F
Subject/Essay Author Location
A Fair Quarrel    
"Framing" as Collaborative Technique:
Two Middleton-Rowley Plays 		Michael E. Mooney Volume 13, Issue 2,
Summer 1979
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Fall of Lucifer Plays    
Source of Order or Sovereign Lord:
God and the Pattern of Relationships
in Two Middle English "Fall of
Lucifer" Plays

 Jean Q. Seaton Volume 18, Issue 3,
Fall 1984



"You Have Begun a Parlous Pleye":
The Nature and Limits of Dramatic
Mimesis as a Theme in Four Middle
English 'Fall of Lucifer' Cycle Plays 		R. W. Hanning Volume 7, Issue 1,
Spring 1973
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Farquhar, George    
Bertolt Brecht and George Farquhar's
The Recruiting Officer 		Albert Wertheim Volume 7, Issue 3,
Fall 1973
Body and Ritual in Farquhar

 Derek Hughes Volume 31, Issue 3,
Fall 1997
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Fernando, Lloyd    
Maturation and Political Upheaval in
Lloyd Fernando's Scorpion Orchid and
Robert Yeo's The Singapore Trilogy
read first paragraph

 Catherine Diamond  Volume 36, Issue 1,2,
Spring/Summer 2002
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Feuchtwanger, Lion    
Warren Hastings in the Drama of Lion
Feuchtwanger and Bertolt Brecht:
Contexts and Connections

 T. H. Bowyer Volume 31, Issue 3,
Fall 1997
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Fifteenth Century Drama    
Equity and Mercy in English Law
and Drama (1405-1641) 		W. Nicholas Knight Volume 6, Issue 1,
Spring 1972
Fifteenth-Century Flamboyant Style and
The Castle of Perseverance		 Michael R. Kelley Volume 6, Issue 1,
Spring 1972
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Fires in the Mirror    
Extending the Breaks: Fires in the Mirror
in the Context of Hip-Hop Structure,
Style, and Culture
read first paragraph

 Steve Feffer Volume 37, Issue 3,4,
Fall/Winter 2003-04
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Fletcher, John    
Admirable Musicians: Women's Songs
in Othello and The Maid's Tragedy


 Rochelle Smith Volume 28, Issue 3,
Fall 1994
Fletcher's Satire of Caratach in Bonduca


 Ronald J. Boling  Volume 33, Issue 3,
Fall 1999

How Music Matters: Some Songs
of Robert Johnson in the Plays of
Beaumont and Fletcher
view abstract


Catherine A. Henze Volume 34, Issue 1,
Spring 2000
A Newly Discovered Musical Setting
From Fletcher's Beggars' Bush 		John P. Cutts Volume 5, Issue 2,
Summer 1971
Wit Without Money: A Fletcherian
Antecedent to Keep the Widow Waking 		Charles R. Forker Volume 8, Issue 2,
Summer 1974
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Fleury Playbook    
The Fleury Raising of Lazarus and
Twelfth-Century Currents of Thought 		Kathleen M. Ashley Volume 15, Issue 2,
Summer 1981
The Iconography of Herod in the Fleury
Playbook and the Visual Arts 		Miriam Anne Skey Volume 17, Issue 1,
Spring 1983
The Fleury Playbook and the Traditions
of Medieval Latin Drama 		C. Clifford Flanigan Volume 18, Issue 4,
Winter 1984-85
The Home of the Fleury Playbook Fletcher Collins, Jr. Volume 14, Issue 4,
Winter 1980-81
Jews in the Fleury Playbook



Theresa Tinkle Volume 38, Issue 1,
Spring 2004
Modal and Motivic Coherence in the
Music of the Fleury Play Book 		Clyde W. Brockett Volume 16, Issue 4,
Winter 1982-83
The Staging of Twelfth-Century Liturgical
Drama in the Pleury Playbook


David Bevington Volume 18, Issue 2,
Summer 1984
The Two Cities in the Fleury Playbook Thomas P. Campbell Volume 16, Issue 2,
Summer 1982
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Folklore/Folk Drama    
The Arrival of the Europeans: Folk
Dramatizations of Conquest and
Conversion in New Mexico


