F
Subject/Essay Author Location
A Fair Quarrel    
"Framing" as Collaborative Technique:
Two Middleton-Rowley Plays 		Michael E. Mooney Volume 13, Issue 2
Summer 1979
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Fall of Lucifer Plays    
Source of Order or Sovereign Lord:
God and the Pattern of Relationships
in Two Middle English "Fall of
Lucifer" Plays

 Jean Q. Seaton Volume 18, Issue 3
Fall 1984



"You Have Begun a Parlous Pleye":
The Nature and Limits of Dramatic
Mimesis as a Theme in Four Middle
English 'Fall of Lucifer' Cycle Plays 		R. W. Hanning Volume 7, Issue 1
Spring 1973
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Farquhar, George    
Bertolt Brecht and George Farquhar's
The Recruiting Officer 		Albert Wertheim Volume 7, Issue 3
Fall 1973
Body and Ritual in Farquhar

 Derek Hughes Volume 31, Issue 3
Fall 1997
“For want of Clelia”: Re-Placing the
Maternal Body in The Twin Rivals
view abstract		 Elizabeth Savage Volume 42, Issue 4
Winter 2008
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Fernando, Lloyd    
Maturation and Political Upheaval in
Lloyd Fernando's Scorpion Orchid and
Robert Yeo's The Singapore Trilogy
read first paragraph

 Catherine Diamond  Volume 36, Issue 1,2
Spring/Summer 2002
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Feuchtwanger, Lion    
Another Play On Salem Witch Trials:”
Lion Feuchtwanger, Communists, and Nazis
view abstract

Waltraud Maierhofer Volume 43, Issue 3
Fall 2009
Warren Hastings in the Drama of Lion
Feuchtwanger and Bertolt Brecht:
Contexts and Connections

 T. H. Bowyer Volume 31, Issue 3
Fall 1997
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Fifteenth Century Drama    
Equity and Mercy in English Law
and Drama (1405-1641) 		W. Nicholas Knight Volume 6, Issue 1
Spring 1972
Fifteenth-Century Flamboyant Style and
The Castle of Perseverance		 Michael R. Kelley Volume 6, Issue 1
Spring 1972
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Fires in the Mirror    
Extending the Breaks: Fires in the Mirror
in the Context of Hip-Hop Structure,
Style, and Culture
read first paragraph

 Steve Feffer Volume 37, Issue 3,4
Fall/Winter 2003-04
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Fletcher, John    
Admirable Musicians: Women's Songs
in Othello and The Maid's Tragedy


 Rochelle Smith Volume 28, Issue 3
Fall 1994
Fletcher, Massinger, and Roman
Imperial Character
view abstract

John E. Curran, Jr. Volume 43, Issue 3
Fall 2009
Fletcher's Satire of Caratach in Bonduca


 Ronald J. Boling  Volume 33, Issue 3
Fall 1999

How Music Matters: Some Songs
of Robert Johnson in the Plays of
Beaumont and Fletcher
view abstract


Catherine A. Henze Volume 34, Issue 1
Spring 2000
A Newly Discovered Musical Setting
From Fletcher's Beggars' Bush 		John P. Cutts Volume 5, Issue 2
Summer 1971
Wit Without Money: A Fletcherian
Antecedent to Keep the Widow Waking 		Charles R. Forker Volume 8, Issue 2
Summer 1974
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Fleury Playbook    
The Fleury Raising of Lazarus and
Twelfth-Century Currents of Thought 		Kathleen M. Ashley Volume 15, Issue 2
Summer 1981
The Iconography of Herod in the Fleury
Playbook and the Visual Arts 		Miriam Anne Skey Volume 17, Issue 1
Spring 1983
The Fleury Playbook and the Traditions
of Medieval Latin Drama 		C. Clifford Flanigan Volume 18, Issue 4
Winter 1984-85
The Home of the Fleury Playbook Fletcher Collins, Jr. Volume 14, Issue 4
Winter 1980-81
Jews in the Fleury Playbook
read first paragraph



Theresa Tinkle Volume 38, Issue 1
Spring 2004
Modal and Motivic Coherence in the
Music of the Fleury Play Book 		Clyde W. Brockett Volume 16, Issue 4
Winter 1982-83
The Staging of Twelfth-Century Liturgical
Drama in the Pleury Playbook


David Bevington Volume 18, Issue 2
Summer 1984
The Two Cities in the Fleury Playbook Thomas P. Campbell Volume 16, Issue 2
Summer 1982
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Folklore/Folk Drama    
The Arrival of the Europeans: Folk
Dramatizations of Conquest and
Conversion in New Mexico


 Max Harris Volume 28, Issue 1
Spring 1994
English Folk Drama in the Eighteenth
Century: A Defense of the
Revesby Sword Play 		Thomas Pettitt Volume 15, Issue 1
Spring 1981
From Play to Plays: The
Folklore of Comedy 		Harry Levin Volume 16, Issue 2
Summer 1982
The Robin Hood Folk Plays of
South-Central England 		Michael J. Preston Volume 10, Issue 2
Summer 1976
The Skogsrå of Folklore and Strindberg's
The Crown Bride		 Larry E. Synergaard Volume 6, Issue 4
Winter 1972-73
Work and Play: Some Aspects of Folk
Drama in Russia 		Elizabeth A. Warner Volume 12, Issue 2
Summer 1978
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Foote, Samuel    
The Popular Theater of Samuel Foote
and British National Identity		 Susan Lamb Volume 30, Issue 2
Summer 1996
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Footfalls    
A Footnote to Footfalls: Footsteps of
Infinity on Beckett's Narrow Space 		Enoch Brater Volume 12, Issue 1
Spring 1978
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for colored girls who have considered suicide when the rainbow is enuf    
Nonverbal Theatrical Elements in
Ntozake Shange's for colored girls…
and Intissar Abdel-Fatah's Makhadet
El-Kohl (The Kohl Pillow)
read first paragraph


