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| Subject/Essay | Author | Location |
| Jacobean Drama | ||
| "My naked weapon": Male Anxiety and the Violent Courtship of the Jacobean Stage Widow view abstract |
Jennifer Panek | Volume 34, Issue 3 Fall 2000 |
| Political Allegory in Late Elizabethan and Early Jacobean "Turk" Plays: Lust's Dominion and The Turk view abstract |
Claire Jowitt | Volume 36, Issue 3,4 Fall/Winter 2002-03 |
| Wives, Courtesans, and the Economists of Love in Jacobean City Comedy |
Richard Horwich | Volume 7, Issue 4 Winter 1973-74 |
| _________________________________________________________________________________ | ||
| Jacques ou La Soumission | ||
| Sounding Ionesco: Problems in Translating La Leçon and Jacques ou La Soumission |
Richard Takvorian and Michael Spingler |
Volume 17, Issue 1 Spring 1983 |
| _________________________________________________________________________________ | ||
| James, Henry | ||
| The Play of the Surface: Theater and The Turn of the Screw view abstract |
Frances Babbage | Volume 39, Issue 2 Summer 2005 |
| _________________________________________________________________________________ | ||
| Japanese Drama | ||
| At the Hawk's Well: Yeats's Unresolved Conflict Between Language and Silence |
Edna G. Sharoni | Volume 7, Issue 2 Summer 1973 |
| Between Two Worlds": The Dybbuk and the Japanese Noh and Kabuki Ghost Plays |
Zvika Serper | Volume 35, Issue 3,4 Fall/Winter 2001-02 |
| Chinese Noh and Japanese Noh: Nuo's Role in the Origination and Formation of Noh |
Min Tian | Volume 37, Issue 3,4 Fall/Winter 2003-04 |
| Dramatic Elements in Japanese Literature | Donald Keene | Volume 10, Issue 4 Winter 1976-77 |
| From Gay to Gei: The Onnagata and the Creation of Kabuki's Female Characters |
Samuel L. Leiter | Volume 33, Issue 4 Winter 1999-2000 |
| Interior Action: The Impact of Noh on Jean-Louis Barrault |
John K. Gillespie | Volume 16, Issue 4 Winter 1982-83 |
| Japanese Noh and Kyōgen Plays: Staging Dichotomy view abstract |
Zvika Serper | Volume 39, Issue 3,4 Fall/Winter 2005-06 |
| Kabuki Today and Tomorrow | Leonard C. Pronko | Volume 6, Issue 2 Summer 1972 |
| Kori Torahiko and Edith Craig: A Japanese Playwright in London and Toronto |
Yoko Chiba | Volume 30, Issue 4 Winter 1996-97 |
| The Life of the Adult Nō Player in Japan Today |
Irmgard Johnson | Volume 18, Issue 4 Winter 1984-85 |
| Memory’s Returns, Modernity’s Ghosts: Thornton Wilder, Japanese Theater, and Paula Vogel’s The Long Christmas Ride Home view abstract |
Joanna Mansbridge | Volume 46, Issue 2 Summer 2012 |
| _________________________________________________________________________________ | ||
| Jarry, Alfred | ||
| The Antichrist Ubu | James H. Bierman | Volume 9, Issue 3 Fall 1975 |
| _________________________________________________________________________________ | ||
| Jesuit Theater | ||
| The Imperial Play as Final Chapter in the Jesuit Theater in Austria |
Eugene J. Devlin | Volume 23, Issue 2 Summer 1989 |
| _________________________________________________________________________________ | ||
| Jeu d'Adam | ||
| As imaginem suam: Regional Chant Variants and the Origins of the Jeu d'Adam read first paragraph |
Charles T. Downey | Volume 36, Issue 3,4 Fall/Winter 2002-03 |
| _________________________________________________________________________________ | ||
| The Jew of Malta | ||
| Staging the Convent as Resistance in The Jew of Malta and Measure for Measure view abstract |
Kimberly Reigle | Volume 46, Issue 4 Winter 2012 |
| _________________________________________________________________________________ | ||
| Johan Johan | ||
| Formalizing French Farce: Johan Johan and Its French Connection |
Howard B. Norland | Volume 17, Issue 2 Summer 1983 |
| _________________________________________________________________________________ | ||
| John Gabriel Borkman | ||
| The Demons of John Gabriel Borkman | Brian Johnston | Volume 13, Issue 1 Spring 1979 |
