G
Subject/Essay Author Location
Gallathea    
The Confusions of Gallathea:
John Lyly as a Popular Dramatist		 Kent Cartwright Volume 32, Issue 2,
Summer 1998
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Gammer Gurton's Needle    
Actor, Maschera, and Role: An Approach
to Irony in Performance 		Raymond J. Pentzall Volume 16, Issue 3,
Fall 1982
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Garrick, David    
A Shakespearean Tribute to Ben Jonson
in Garrick's Operatic Version of
A Midsummer Night's Dream 		John P. Cutts Volume 12, Issue 3,
Fall 1978
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Gender Issues    
'Hay for the Daughters!' Gender and
Patriarchy in The Miseries of Civil War
and Henry VI


 Joyce Green MacDonald Volume 24, Issue 3,
Fall 1990  
Metatheater, Gender, and Subjectivity
in Richard II and Henry IV, Part I


 R. A. Martin Volume 23, Issue 3,
Fall 1989
Tragedy, Gender, Performance:
Women as Tragic Heroes on the
Nineteenth-Century Stage



 Anne Russell Volume 30, Issue 2,
Summer 1996
The “Female Martinet”: Mrs. Harper,
Gender, and Civic Virtue on the Early
Republican Stage
view abstract		 Jason Shaffer Volum 40, Issue 4,
Winter 2006-07
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Genet, Jean    
Genet's The Blacks and The Screens:
Dialectic of Refusal and Revolutionary
Consciousness 		W. F. Sohlich Volume 10, Issue 3,
Fall 1976
Jean Genet and the Psychology
of Colonialism


Anthony Graham-White Volume 4, Issue 3,
Fall 1970
Towards a Theater of Immobility:
Henry IV, The Condemned of
Altona, and The Balcony

Mary Ann Frese Witt Volume 24, Issue 2,
Summer 1990
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Genoveva    
Schumann's Genoveva as German
Romantic Drama 		Linda Siegel Volume 6, Issue 4,
Winter 1972-73
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German Drama    
Comedia and Trauerspiel: On Benjamin
and Calderón		 Anthony J. Cascardi Volume 16, Issue 1,
Spring 1982
Fireworks, Turks, and Long-Necked
Mules: Pyrotechnic Theater in
Germany and Catalonia


 Max Harris Volume 32, Issue 3,
Fall 1998
Frank Wedekind: A German Dramatist
of the Absurd? 		Robert A. Jones Volume 4, Issue 4,
Winter 1970-71
The Ingressus Pilatus Chant in
Medieval German Drama 		Stephen K. Wright



 Volume 28, Issue 3,
Fall 1994
Lost American Opportunity: Two 1931
German Plays about Mary Baker Eddy


 Glen W. Gadberry Volume 28, Issue 4,
Winter 1994-95
Martin Walser's Sauspiel and the
Contemporary German History Play
 Gerald A. Fetz Volume 12, Issue 3,
Fall 1978
Rubin and Mercator: Grotesque Comedy
in the German Easter Play
read first paragraph


 Martin W. Walsh Volume 36, Issue 1,2,
Spring/Summer 2002
Schumann's Genoveva as German
Romantic Drama 		Linda Siegel Volume 6, Issue 4,
Winter 1972-73
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Give Me Your Answer, Do!    
An American in Ireland: The Representation
of the American in Brian Friel's Plays
view abstract 		Maria Germanou Volume 38, Issue 2,3,
Summer/Fall 2004
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The Glass Menagerie    
'Shut Up!' 'Be Quiet!' 'Hush!'
Talk and Its Supression in Three Plays
by Tennesse Williams

Thomas F. Van Laan Volume 22, Issue 3,
Fall 1988
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Gl'Ingannati    
The Treatment of Space in Italian and
English Renaissance Theater:
The Example of Gl'Ingannati
and Twelfth Night

Jack D'Amico Volume 23, Issue 3,
Fall 1989
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Globus Fortunae    
Friedrich Hartwich's Globus Fortunae
(1617): A Dramatization of the Amadis 		Steven R. Huff Volume 24, Issue 4,
Winter 1990-91
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God    
Using Comic Devices to Answer the
Ultimate Question: Tom Stoppard's
Jumpers and Woody Allen's God		 Felicia Hardison Londré Volume 14, Issue 4,
Winter 1980-81
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Goldoni, Carlo    
Shakespeare, Goldoni, and the Clowns Eugene Steele Volume 11, Issue 3,
Fall 1977
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Goodnight Desdemona (Good Morning Juliet)    
Goodnight Desdemona (Good Morning
Juliet): From Shakespearean Tragedy to
Postmodern Satyr Play
read first paragraph

 Igor Djordjevic Volume 37, Issue 1,
Spring 2003
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Granville-Barker, Harley    
Granville Barker's Production of
The Winter's Tale (1912)


 Brian Pearce Volume 30, Issue 3,
Fall 1996
Harley Granville-Barker and the Response
to Spanish Theater, 1920-1932 		David Callahan Volume 25, Issue 2,
Summer 1991
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Grass, Günter    
Drama, Politics, and the Hero:
Coriolanus, Brecht, and Grass 		Martin Scofield Volume 24, Issue 4,
Winter 1990-91
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Greek Drama    
"All Comes Clear at Last," but
"the Readiness is All" 		Thomas B. Stroup Volume 10, Issue 1,
Spring 1976
Critics, Catharsis, and Colonus Edward J. Chute Volume 5, Issue 4,
Winter 1971-72
Indian and Greek Drama: Two Definitions Darius L. Swann Volume 3, Issue 2,
Summer 1969
Oedipus at Colonus: A Crisis in the
Greek Notion of Deity 		Richard Forrer Volume 8, Issue 4,
Winter 1974-75
On Greek Tragedy and the
Kantian Sublime 		M. W. Gellrich Volume 18, Issue 4,
Winter 1984-85
A Proposal for a Theater Museum:
Staging the Fragments of Greek
and Roman Drama		 Timothy Richard Wutrich Volume 29, Issue 4,
Winter 1995-96
The Rebirth of Tragedy: Protest and
Evolution in Modern Greek Drama 		Stratos E. Costantinidis Volume 21, Issue 2,
Summer 1987
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Greene, Robert    
The Iconography of Food and the Motif
of World Order in Friar Bacon and
Friar Bungay		 Cecile Williamson Cary Volume 13, Issue 2,
Summer 1979
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Gretser, Jacob    
The Regnum Humanitatis Trilogy:
A Humanist Manifesto		 Eugene J. Devlin Volume 26, Issue 1,
Spring 1992
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Guarini, Battista    
The Winter's Tale and
Guarinian Dramaturgy 		Robert Henke Volume 27, Issue 2,
Summer 1993
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Guild Drama    
The Wells Cordwainers Show:
New Evidence Concerning Guild
Entertainments in Somerset 		James Stokes Volume 19, Issue 4,
Winter 1985-86
     

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