G
|
| Subject/Essay |
Author |
Location |
| Gallathea |
|
|
The Confusions of Gallathea:
John Lyly as a Popular Dramatist |
Kent Cartwright |
Volume 32, Issue 2
Summer 1998
|
| _________________________________________________________________________________ |
| Gammer Gurton's Needle |
|
|
Actor, Maschera, and Role: An Approach
to Irony in Performance |
Raymond J. Pentzall |
Volume 16, Issue 3
Fall 1982
|
| _________________________________________________________________________________ |
| Garrick, David |
|
|
A Shakespearean Tribute to Ben Jonson
in Garrick's Operatic Version of
A Midsummer Night's Dream
|
John P. Cutts |
Volume 12, Issue 3
Fall 1978
|
| _________________________________________________________________________________ |
| Gascoigne, George |
|
|
Measure for Measure and the
(Anti-)Theatricality of Gascoigne's
The Glasse of Government
view abstract
|
Richard Hillman |
Volume 42, Issue 4
Winter 2008
|
| _________________________________________________________________________________ |
| Gender Issues |
|
|
'Hay for the Daughters!' Gender and
Patriarchy in The Miseries of Civil War
and Henry VI
|
Joyce Green MacDonald |
Volume 24, Issue 3
Fall 1990
|
Metatheater, Gender, and Subjectivity
in Richard II and Henry IV, Part I
|
R. A. Martin |
Volume 23, Issue 3
Fall 1989
|
Tragedy, Gender, Performance:
Women as Tragic Heroes on the
Nineteenth-Century Stage
|
Anne Russell |
Volume 30, Issue 2
Summer 1996
|
The “Female Martinet”: Mrs. Harper,
Gender, and Civic Virtue on the Early
Republican Stage
view abstract |
Jason Shaffer |
Volum 40, Issue 4
Winter 2006-07 |
| _________________________________________________________________________________ |
| Genet, Jean |
|
|
Genet's The Blacks and The Screens:
Dialectic of Refusal and Revolutionary
Consciousness |
W. F. Sohlich |
Volume 10, Issue 3
Fall 1976
|
Jean Genet and the Psychology
of Colonialism
|
Anthony Graham-White |
Volume 4, Issue 3
Fall 1970
|
Towards a Theater of Immobility:
Henry IV, The Condemned of
Altona, and The Balcony
|
Mary Ann Frese Witt |
Volume 24, Issue 2
Summer 1990 |
| _________________________________________________________________________________ |
| Genoveva |
|
|
Schumann's Genoveva as German
Romantic Drama |
Linda Siegel |
Volume 6, Issue 4
Winter 1972-73
|
| _________________________________________________________________________________ |
| The Gentle Craft |
|
|
Being Mistress Eyre in Dekker's
The Shoemaker's Holiday and Deloney's
The Gentle Craft
view abstract |
Ann C. Christensen |
Volume 42, Issue 4
Winter 2008 |
| _________________________________________________________________________________ |
| German Drama |
|
|
Comedia and Trauerspiel: On Benjamin
and Calderón |
Anthony J. Cascardi |
Volume 16, Issue 1
Spring 1982
|
Fireworks, Turks, and Long-Necked
Mules: Pyrotechnic Theater in
Germany and Catalonia
|
Max Harris |
Volume 32, Issue 3
Fall 1998 |
Frank Wedekind: A German Dramatist
of the Absurd? |
Robert A. Jones |
Volume 4, Issue 4
Winter 1970-71
|
The Ingressus Pilatus Chant in
Medieval German Drama |
Stephen K. Wright
|
Volume 28, Issue 3
Fall 1994 |
Lost American Opportunity: Two 1931
German Plays about Mary Baker Eddy
|
Glen W. Gadberry |
Volume 28, Issue 4
Winter 1994-95 |
Martin Walser's Sauspiel and the
Contemporary German History Play
|
Gerald A. Fetz |
Volume 12, Issue 3
Fall 1978
|
Portrayals of the Vita Christi in the
Medieval German Marienklage:
Signs of Franciscan Exegesis and Rhetoric
in Drama and Music
view abstract
|
Peter Loewen |
Volume 42, Issue 2
Summer 2008
|
Rubin and Mercator: Grotesque Comedy
in the German Easter Play
read first paragraph
|
Martin W. Walsh |
Volume 36, Issue 1,2
Spring/Summer 2002
|
Schumann's Genoveva as German
Romantic Drama |
Linda Siegel |
Volume 6, Issue 4
Winter 1972-73
|
| _________________________________________________________________________________ |
| Give Me Your Answer, Do! |
|
|
An American in Ireland: The Representation
of the American in Brian Friel's Plays
view abstract |
Maria Germanou |
Volume 38, Issue 2,3
Summer/Fall 2004 |
| _________________________________________________________________________________ |
| The Glass Menagerie |
|
|
'Shut Up!' 'Be Quiet!' 'Hush!'
