic
Decorum in Late Medieval England 		Marianne G. Briscoe Volume 19, Issue 1
Spring 1985
"Some shall be pardon'd, and some
punished": Medieval Dramatic
Eschatology in Shakespeare


 John W. Velz Volume 26, Issue 4
Winter 1992-93
Source of Order or Sovereign Lord:
God and the Pattern of Relationships
in Two Middle English "Fall of
Lucifer" Plays


 Jean Q. Seaton Volume 18, Issue 3
Fall 1984
Techniques of Transcendence
in Medieval Drama 		Robert Edwards Volume 8, Issue 2
Summer 1974
The Trinity in Medieval Drama Lynette R. Muir Volume 10, Issue 2
Summer 1976
Two Medieval Cornish Versions of the
Creation of the World		 Robert Longsworth Volume 21, Issue 3
Fall 1987
Typology, Criticism, and Medieval Drama:
Some Observations on Method 		Patrick J. Collins Volume 10, Issue 4
Winter 1976-77
The Use of Architectural Space in
Medieval Music-Drama		 Dunbar H. Ogden Volume 8, Issue 1
Spring 1974
"You Have Begun a Parlous Pleye":
The Nature and Limits of Dramatic
Mimesis as a Theme in Four Middle
English 'Fall of Lucifer' Cycle Plays


R. W. Hanning Volume 7, Issue 1
Spring 1973
"Wee happy heardsmen here":
A Newly Discovered Shepherd's Carol
Possibly Belonging to a Medieval Pageant


 John P. Cutts Volume 18, Issue 3
Fall 1984
The Weeping Mothers in Sumidigawa,
Curlew River, and Medieval
European Religious Plays
view abstract

 Mikio Ishii Volume 39, Issue 3,4
Fall/Winter 2005-06
Women and Mimesis in Medieval and
Renaissance Somerset (and Beyond)


James Stokes Volume 27, Issue 2
Summer 1993
Writing Before the Eye: The N-Town
Woman Taken in Adultery and the
Medieval Ministry Play 		Gail McMurray Gibson Volume 27, Issue 4
Winter 1993-94
_________________________________________________________________________________
Melville, Herman    
Ahab's Quenchless Feud: The Tragic
Vision In Shakespeare and Melville		 Richard B. Sewall Volume 1, Issue 3
Fall 1967
_________________________________________________________________________________
Menaechmi    
Menaechmi and the Renaissance Comedy
view abstract		 Richard F. Hardin Volume 37, Issue 3,4
Fall/Winter 2003-04
_________________________________________________________________________________
The Messiahs    
Liliane Atlan's The Messiahs
as Cosmic Theatre 		Bettina Knapp Volume 9, Issue 3
Fall 1975
_________________________________________________________________________________
Metadrama    
The Evolution of Shakespearean
Metadrama: Abel, Burkhardt,
and Calderwood

 Richard Fly Volume 20, Issue 2
Summer 1986
From Saint Genesius to Kean: Actors,
Martyrs, and Metatheater
view abstract


 Mary Ann Frese Witt Volume 43, Issue 1
Spring 2009 
Suicide as Message and Metadrama in
English Renaissance Tragedy 		Richard K. Sanderson Volume 26, Issue 3
Fall 1992
_________________________________________________________________________________
Metamorphoses    
Zimmerman’s Metamorphoses:
Mythic Revision as Cathartic Ritual
view abstract

 Miriam M. Chirico Volume 42, Issue 2
Summer 2008
_________________________________________________________________________________
Mexican Theater    
The Revista Contemporáneos and the
Development of the Mexican Theater 		Edward J. Mullen Volume 4, Issue 4
Winter 1970-71
_________________________________________________________________________________
Meyerhold, Vsevold    
Meyerhold Meets Mei Lanfang: Staging
the Grotesque and the Beautiful

 Min Tian Volume 33, Issue 2
Summer 1999
_________________________________________________________________________________
Michel, Jean    
Social Disorder: Festive Celebration
and Jean Michel's Le Mistere de la
Passion JesusCrist

Sandra Billington Volume 29, Issue 2
Summer 1995
_________________________________________________________________________________
Middleton, Thomas    
The Changeling: Notes on Mannerism
in Dramatic Form 		Raymond J. Pentzell Volume 9, Issue 1
Spring 1975
Fertility and Comic Form in
A Chaste Maid in Cheapside		 Arthur F. Marotti Volume 3, Issue 1
Spring 1969
"Framing" as Collaborative Technique:
Two Middleton-Rowley Plays 		Michael E. Mooney Volume 13, Issue 2
Summer 1979
Madhouse Optics: The Changeling Joseph M. Duffy Volume 8, Issue 2
Summer 1974
The Secular Morality of Middleton’s
City Comedies
view abstract