 Max Harris Volume 28, Issue 1,
Spring 1994
English Folk Drama in the Eighteenth
Century: A Defense of the
Revesby Sword Play 		Thomas Pettitt Volume 15, Issue 1,
Spring 1981
From Play to Plays: The
Folklore of Comedy 		Harry Levin Volume 16, Issue 2,
Summer 1982
The Robin Hood Folk Plays of
South-Central England 		Michael J. Preston Volume 10, Issue 2,
Summer 1976
The Skogsrå of Folklore and Strindberg's
The Crown Bride		 Larry E. Synergaard Volume 6, Issue 4,
Winter 1972-73
Work and Play: Some Aspects of Folk
Drama in Russia 		Elizabeth A. Warner Volume 12, Issue 2,
Summer 1978
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Foote, Samuel    
The Popular Theater of Samuel Foote
and British National Identity		 Susan Lamb Volume 30, Issue 2,
Summer 1996
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Footfalls    
A Footnote to Footfalls: Footsteps of
Infinity on Beckett's Narrow Space 		Enoch Brater Volume 12, Issue 1,
Spring 1978
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for colored girls who have considered suicide when the rainbow is enuf    
Nonverbal Theatrical Elements in
Ntozake Shange's for colored girls…
and Intissar Abdel-Fatah's Makhadet
El-Kohl (The Kohl Pillow)
read first paragraph


Dalia El-Shayal Volume 37, Issue 3,4,
Fall/Winter 2003-04
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Ford, John    
Interrogating the Devil: Social and Demonic
Pressure in The Witch of Edmonton
 David Nicol Volume 38, Issue 4,
Winter 2004-05
The Language of Cruelty in Ford's
'Tis Pity She's a Whore 		Carol C. Rosen Volume 8, Issue 4,
Winter 1974-75
Speaking Sweat: Emblems in the
Plays of John Ford 		Lisa Hopkins Volume 29, Issue 1,
Spiring 1995
Wit Without Money: A Fletcherian
Antecedent to Keep the Widow Waking 		Charles R. Forker Volume 8, Issue 2,
Summer 1974
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The Forest Rose    
Race and the Yankee: Woodworth's
The Forest Rose
read first paragraph 		Jeffrey H. Richards Volume 34, Issue 1,
Spring 2000
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Friar Bacon and Friar Bungay    
The Iconography of Food and the Motif
of World Order in Friar Bacon and
Friar Bungay		 Cecile Williamson Cary Volume 13, Issue 2,
Summer 1979
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The Freedom of the City    
An American in Ireland: The Representation
of the American in Brian Friel's Plays
view abstract

Maria Germanou Volume 38, Issue 2,3,
Summer/Fall 2004
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French Drama    
Canvas Walls and Cardboard Fortresses:
Representatives of Place in the National
Historical Dramas of Early
Nineteenth-Century France 		Barbara T. Cooper Volume 17, Issue 4,
Winter 1983-84
L'Escole au deable: Tavern Scenes
in the Old French Moralité
 Alan Hindley Volume 33, Issue 4,
Winter 1999-2000

Étalage complaisant? The Torments
of Christ in French Passion Plays


 Véronique Plesch Volume 28, Issue 4,
Winter 1994-95
A Hero For All Seasons: Hercules in
French Classical Drama		 Ronald W. Tobin Volume 1, Issue 4,
Winter 1967-68
Formalizing French Farce: Johan Johan
and Its French Connection 		Howard B. Norland Volume 17, Issue 2,
Summer 1983
Metaphorical Obscenity in French Farce,
1460-1560 		Barbara C. Bowen Volume 11, Issue 4,
Winter 1977-78
Records of Early French Drama
in Parisian Notary Registers 		Stephen K. Wright Volume 24, Issue 3,
Fall 1990
Theory and Practice in French Wagnerian
Drama: Édouard Dujardin and La Légende
d'Antonia		 K. M. McKilligan Volume 13, Issue 4,
Winter 1979-80

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Freud, Sigmund     
Masking Becomes Electra:
O'Neill, Freud, and the Feminine		 S. Georgia Nugent Volume 22, Issue 1,
Spring 1988
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Friel, Brian    
An American in Ireland: The Representation
of the American in Brian Friel's Plays
view abstract


Maria Germanou Volume 38, Issue 2,3,
Summer/Fall 2004
Chekhov in Ireland: Brief Notes on Friel's
Philadelphia		 James Coakley Volume 7, Issue 3,
Fall 1973
Irish Babel: Brian Friel's Translations
and George Steiner's After Babel 		F. C. McGrath Volume 23, Issue 1,
Spring 1989
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Fry, Christopher    
Archetypal Patterns in Fry Emil Roy Volume 1, Issue 2, Summer 1967
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Fugard, Athol    
"Master Harold" and the Bard:
Education and Succession in
Fugard and Shakespeare


 David E. Hoegberg Volume 29, Issue 4,
Winter 1995-96
Sophocles in South Africa:
Athol Fugard's The Island 		Errol Durbach Volume 18, Issue 3,
Fall 1984
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A Full Moon in March    
The Daughters of Herodias in Hérodiade,
Salomé, and A Full Moon in March 		Marilyn Gaddis Rose Volume 1, Issue 3,
Fall 1967
     
     

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