| _________________________________________________________________________________ | ||
| Johnson, Robert | ||
| How Music Matters: Some Songs of Robert Johnson in the Plays of Beaumont and Fletcher view abstract |
Catherine A. Henze | Volume 34, Issue 1 Spring 2000 |
| _________________________________________________________________________________ | ||
| Jonson, Ben | ||
| A Shakespearean Tribute to Ben Jonson in Garrick's Operatic Version of A Midsummer Night's Dream |
John P. Cutts | Volume 12, Issue 3 Fall 1978 |
| Bartholomew Fair: Ben Jonson's "A Midsummer Night's Dream" |
John Scott Colley | Volume 11, Issue 1 Spring 1977 |
| Ben Jonson on Spectacle | Richard Finkelstein | Volume 21, Issue 2 Summer 1987 |
| Ben Jonson's Social Attitudes: A Statistical Analysis |
Judith K. Gardiner and Susanna S. Epp |
Volume 9, Issue 1 Spring 1975 |
| Contemporary Contexts of Jonson's The Devil Is an Ass |
Robert C. Evans | Volume 26, Issue 2 Summer 1992 |
| Dumb Reading: The Noise of the Mute in Jonson’s Epicene view abstract |
Adrian Curtin | Volume 43, Issue 1 Spring 2009 |
| Eve's Flesh and Blood in Jonson's Bartholomew Fair |
Renu Juneja | Volume 12, Issue 4 Winter 1978-79 |
| Falstaff's False Staff: "Jonsonian" Asexuality in The Merry Wives of Windsor |
Grace Tiffany | Volume 26, Issue 3 Fall 1992 |
| Jonson and the Emblematic Tradition: Ralegh, Brant, the Poems, The Alchemist, and Volpone |
Robert C. Evans | Volume 29, Issue 1 Spiring 1995 |
| Jonson's Copy of Seneca | Robert C. Evans | Volume 25, Issue 3 Fall 1991 |
| Jonson's Volpone and Dante read first paragraph |
Christopher Baker and Richard Harp |
Volume 39, Issue 1 Spring 2005 |
| More's Richard III and Jonson's Richard Crookback and Sejanus |
Robert C. Evans | Volume 24, Issue 2 Summer 1990 |
| "No innocence is safe,/ When power contests": The Factional Worlds of Caesar and Sejanus |
Stuart M. Kurland | Volume 22, Issue 1 Spring 1988 |
| 'Other Men's Provision': Ben Jonson's Parody of Robert White in Pleasure Reconciled to Virtue |
Robert C. Evans | Volume 24, Issue 1 Spring 1990 |
| The Ovids of Ben Jonson in Poetaster and in Epicoene |
Joseph A. Dane | Volume 13, Issue 3 Fall 1979 |
| Seventeenth-Century Illustrations of Three Masques by Jonson |
John P. Cutts | Volume 6, Issue 2 Summer 1972 |
| Silent Women and Shrews: Eroticism and Convention in Epicoene and Measure for Measure |
Charles R. Lyons | Volume 23, Issue 2 Summer 1989 |
| ‘Things like truths, well feigned’: Mimesis and Secrecy in Jonson’s Epicoene view abstract |
Reuben Sanchez | Volume 40, Issue 3 Fall 2006 |
| "When were the Senses in such order plac'd?" |
John P. Cutts | Volume 4, Issue 1 Spring 1970 |
| _________________________________________________________________________________ | ||
| Jour du Jugement | ||
| Performative Reading and Receiving a Performance of the Jour du Jugement in MS Besançon 579 view abstract |
Karlyn Griffith | Volume 45, Issue 2 Summer 2011 |
| _________________________________________________________________________________ | ||
| Joyce, James | ||
| Absurdity in English: Joyce and O'Neill | Ruby Cohn | Volume 3, Issue 3 Fall 1969 |
| Joyce contra Wagner | John MacNicholas | Volume 9, Issue 1 Spring 1975 |
| _________________________________________________________________________________ | ||
| Jumpers | ||
| Using Comic Devices to Answer the Ultimate Question: Tom Stoppard's Jumpers and Woody Allen's God |
Felicia Hardison Londré | Volume 14, Issue 4 Winter 1980-81 |
| _________________________________________________________________________________ | ||
| Jung, Carl | ||
| W. H. Auden's First Dramatization of Jung: The Charade of the Loving and Terrible Mothers |
Edward Callan | Volume 11, Issue 4 Winter 1977-78 |
| _________________________________________________________________________________ | ||
| Les Justes | ||
| Imprisonment in Camus' "Modern Tragedies":Les Justes, Requiem pour un nonne, Le Malentendu |
Mary Ann Frese Witt | Volume 5, Issue 1 Spring 1971 |
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