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| Subject/Essay | Author | Location |
| Lanfang, Mei | ||
| Dances with Mei Lanfang: Brecht and the Alienation Effect |
Ronnie Bai | Volume 32, Issue 3, Fall 1998 |
| Meyerhold Meets Mei Lanfang: Staging the Grotesque and the Beautiful |
Min Tian | Volume 33, Issue 2, Summer 1999 |
| _________________________________________________________________________________ | ||
| Lao Sheh | ||
| Lao Sheh: From People's Artist to "An Enemy of the People" |
Walter J. Meserve and Ruth I. Meserve |
Volume 8, Issue 2, Summer 1974 |
| _________________________________________________________________________________ | ||
| Laski, Marghanita | ||
| Ecstasy and Peak-Experience: W. B. Yeats, Marghanita Laski, and Abraham Maslow |
Natalie Crohn Schmitt | Volume 28, Issue 2, Summer 1994 |
| _________________________________________________________________________________ | ||
| Latin Drama | ||
| The Fleury Playbook and the Traditions of Medieval Latin Drama |
C. Clifford Flanigan | Volume 18, Issue 4, Winter 1984-85 |
| _________________________________________________________________________________ | ||
| Le Malentendu | ||
| Imprisonment in Camus' "Modern Tragedies": Les Justes, Requiem pour un nonne, Le Malentendu |
Mary Ann Frese Witt | Volume 5, Issue 1, Spring 1971 |
| _________________________________________________________________________________ | ||
| Lear | ||
| Edward Bond's Lear | Leslie Smith | Volume 13, Issue 1, Spring 1979 |
| _________________________________________________________________________________ | ||
| La Leçon | ||
| Sounding Ionesco: Problems in Translating La Leçon and Jacques ou La Soumission |
Richard Takvorian and Michael Spingler |
Volume 17, Issue 1, Spring 1983 |
| _________________________________________________________________________________ | ||
| La Légende d'Antonia | ||
| Theory and Practice in French Wagnerian Drama: Édouard Dujardin and La Légende d'Antonia |
K. M. McKilligan | Volume 13, Issue 4, Winter 1979-80 |
| _________________________________________________________________________________ | ||
| Lettice and Lovage | ||
| Placing Shaffer's Lettice and Lovage | C. J. Gianakaris | Volume 22, Issue 2, Summer 1988 |
| _________________________________________________________________________________ | ||
| The Life of Galileo | ||
| Hamlet and The Life of Galileo |
Doc Rossi | Volume 32, Issue 4, Winter 1998-99 |
| _________________________________________________________________________________ | ||
| Lillo, George | ||
| A Cult of Dependence: The Social Context of The London Merchant |
Jones DeRitter | Volume 21, Issue 4, Winter 1987-88 |
| _________________________________________________________________________________ | ||
| Lincolnshire | ||
| The Lost Playing Places of Lincolnshire view abstract |
James Stokes | Volume 37, Issue 3,4, Fall/Winter 2003-04 |
| _________________________________________________________________________________ | ||
| Liturgical Drama | ||
| Comedic and Liturgical Restoration in Everyman |
John Cunningham | Volume 22, Issue 2, Summer 1988 |
| "The Dream of the Rood" and Liturgical Drama |
Julia Bolton Holloway | Volume 18, Issue 1, Spring 1984 |
| The Liturgical Context of the Quem Queritis Trope |
C. Clifford Flanigan | Volume 8, Issue 1, Spring 1974 |
| Liturgical Drama in Byzantine Literature | Theodore Bagdanos | Volume 10, Issue 3, Fall 1976 |
| Liturgical Dramaturgy | Cynthia Bourgeault | Volume 17, Issue 2, Summer 1983 |
| Liturgy and Community in N-Town Passion Play I |
Victor I. Scherb | Volume 29, Issue 4, Winter 1995-96 |
| Quem queritis in presepe: Christmas Drama or Christmas Liturgy? |
James M. Gibson | Volume 15, Issue 4, Winter 1981-82 |
| The Staging of Twelfth-Century Liturgical Drama in the Pleury Playbook |
David Bevington | Volume 18, Issue 2, Summer 1984 |
| Visions with Voices: The Rhetoric of Memory and Music in Liturgical Drama |
Jody Enders | Volume 24, Issue 1, Spring 1990 |
| _________________________________________________________________________________ | ||
| London | ||