Derek B. Alwes Volume 42, Issue 2
Summer 2008
Settling House in Middleton's
Women Beware Women


 Ann C. Christensen Volume 29, Issue 4
Winter 1995-96
Thomas Middleton's Prodigal Play Leanore Lieblein Volume 10, Issue 1
Spring 1976
The Trickster-Hero and Middleton's
A Mad World, My Masters 		William W. E. Slights Volume 3, Issue 2
Summer 1969
_________________________________________________________________________________
Miller, Arthur    
The Achievement of Arthur Miller Robert W. Corrigan Volume 2, Issue 3
Fall 1968

An Enemy of the People: A Key to
Arthur Miller's Art and Ethics 		David Bronson Volume 2, Issue 4
Winter 1968-69
The Defense of Psychoanalysis in Literature:
Long Day's Journey Into Night and
A View From The Bridge 		Albert Rothenberg
and Eugene D. Shapiro 		Volume 7, Issue 1
Spring 1973
_________________________________________________________________________________
Milton, John    
The Emotional Theater of Milton’s
Paradise Lost
view abstract

 Elizabeth Bradburn Volume 40, Issue 1
Spring 2006
Milton, Dryden, and the
Ideology of Genre 		D. M. Rosenberg Volume 21, Issue 1
Spring 1987
Renaissance Power and Stuart Dramaturgy: Shakespeare, Milton, Dryden John D. Cox Volume 22, Issue 4
Winter 1988-89
_________________________________________________________________________________
Mimesis    
Radical Mimesis:
The "Pinter Problem"  Revisited


David Z. Saltz Volume 26, Issue 3
Fall 1992
Women and Mimesis in Medieval and
Renaissance Somerset (and Beyond) 		James Stokes Volume 27, Issue 2
Summer 1993
"You Have Begun a Parlous Pleye":
The Nature and Limits of Dramatic
Mimesis as a Theme in Four Middle
English 'Fall of Lucifer' Cycle Plays

R. W. Hanning Volume 7, Issue 1
Spring 1973
_________________________________________________________________________________
Misanthropes    
A Dramatic History of Misanthropes David Konstan Volume 17, Issue 2
Summer 1983
_________________________________________________________________________________
The Miseries of Civil War    
'Hay for the Daughters!' Gender and
Patriarchy in The Miseries of Civil
War and Henry VI

Joyce Green
MacDonald 		Volume 24, Issue 3
Fall 1990
_________________________________________________________________________________
Le Mistere de la Passion JesusCrist    
Social Disorder: Festive Celebration
and Jean Michel's Le Mistere de la
Passion JesusCrist

Sandra Billington Volume 29, Issue 2
Summer 1995
_________________________________________________________________________________
Miss Julie    
The Dilemma of Naturalistic Tragedy:
Strindberg's Miss Julie
read first paragraph

Göran Stockenström Volume 38, Issue 1
Spring 2004
_________________________________________________________________________________
Modern Drama    
The Mirror as Stage Prop in
Modern Drama 		Thomas P. Adler Volume 14, Issue 4
Winter 1980-81
The Modern British Homecoming Play Albert Wertheim Volume 19, Issue 2
Summer 1985
_________________________________________________________________________________
Molière    
Serving Don Juan: Decorum in
Tirso de Molina and Molière
view abstract

 Robert Bayliss Volume 40, Issue 2
Summer 2006
The Actor and the Statue: Space,
Time, and Court Performance in
Molière's Dom Juan


Michael Spingler Volume 25, Issue 4
Winter 1991-92
The King's Play: Censorship and the Politics
of Performance in Molière's Tartuffe		 Michael Spingler Volume 19, Issue 3
Fall 1985
_________________________________________________________________________________
Monologue    
Point of View in Drama: Diegetic
Monologue, Unreliable Narrators,
and The Author's Voice on Stage

