G
Subject/Essay Author Location
Gallathea    
The Confusions of Gallathea:
John Lyly as a Popular Dramatist		 Kent Cartwright Volume 32, Issue 2
Summer 1998
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Gammer Gurton's Needle    
Actor, Maschera, and Role: An Approach
to Irony in Performance 		Raymond J. Pentzall Volume 16, Issue 3
Fall 1982
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Garrick, David    
A Shakespearean Tribute to Ben Jonson
in Garrick's Operatic Version of
A Midsummer Night's Dream 		John P. Cutts Volume 12, Issue 3
Fall 1978
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Gascoigne, George    
Measure for Measure and the
(Anti-)Theatricality of Gascoigne's
The Glasse of Government
view abstract

 Richard Hillman Volume 42, Issue 4
Winter 2008
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Gender Issues    
'Hay for the Daughters!' Gender and
Patriarchy in The Miseries of Civil War
and Henry VI


 Joyce Green MacDonald Volume 24, Issue 3
Fall 1990  
Metatheater, Gender, and Subjectivity
in Richard II and Henry IV, Part I


 R. A. Martin Volume 23, Issue 3
Fall 1989
Tragedy, Gender, Performance:
Women as Tragic Heroes on the
Nineteenth-Century Stage



 Anne Russell Volume 30, Issue 2
Summer 1996
The “Female Martinet”: Mrs. Harper,
Gender, and Civic Virtue on the Early
Republican Stage
view abstract		 Jason Shaffer Volum 40, Issue 4
Winter 2006-07
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Genet, Jean    
Genet's The Blacks and The Screens:
Dialectic of Refusal and Revolutionary
Consciousness 		W. F. Sohlich Volume 10, Issue 3
Fall 1976
Jean Genet and the Psychology
of Colonialism


Anthony Graham-White Volume 4, Issue 3
Fall 1970
Towards a Theater of Immobility:
Henry IV, The Condemned of
Altona, and The Balcony

Mary Ann Frese Witt Volume 24, Issue 2
Summer 1990
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Genoveva    
Schumann's Genoveva as German
Romantic Drama 		Linda Siegel Volume 6, Issue 4
Winter 1972-73
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The Gentle Craft    
Being Mistress Eyre in Dekker's
The Shoemaker's Holiday and Deloney's
The Gentle Craft
view abstract 		Ann C. Christensen Volume 42, Issue 4
Winter 2008
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German Drama    
Comedia and Trauerspiel: On Benjamin
and Calderón		 Anthony J. Cascardi Volume 16, Issue 1
Spring 1982
Fireworks, Turks, and Long-Necked
Mules: Pyrotechnic Theater in
Germany and Catalonia


 Max Harris Volume 32, Issue 3
Fall 1998
Frank Wedekind: A German Dramatist
of the Absurd? 		Robert A. Jones Volume 4, Issue 4
Winter 1970-71
The Ingressus Pilatus Chant in
Medieval German Drama 		Stephen K. Wright



 Volume 28, Issue 3
Fall 1994
Lost American Opportunity: Two 1931
German Plays about Mary Baker Eddy


 Glen W. Gadberry Volume 28, Issue 4
Winter 1994-95
Martin Walser's Sauspiel and the
Contemporary German History Play
 Gerald A. Fetz Volume 12, Issue 3
Fall 1978
Portrayals of the Vita Christi in the
Medieval German Marienklage:
Signs of Franciscan Exegesis and Rhetoric
in Drama and Music
view abstract

Peter Loewen Volume 42, Issue 2
Summer 2008
Rubin and Mercator: Grotesque Comedy
in the German Easter Play
read first paragraph


 Martin W. Walsh Volume 36, Issue 1,2
Spring/Summer 2002
Schumann's Genoveva as German
Romantic Drama 		Linda Siegel Volume 6, Issue 4
Winter 1972-73
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Give Me Your Answer, Do!    
An American in Ireland: The Representation
of the American in Brian Friel's Plays
view abstract 		Maria Germanou Volume 38, Issue 2,3
Summer/Fall 2004
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The Glass Menagerie    
'Shut Up!' 'Be Quiet!' 'Hush!'
Talk and Its Supression in Three Plays
by Tennesse Williams

Thomas F. Van Laan Volume 22, Issue 3
Fall 1988
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The Glasse of Government    
Measure for Measure and the
(Anti-)Theatricality of Gascoigne's
The Glasse of Government
view abstract
 Richard Hillman Volume 42, Issue 4
Winter 2008
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Gl'Ingannati    
The Treatment of Space in Italian and
English Renaissance Theater:
The Example of Gl'Ingannati
and Twelfth Night

Jack D'Amico Volume 23, Issue 3
Fall 1989
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Globus Fortunae    
Friedrich Hartwich's Globus Fortunae
(1617): A Dramatization of the Amadis 		Steven R. Huff Volume 24, Issue 4
Winter 1990-91
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God    
Using Comic Devices to Answer the
Ultimate Question: Tom Stoppard's
Jumpers and Woody Allen's God		 Felicia Hardison Londré Volume 14, Issue 4
Winter 1980-81
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Goldoni, Carlo    
Shakespeare, Goldoni, and the Clowns Eugene Steele Volume 11, Issue 3
Fall 1977
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Goodnight Desdemona (Good Morning Juliet)    
Goodnight Desdemona (Good Morning
Juliet): From Shakespearean Tragedy to
Postmodern Satyr Play
read first paragraph

