J

Subject/Essay Author Location
Jacobean Drama    
"My naked weapon": Male Anxiety
and the Violent Courtship of the
Jacobean Stage Widow
view abstract


Jennifer Panek Volume 34, Issue 3,
Fall 2000

Political Allegory in Late Elizabethan
and Early Jacobean "Turk" Plays:
Lust's Dominion and The Turk
view abstract

Claire Jowitt Volume 36, Issue 3,4,
Fall/Winter 2002-03
Wives, Courtesans, and the Economists
of Love in Jacobean City Comedy
Richard Horwich Volume 7, Issue 4,
Winter 1973-74
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Jacques ou La Soumission    
Sounding Ionesco: Problems in Translating
La Leçon and Jacques ou La Soumission
Richard Takvorian
and Michael Spingler
Volume 17, Issue 1,
Spring 1983
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Japanese Drama    
At the Hawk's Well: Yeats's Unresolved
Conflict Between Language and Silence
Edna G. Sharoni Volume 7, Issue 2,
Summer 1973

Between Two Worlds": The Dybbuk and
the Japanese Noh and Kabuki Ghost Plays
Zvika Serper Volume 35, Issue 3,4,
Fall/Winter 2001-02 

Chinese Noh and Japanese Noh:
Nuo's Role in the Origination and
Formation of Noh

Min Tian Volume 37, Issue 3,4,
Fall/Winter 2003-04
Dramatic Elements in Japanese Literature Donald Keene Volume 10, Issue 4,
Winter 1976-77

From Gay to Gei: The Onnagata
and the Creation of Kabuki's
Female Characters


Samuel L. Leiter Volume 33, Issue 4,
Winter 1999-2000
Interior Action: The Impact of Noh on
Jean-Louis Barrault
John K. Gillespie Volume 16, Issue 4,
Winter 1982-83

Japanese Noh and Kyōgen Plays:
Staging Dichotomy
view abstract

Zvika Serper Vol 39, No. 3,4
Fall/Winter 2005-06
Kabuki Today and Tomorrow Leonard C. Pronko Volume 6, Issue 2,
Summer 1972

Kori Torahiko and Edith Craig:
A Japanese Playwright in London
and Toronto


Yoko Chiba Volume 30, Issue 4,
Winter 1996-97
The Life of the Adult Nō Player
in Japan Today
Irmgard Johnson Volume 18, Issue 4,
Winter 1984-85
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Jarry, Alfred    
The Antichrist Ubu James H. Bierman Volume 9, Issue 3,
Fall 1975
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Jesuit Theater    
The Imperial Play as Final Chapter
in the Jesuit Theater in Austria
Eugene J. Devlin Volume 23, Issue 2,
Summer 1989
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Jeu d'Adam    
As imaginem suam: Regional
Chant Variants  and the Origins
of the Jeu d'Adam

Charles T. Downey Volume 36, Issue 3,4,
Fall/Winter 2002-03
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Johan Johan    
Formalizing French Farce: Johan Johan
and Its French Connection
Howard B. Norland Volume 17, Issue 2,
Summer 1983
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John Gabriel Borkman    
The Demons of John Gabriel Borkman Brian Johnston Volume 13, Issue 1,
Spring 1979
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Johnson, Robert    
How Music Matters: Some Songs
of Robert Johnson in the Plays of
Beaumont and Fletcher
view abstract

Catherine A. Henze Volume 34, Issue 1,
Spring 2000
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Jonson, Ben    
A Shakespearean Tribute to Ben Jonson
in Garrick's Operatic Version of
A Midsummer Night's Dream
John P. Cutts Volume 12, Issue 3,
Fall 1978


Bartholomew Fair: Ben Jonson's
"A Midsummer Night's Dream"
John Scott Colley Volume 11, Issue 1,
Spring 1977

Ben Jonson on Spectacle Richard Finkelstein Volume 21, Issue 2,
Summer 1987

Ben Jonson's Social Attitudes:
A Statistical Analysis
Judith K. Gardiner
and Susanna S. Epp
Volume 9, Issue 1,
Spring 1975

Contemporary Contexts of Jonson's
The Devil Is an Ass
Robert C. Evans Volume 26, Issue 2,
Summer 1992

Eve's Flesh and Blood in Jonson's
Bartholomew Fair
Renu Juneja Volume 12, Issue 4,
Winter 1978-79

Falstaff's False Staff: "Jonsonian"
Asexuality in The Merry Wives
of Windsor


Grace Tiffany Volume 26, Issue 3,
Fall 1992

Jonson and the Emblematic Tradition:
Ralegh, Brant, the Poems,
The Alchemist
, and Volpone


Robert C. Evans Volume 29, Issue 1,
Spiring 1995

Jonson's Copy of Seneca Robert C. Evans Volume 25, Issue 3,
Fall 1991

Jonson's Volpone and Dante
read first paragraph
Christopher Baker
and Richard Harp
Volume 39, Issue 1,
Spring 2005

More's Richard III and Jonson's
Richard Crookback
and Sejanus
Robert C. Evans Volume 24, Issue 2,
Summer 1990

"No innocence is safe,/ When power
contests": The Factional Worlds of
Caesar and Sejanus
Stuart M. Kurland Volume 22, Issue 1,
Spring 1988


'Other Men's Provision': Ben Jonson's
Parody of Robert White in
Pleasure Reconciled to Virtue


Robert C. Evans Volume 24, Issue 1,
Spring 1990
The Ovids of Ben Jonson in Poetaster
and in Epicoene
Joseph A. Dane Volume 13, Issue 3,
Fall 1979

Seventeenth-Century Illustrations of
Three Masques by Jonson
John P. Cutts Volume 6, Issue 2,
Summer 1972

Silent Women and Shrews: Eroticism and
Convention in Epicoene and
Measure for Measure



Charles R. Lyons Volume 23, Issue 2,
Summer 1989
‘Things like truths, well feigned’: Mimesis
and Secrecy in Jonson’s Epicoene
view abstract

Reuben Sanchez Volume 40, Issue 3,
Fall 2006
"When were the Senses in
such order plac'd?"
John P. Cutts Volume 4, Issue 1,
Spring 1970
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Joyce, James    
Absurdity in English: Joyce and O'Neill Ruby Cohn Volume 3, Issue 3,
Fall 1969

Joyce contra Wagner John MacNicholas Volume 9, Issue 1,
Spring 1975
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Jumpers    
Using Comic Devices to Answer the
Ultimate Question: Tom Stoppard's
Jumpers
and Woody Allen's God
Felicia Hardison Londré Volume 14, Issue 4,
Winter 1980-81

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Jung, Carl    
W. H. Auden's First Dramatization of Jung:
The Charade of the Loving and Terrible
Mothers

Edward Callan Volume 11, Issue 4,
Winter 1977-78

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Les Justes    
Imprisonment in Camus' "Modern
Tragedies":Les Justes, Requiem pour
un nonne, Le Malentendu

Mary Ann Frese Witt Volume 5, Issue 1,
Spring 1971

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