| High Tide in the London Theatre: Some Notes on the 1978-79 Season |
J. L. Styan | Volume 13, Issue 3, Fall 1979 |
| Kori Torahiko and Edith Craig: A Japanese Playwright in London and Toronto |
Yoko Chiba | Volume 30, Issue 4, Winter 1996-97 |
| London and the Problem of the Clerkenwell Plays view abstract |
Lawrence M. Clopper | Volume 34, Issue 3, Fall 2000 |
| _________________________________________________________________________________ | ||
| The London Merchant | ||
| A Cult of Dependence: The Social Context of The London Merchant |
Jones DeRitter | Volume 21, Issue 4, Winter 1987-88 |
| _________________________________________________________________________________ | ||
| Long Day's Journey Into Night | ||
| "Daddy Spoke to Me!": Gods Lost and Found in Long Day's Journey Into Night and Through a Glass Darkly |
Thomas P. Adler | Volume 20, Issue 4, Winter 1986-87 |
| The Defense of Psychoanalysis in Literature: Long Day's Journey Into Night and A View From The Bridge |
Albert Rothenberg and Eugene D. Shapiro |
Volume 7, Issue 1, Spring 1973 |
| The Tyrone Anthology: Authority in the Last
Act of Long Day's Journey Into Night view abstract |
Lawrence Dugan | Volume 37, Issue 3,4, Fall/Winter 2003-04 |
| _________________________________________________________________________________ | ||
| Lorca, Frederico García | ||
| "Body's Image": Yerma, The Player Queen, and the Upright Posture |
Murray Baumgarten | Volume 8, Issue 3, Fall 1974 |
| _________________________________________________________________________________ | ||
| Lord Mayors' Shows | ||
| “To kindle an industrious desire”: The Poetry of Work in Lord Mayors’ Shows view abstract |
Kara Northway | Volume 41, Issue 2, Summer 2007 |
| _________________________________________________________________________________ | ||
| Love's Last Shift | ||
| Cibber and Vanbrugh: Language, Place, and Social Order in Love's Last Shift |
Derek Hughes | Volume 20, Issue 4, Winter 1986-87 |
| _________________________________________________________________________________ | ||
| Love's Welcome at Bolsover |
||
| "When were the Senses in such order plac'd?" |
John P. Cutts | Volume 4, Issue 1, Spring 1970 |
| _________________________________________________________________________________ | ||
| Lowell, Robert | ||
| The Classicism of Rober Lowell's Phaedra | Jerome Mazzaro | Volume 7, Issue 2, Summer 1973 |
| Prometheus Bound: Robert Lowell and Aeschylus |
Jerome Mazzaro | Volume 7, Issue 4, Winter 1973-74 |
| _________________________________________________________________________________ | ||
| Ludus Coventriae | ||
| Law and Disorder in Ludus Coventriae | Lynn Squires | Volume 12, Issue 3, Fall 1978 |
| Time, Eternity, and Dramatic Form in Ludus Coventriae "Passion Play I" |
Daniel P. Poteet II | Volume 8, Issue 4, Winter 1974-75 |
| _________________________________________________________________________________ | ||
| Ludus Prophetarum | ||
| Undoing the Dramatic History of the Riga Ludus Prophetarum |
Regula Meyer Evitt | Volume 25, Issue 3, Fall 1991 |
| _________________________________________________________________________________ | ||
| Lust's Dominion | ||
| Political Allegory in Late Elizabethan and Early Jacobean "Turk" Plays: Lust's Dominion and The Turke view abstract |
Claire Jowitt | Volume 36, Issue 3,4, Fall/Winter 2002-03 |
| _________________________________________________________________________________ | ||
| Lydgate, John | ||
| Lydgate's Mummings and the Aristocratic Resistance to Drama | Robert Epstein | Volume 36, Issue 3,4, Fall/Winter 2002-03 |
| _________________________________________________________________________________ | ||
| Lyly, John | ||
| The Allegory of Wisdom in Lyly's Endimion |
Carolyn Ruth Swift Lenz | Volume 10, Issue 3, Fall 1976 |
| "I would faine serve": John Lyly's Career at Court view abstract |
Derek B. Alwes | Volume 34, Issue 4, Winter 2000-01 |
| The Confusions of Gallathea: John Lyly as a Popular Dramatist |
Kent Cartwright | Volume 32, Issue 2, Summer 1998 |
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