H
|
| Subject/Essay |
Author |
Location |
| Haddon Hall |
|
|
Arthur Sullivan, Haddon Hall,
and the Iconic Mode |
Michael Beckerman |
Volume 22, Issue 1,
Spring 1988
|
| __________________________________________________________________________________ |
| The Hairy Ape |
|
|
Eugene O'Neill's The Emperor Jones and
The Hairy Ape as Mirror Plays |
Emil Roy |
Volume 2, Issue 1,
Spring 1968
|
| __________________________________________________________________________________ |
| Hampton, Christopher |
|
|
The Director Intervenes: Christopher
Hampton's Savages |
Peter Holland |
Volume 13, Issue 2,
Summer 1979
|
| __________________________________________________________________________________ |
| Han, T'ien |
|
|
Lonely Search into the Unknown:
T'ien Han's Early Plays, 1920-1930 |
Constantine Tung |
Volume 2, Issue 1,
Spring 1968
|
| __________________________________________________________________________________ |
| Handke, Peter |
|
|
Peter Handke's The Ride Across Lake
Constance: The Illusion of Self-Sufficiency |
June Schlueter |
Volume 11, Issue 2,
Summer 1977
|
| __________________________________________________________________________________ |
| Hapgood |
|
|
Tom Stoppard and "Postmodern Science":
Normalizing Radical Epistemologies
in Hapgood and Arcadia
|
Daniel Jernigan |
Volume 37, Issue 1,
Spring 2003 |
| __________________________________________________________________________________ |
| The Harrowing of Hell |
|
|
The Narrator within the Performance:
Problems with Two Medieval "Plays" |
Bruce Moore |
Volume 22, Issue 1,
Spring 1988
|
| __________________________________________________________________________________ |
| Hartwich, Friedrich |
|
|
Friedrich Hartwich's Globus Fortunae
(1617): A Dramatization of the Amadis |
Steven R. Huff |
Volume 24, Issue 4,
Winter 1990-91
|
| __________________________________________________________________________________ |
| Heartbreak House |
|
|
G. B. Shaw’s Heartbreak House and
Harold Pinter’s The Homecoming:
Comedies of Implosion
view abstract
|
Emil Roy |
Volume 41, Issue 3,
Fall 2007 |
| __________________________________________________________________________________ |
| Hedda Gabler |
|
|
Hedda and Bailu: Portraits of
Two "Bored" Women
|
Chengzhou He |
Volume 35, Issue 3,4,
Fall/Winter 2001-02
|
Mythic Structure in Hedda Gabler:
The Mask Behind the Face |
Elinor Fuchs |
Volume 19, Issue 3,
Fall 1985
|
| __________________________________________________________________________________ |
| Henry II |
|
|
Henry II in Drama: Changing
Historical Outlooks |
Thomas M. Jones |
Volume 12, Issue 4,
Winter 1978-79
|
| __________________________________________________________________________________ |
| Henze, Hans Werner |
|
|
The Sound of a Poet Singing Loudly:
A Look at Elegy for Young Lovers |
Marc A. Roth |
Volume 13, Issue 2,
Summer 1979
|
| __________________________________________________________________________________ |
| Hercules |
|
|
Macbeth and Hercules:
The Hero Bewitched
|
Elizabeth Truax |
Volume 23, Issue 4,
Winter 1989-90 |
| __________________________________________________________________________________ |
Herod
|
|
|
The Iconography of Herod in the Fleury
Playbook and the Visual Arts |
Miriam Anne Skey |
Volume 17, Issue 1,
Spring 1983
|
Herod the Great in Medieval
European Drama |
Miriam Anne Skey |
Volume 13, Issue 4,
Winter 1979-80
|
"Look not big, nor stamp, nor stare":
Acting Up in The Taming of the Shrew
and the Coventry Herod Plays
|
Jonathan Gil Harris |
Volume 34, Issue 4,
Winter 2000-01
|
To Out-Herod Herod: The Development
of a Dramatic Character |
David Staines |
Volume 10, Issue 1,
Spring 1976
|
| __________________________________________________________________________________ |
| Hérodiade |
|
|
The Daughters of Herodias in Hérodiade,
Salomé, and A Full Moon in March |
Marilyn Gaddis Rose |
Volume 1, Issue 3,
Fall 1967
|
| __________________________________________________________________________________ |
| Heywood, Thomas |
|
|
"Both bodily deth and werldly shame":
"Little Musgrave and Lady Barnard" as
Source for A Woman Killed With Kindness |
Dean A. Hoffman
|
Volume 23, Issue 2,
Summer 1989
|
Heywood's Adaptation of Plautus'
Rudens: The Problem of Slavery in
The Captives
|
Carolyn Prager |
Volume 9, Issue 2,
Summer 1975
|
Thomas Heywood's The Royall King,
and the Loyall Subject and the Fall of
Robert Devereux, Second Earl of Essex
|
Kevin Lindberg |
Volume 39, Issue 1,
Spring 2005 |
| __________________________________________________________________________________ |
| Hilton, Walter |
|
|
"Blake and wyght, fowll and fayer":
Stage Picture in Wisdom Who Is Christ |
David Bevington |
Volume 19, Issue 2,
Summer 1985
|
| __________________________________________________________________________________ |
| Historical Drama |
|
|
Danton's Death and the Conventions of
Historical Drama |
Herbert Lindenberger |
Volume 3, Issue 2,
Summer 1969
|
| __________________________________________________________________________________ |
| The History of King Richard III |
|
|
More's Richard III and Jonson's
Richard Crookback and Sejanus |
Robert C. Evans |
Volume 24, Issue 2,
Summer 1990
|
| __________________________________________________________________________________ |
| Histriomastix |
|
|
John Marston's Histriomastix
and the Golden Age |
George L. Geckle |
Volume 6, Issue 3,
Fall 1972
|
Writing and Revenge: John Marston's
Histriomastix
view abstract
|
James P. Bednarz |
Volume 36, Issue 1,2,
Spring/Summer 2002
|
| __________________________________________________________________________________ |
| The Homecoming |
|
|
G. B. Shaw’s Heartbreak House and
Harold Pinter’s The Homecoming:
Comedies of Implosion
view abstract
|
Emil Roy |
Volume 41, Issue 3,
Fall 2007 |
Pinter's The Homecoming: Displacing
and Repeating Ibsen |
Thomas Postlewait |
Volume 15, Issue 3,
Fall 1981
|
| __________________________________________________________________________________ |
| Hrotsvit of Gandersheim |
|
|
Incest Disguised: Ottonian Influence at
Gandersheim and Hrotsvit’s Abraham
view abstract
|
Regula Meyer Evitt |
Volume 41, Issue 3,
Fall 2007 |
| __________________________________________________________________________________ |
| Hungarian Drama |
|
|
European Influences and National Tradition
in Medieval Hungarian Theater |
György E. Szönyi |
Volume 15, Issue 2,
Summer 1981
|
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