Talk and Its Supression in Three Plays
by Tennesse Williams
|
Thomas F. Van Laan |
Volume 22, Issue 3
Fall 1988 |
| _________________________________________________________________________________ |
| The Glasse of Government |
|
|
Measure for Measure and the
(Anti-)Theatricality of Gascoigne's
The Glasse of Government
view abstract
|
Richard Hillman |
Volume 42, Issue 4
Winter 2008 |
| _________________________________________________________________________________ |
| Gl'Ingannati |
|
|
The Treatment of Space in Italian and
English Renaissance Theater:
The Example of Gl'Ingannati
and Twelfth Night
|
Jack D'Amico |
Volume 23, Issue 3
Fall 1989 |
| _________________________________________________________________________________ |
| Globus Fortunae |
|
|
Friedrich Hartwich's Globus Fortunae
(1617): A Dramatization of the Amadis |
Steven R. Huff |
Volume 24, Issue 4
Winter 1990-91
|
| _________________________________________________________________________________ |
| God |
|
|
Using Comic Devices to Answer the
Ultimate Question: Tom Stoppard's
Jumpers and Woody Allen's God |
Felicia Hardison Londré |
Volume 14, Issue 4
Winter 1980-81
|
| _________________________________________________________________________________ |
| Goldoni, Carlo |
|
|
| Shakespeare, Goldoni, and the Clowns |
Eugene Steele |
Volume 11, Issue 3
Fall 1977
|
| _________________________________________________________________________________ |
| Goodnight Desdemona (Good Morning Juliet) |
|
|
Goodnight Desdemona (Good Morning
Juliet): From Shakespearean Tragedy to
Postmodern Satyr Play
read first paragraph
|
Igor Djordjevic |
Volume 37, Issue 1
Spring 2003
|
| _________________________________________________________________________________ |
| Granville-Barker, Harley |
|
|
Granville Barker's Production of
The Winter's Tale (1912)
|
Brian Pearce |
Volume 30, Issue 3
Fall 1996 |
Harley Granville-Barker and the Response
to Spanish Theater, 1920-1932 |
David Callahan |
Volume 25, Issue 2
Summer 1991
|
| _________________________________________________________________________________ |
| Grass, Günter |
|
|
Drama, Politics, and the Hero:
Coriolanus, Brecht, and Grass |
Martin Scofield |
Volume 24, Issue 4
Winter 1990-91
|
| _________________________________________________________________________________ |
| Greek Drama |
|
|
"All Comes Clear at Last," but
"the Readiness is All" |
Thomas B. Stroup |
Volume 10, Issue 1
Spring 1976
|
| Critics, Catharsis, and Colonus |
Edward J. Chute |
Volume 5, Issue 4
Winter 1971-72
|
Greek Drama in the First Six Decades
of the Twentieth Century: Tradition,
Identity, Migration
read first paragraph
|
Amanda Wrigley |
Volume 44.1/45.1
Winter 2010/
Spring 2011 |
| Indian and Greek Drama: Two Definitions |
Darius L. Swann |
Volume 3, Issue 2
Summer 1969
|
‘The Kingdom of Heaven within Us’: Inner
(World) Peace in Gilbert Murray’s
Trojan Women
view abstract
|
Simon Perris |
Volume 44.1/45.1
Winter 2010/
Spring 2011 |
Is Mr Euripides a Communist? The Federal
Theatre Project’s 1938 Trojan Incident
view abstract
|
Robert Davis |
Volume 44.1/45.1
Winter 2010/