 Brian Richardson Volume 22, Issue 3
Fall 1988
_________________________________________________________________________________
Monteverdi, Claudio    
Love and Infamy: The Paradox of
Monteverdi's L'Incoronazione di Poppea 		Edward B. Savage Volume 4, Issue 3
Fall 1970
_________________________________________________________________________________
A Moon for the the Misbegotten    
O'Neill's Transcendence of Melodrama
in A Touch of the Poet and A Moon
for the Misbegotten 		Michael Manheim Volume 16, Issue 3
Fall 1982
_________________________________________________________________________________
Morality Plays    
The Community of Morality Plays Merle Fifield Volume 9, Issue 4
Winter 1975-76
Costume in the Moralities: The Evidence
of East Anglian Art		 Ann Eljenholm Nichols Volume 20, Issue 4
Winter 1986-87
Dramatic Allegory, or, Exploring the
Moral Play 		Joanne Spencer Kantrowitz Volume 7, Issue 1
Spring 1973
L'Escole au deable: Tavern Scenes
in the Old French Moralité


 Alan Hindley Volume 33, Issue 4
Winter 1999-2000
The Idea of a Person in Medieval
Morality Plays
 Natalie Crohn Schmitt Volume 12, Issue 1
Spring 1978
The Morality Play: Ancestor of
Elizabethan Drama? 		John Wasson Volume 13, Issue 3
Fall 1979
The Ordo Virtutum: Ancestor of the
English Moralities?


Robert Potter Volume 20, Issue 3
Fall 1986
Ovid in the Andes: The New World
Morality Play, El rapto Proserpina
y sueño de Endimion

 Barbara H. Jaye Volume 28, Issue 4
Winter 1994-95
_________________________________________________________________________________
More, Sir Thomas    
More's Richard III and Jonson's
Richard Crookback and Sejanus 		Robert C. Evans Volume 24, Issue 2
Summer 1990
_________________________________________________________________________________
Mother Courage    
All in the Family: Mother Courage
and the Ideology in the Gestus		 Claire Gleitman Volume 25, Issue 2
Summer 1991
_________________________________________________________________________________
Mummings at Hertford    
Lydgate's Mummings and the Aristocratic
Resistance to Drama
read first paragraph

Robert Epstein Volume 36, Issue 3,4  Fall/Winter 2002-03
_________________________________________________________________________________
Murder in the Cathedral    
Evidence for Ambivalence of Motives in
Murder in the Cathedral		 John P. Cutts Volume 8, Issue 2
Summer 1974
"Peace" and "Unbar the Door": T. S. Eliot's
Murder in the Cathedral and Some
Stoic Forebears

Edna G. Sharoni Volume 6, Issue 2
Summer 1972
_________________________________________________________________________________
Music Drama    
Chavittunātakam: Music-Drama in Kerala
read first paragraph
 Joly Puthussery Volume 37, Issue 3,4
Fall/Winter 2003-04
How Music Matters: Some Songs
of Robert Johnson in the Plays of
Beaumont and Fletcher


 Catherine A. Henze Volume 34, Issue 1
Spring 2000
Mysteries, Minstrels, and Music JoAnna Dutka Volume 8, Issue 1
Spring 1974
The Playwright as Perfect Wagnerite:
Motifs from the Music Dramas in the
Theatre of Bernard Shaw 		Arthur Ganz Volume 13, Issue 3
Fall 1979
The Use of Architectural Space in
Medieval Music-Drama		 Dunbar H. Ogden Volume 8, Issue 1
Spring 1974
Visions with Voices: The Rhetoric of
Memory and Music in Liturgical Drama 		Jody Enders Volume 24, Issue 1
Spring 1990
_________________________________________________________________________________
Mystère d'Adam    
The Mystère d'Adam and
Christian Memory

 Jerome Mazzaro Volume 31, Issue 4
Winter 1997-98
_________________________________________________________________________________
Mystery Plays/Cycles    
An Interlude or Mystery Play by
William Ireland, 1795 		J. W. Robinson Volume 13, Issue 3,
Fall 1979
Anti-Semitism and the English
Mystery Plays 		Stephen Spector Volume 13, Issue 1
Spring 1979
The Devil and Society in the
English Mystery Play 		John D. Cox Volume 28, Issue 4
Winter 1994-95
Music and the English Mystery Plays JoAnna Dutka Volume 7, Issue 3
Summer 1973

The Skill of Cain in the English
Mystery Cycles


Blair W. Boone Volume 16, Issue 2
Summer 1982
Theatrical Pragmatics: The Actor-Audience
Relationship from the Mystery Cycles
to the Early Tudor Comedies

Hans-Jürgen Diller Volume 23, Issue 2
Summer 1989

_________________________________________________________________________________
Comparative Drama home Contact the Editors Reproduction Permission
Subscriptions and Back Issues Submission Guidelines Links
Current Issue Upcoming Issues Essay and Contributor Index