 Igor Djordjevic Volume 37, Issue 1
Spring 2003
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Granville-Barker, Harley    
Granville Barker's Production of
The Winter's Tale (1912)


 Brian Pearce Volume 30, Issue 3
Fall 1996
Harley Granville-Barker and the Response
to Spanish Theater, 1920-1932 		David Callahan Volume 25, Issue 2
Summer 1991
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Grass, Günter    
Drama, Politics, and the Hero:
Coriolanus, Brecht, and Grass 		Martin Scofield Volume 24, Issue 4
Winter 1990-91
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Greek Drama    
"All Comes Clear at Last," but
"the Readiness is All" 		Thomas B. Stroup Volume 10, Issue 1
Spring 1976
Critics, Catharsis, and Colonus Edward J. Chute Volume 5, Issue 4
Winter 1971-72
Greek Drama in the First Six Decades
of the Twentieth Century: Tradition,
Identity, Migration
read first paragraph

 Amanda Wrigley Volume 44.1/45.1
Winter 2010/
Spring 2011
Indian and Greek Drama: Two Definitions Darius L. Swann Volume 3, Issue 2
Summer 1969
‘The Kingdom of Heaven within Us’: Inner
(World) Peace in Gilbert Murray’s
Trojan Women
view abstract

 Simon Perris Volume 44.1/45.1
Winter 2010/
Spring 2011
Is Mr Euripides a Communist? The Federal
Theatre Project’s 1938 Trojan Incident
view abstract

 Robert Davis Volume 44.1/45.1
Winter 2010/
Spring 2011
"Now the struggle is for all!" (Aeschylus's
Persians 405): What a Difference a Few
Years Make When Interpreting a Classic
view abstract

 Gonda Van Steen  Volume 44.1/45.1
Winter 2010/
Spring 2011
Oedipus and Afrikaans Theater
view abstract		 Betine Van Zyl Smit  Volume 44.1/45.1
Winter 2010/
Spring 2011

Oedipus at Colonus: A Crisis in the
Greek Notion of Deity 		Richard Forrer Volume 8, Issue 4
Winter 1974-75
Oedipus, Shmedipus: Ancient Greek
Drama on the Yiddish Stage
view abstract

 Debra Caplan Volume 44.1/45.1
Winter 2010/
Spring 2011
Oedipus, Suez, and Hungary: T. S. Eliot’s
Tradition and The Elder Statesman
view abstract

 Michael Simpson  Volume 44.1/45.1
Winter 2010/
Spring 2011
On Greek Tragedy and the
Kantian Sublime 		M. W. Gellrich Volume 18, Issue 4
Winter 1984-85
A Proposal for a Theater Museum:
Staging the Fragments of Greek
and Roman Drama		 Timothy Richard Wutrich Volume 29, Issue 4
Winter 1995-96
The Rebirth of Tragedy: Protest and
Evolution in Modern Greek Drama

Stratos E. Costantinidis Volume 21, Issue 2
Summer 1987
Touring the Ivies with Iphigenia, 1915
view abstract		 Niall W. Slater Volume 44.1/45.1
Winter 2010/
Spring 2011

Toward a National Heterotopia: Ancient
Theaters and the Cultural Politics of
Performing Ancient Drama in Modern Greece
view abstract
 Eleftheria Ioannidou Volume 44.1/45.1
Winter 2010/
Spring 2011
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Greene, Robert    
The Iconography of Food and the Motif
of World Order in Friar Bacon and
Friar Bungay		 Cecile Williamson Cary Volume 13, Issue 2
Summer 1979
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Greenland    
“I just die for some authority!: Barriers
to Utopia in Howard Brenton’s Greenland
view abstract		 Siân Adiseshiah Volume 46, Issue 1
Spring 2012
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Gretser, Jacob    
The Regnum Humanitatis Trilogy:
A Humanist Manifesto		 Eugene J. Devlin Volume 26, Issue 1
Spring 1992
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Grimm, Henry    
Chinese Ethnicity and the American
Heroic Artisan  in Henry Grimm’s
The Chinese Must Go (1879)
view abstract 		Hsin-yun Ou Volume 44, Issue 1
Spring 2010
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Guardians    
“The Split Screen Syndrome”: Structuring
(Non) Seeing in Two Plays on Abu Ghraib
view abstract

 Katarzyna Beilin Volume 46, Issue 4
Winter 2012
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Guarini, Battista    
The Winter's Tale and
Guarinian Dramaturgy 		Robert Henke Volume 27, Issue 2
Summer 1993
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Guild Drama    
The Wells Cordwainers Show:
New Evidence Concerning Guild
Entertainments in Somerset 		James Stokes Volume 19, Issue 4
Winter 1985-86

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