Spring 2011 |
"Now the struggle is for all!" (Aeschylus's
Persians 405): What a Difference a Few
Years Make When Interpreting a Classic
view abstract
|
Gonda Van Steen |
Volume 44.1/45.1
Winter 2010/
Spring 2011 |
Oedipus and Afrikaans Theater
view abstract |
Betine Van Zyl Smit |
Volume 44.1/45.1
Winter 2010/
Spring 2011
|
Oedipus at Colonus: A Crisis in the
Greek Notion of Deity |
Richard Forrer |
Volume 8, Issue 4
Winter 1974-75
|
Oedipus, Shmedipus: Ancient Greek
Drama on the Yiddish Stage
view abstract
|
Debra Caplan |
Volume 44.1/45.1
Winter 2010/
Spring 2011 |
Oedipus, Suez, and Hungary: T. S. Eliot’s
Tradition and The Elder Statesman
view abstract
|
Michael Simpson |
Volume 44.1/45.1
Winter 2010/
Spring 2011 |
On Greek Tragedy and the
Kantian Sublime |
M. W. Gellrich |
Volume 18, Issue 4
Winter 1984-85
|
A Proposal for a Theater Museum:
Staging the Fragments of Greek
and Roman Drama |
Timothy Richard Wutrich |
Volume 29, Issue 4
Winter 1995-96
|
The Rebirth of Tragedy: Protest and
Evolution in Modern Greek Drama
|
Stratos E. Costantinidis |
Volume 21, Issue 2
Summer 1987
|
Touring the Ivies with Iphigenia, 1915
view abstract |
Niall W. Slater |
Volume 44.1/45.1
Winter 2010/
Spring 2011
|
Toward a National Heterotopia: Ancient
Theaters and the Cultural Politics of
Performing Ancient Drama in Modern Greece
view abstract
|
Eleftheria Ioannidou |
Volume 44.1/45.1
Winter 2010/
Spring 2011 |
| _________________________________________________________________________________ |
| Greene, Robert |
|
|
The Iconography of Food and the Motif
of World Order in Friar Bacon and
Friar Bungay |
Cecile Williamson Cary |
Volume 13, Issue 2
Summer 1979
|
| _________________________________________________________________________________ |
| Greenland |
|
|
“I just die for some authority!: Barriers
to Utopia in Howard Brenton’s Greenland
view abstract |
Siân Adiseshiah |
Volume 46, Issue 1
Spring 2012 |
| _________________________________________________________________________________ |
| Gretser, Jacob |
|
|
The Regnum Humanitatis Trilogy:
A Humanist Manifesto |
Eugene J. Devlin |
Volume 26, Issue 1
Spring 1992
|
| _________________________________________________________________________________ |
| Grimm, Henry |
|
|
Chinese Ethnicity and the American
Heroic Artisan in Henry Grimm’s
The Chinese Must Go (1879)
view abstract |
Hsin-yun Ou |
Volume 44, Issue 1
Spring 2010 |
| _________________________________________________________________________________ |
| Guardians |
|
|
“The Split Screen Syndrome”: Structuring
(Non) Seeing in Two Plays on Abu Ghraib
view abstract
|
Katarzyna Beilin |
Volume 46, Issue 4
Winter 2012 |
| _________________________________________________________________________________ |
| Guarini, Battista |
|
|
The Winter's Tale and
Guarinian Dramaturgy |
Robert Henke |
Volume 27, Issue 2
Summer 1993
|
| _________________________________________________________________________________ |
| Guild Drama |
|
|
The Wells Cordwainers Show:
New Evidence Concerning Guild
Entertainments in Somerset |
James Stokes |
Volume 19, Issue 4
Winter 1985-86
|