Dalia El-Shayal Volume 37, Issue 3,4
Fall/Winter 2003-04
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Ford, John    
Interrogating the Devil: Social and Demonic
Pressure in The Witch of Edmonton
 David Nicol Volume 38, Issue 4
Winter 2004-05
The Language of Cruelty in Ford's
'Tis Pity She's a Whore 		Carol C. Rosen Volume 8, Issue 4
Winter 1974-75
Speaking Sweat: Emblems in the
Plays of John Ford 		Lisa Hopkins Volume 29, Issue 1
Spiring 1995
Wit Without Money: A Fletcherian
Antecedent to Keep the Widow Waking 		Charles R. Forker Volume 8, Issue 2
Summer 1974
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The Forest Rose    
Race and the Yankee: Woodworth's
The Forest Rose
read first paragraph 		Jeffrey H. Richards Volume 34, Issue 1
Spring 2000
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Friar Bacon and Friar Bungay    
The Iconography of Food and the Motif
of World Order in Friar Bacon and
Friar Bungay		 Cecile Williamson Cary Volume 13, Issue 2
Summer 1979
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The Freedom of the City    
An American in Ireland: The Representation
of the American in Brian Friel's Plays
view abstract

Maria Germanou Volume 38, Issue 2,3
Summer/Fall 2004
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French Drama    
Adapting The Liberal Lover: Mediterranean
Commerce, Political Economy, and Theatrical
Form under Richelieu
view abstract

 Ellen R. Welch Volume 45, Issue 3
Fall 2011
American Students Performing the
Foreignness of Human Culture
in Foreign Drama
view abstract

 Les Essif Volume 46, Issue 3
Fall 2012
Canvas Walls and Cardboard Fortresses:
Representatives of Place in the National
Historical Dramas of Early
Nineteenth-Century France 		Barbara T. Cooper Volume 17, Issue 4
Winter 1983-84
L'Escole au deable: Tavern Scenes
in the Old French Moralité
 Alan Hindley Volume 33, Issue 4
Winter 1999-2000

Étalage complaisant? The Torments
of Christ in French Passion Plays


 Véronique Plesch Volume 28, Issue 4
Winter 1994-95
A Hero For All Seasons: Hercules in
French Classical Drama		 Ronald W. Tobin Volume 1, Issue 4
Winter 1967-68
Formalizing French Farce: Johan Johan
and Its French Connection 		Howard B. Norland Volume 17, Issue 2
Summer 1983
Metaphorical Obscenity in French Farce,
1460-1560 		Barbara C. Bowen Volume 11, Issue 4
Winter 1977-78
Performative Reading and Receiving a
Performance of the Jour du Jugement
in MS Besançon 579
view abstract

 Karlyn Griffith Volume 45, Issue 2
Summer 2011
Records of Early French Drama
in Parisian Notary Registers 		Stephen K. Wright Volume 24, Issue 3
Fall 1990
Striking a Pose: Performance Cues in Four
French Hagiographic Mystery Plays
view abstract

Vicki L. Hamblin Volume 44, Issue 2
Summer 2010
Theory and Practice in French Wagnerian
Drama: Édouard Dujardin and La Légende
d'Antonia

 K. M. McKilligan Volume 13, Issue 4
Winter 1979-80

Voices of Violence: Medieval French Farce
and the Dover Cliff Scene in King Lear
 view abstract		 Edward Wheatley Volume 43, Issue 4
Winter 2009
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Freud, Sigmund     
Masking Becomes Electra:
O'Neill, Freud, and the Feminine		 S. Georgia Nugent Volume 22, Issue 1
Spring 1988
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Friel, Brian    
An American in Ireland: The Representation
of the American in Brian Friel's Plays
view abstract


Maria Germanou Volume 38, Issue 2,3
Summer/Fall 2004
Brian Friel’s Transformation from Short
Fiction Writer to Dramatist
view abstract

 Richard Rankin Russell Volume 46, Issue 4
Winter 2012
Chekhov in Ireland: Brief Notes on Friel's
Philadelphia		 James Coakley Volume 7, Issue 3
Fall 1973
Irish Babel: Brian Friel's Translations
and George Steiner's After Babel 		F. C. McGrath Volume 23, Issue 1
Spring 1989
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Fry, Christopher    
Archetypal Patterns in Fry Emil Roy Volume 1, Issue 2 Summer 1967
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Fucking A    
Staging a New Literary History:
Suzan-Lori Parks’s Venus, In the Blood,
and Fucking A
view abstract 		Carol Schafer Volume 42, Issue 2
Summer 2008
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Fugard, Athol    
Fugard, Kani, Ntshona’s The Island:
Antigone as South African Drama
read first paragraph

 Robert Gordon Volume 46, Issue 3
Fall 2012
"Master Harold" and the Bard:
Education and Succession in
Fugard and Shakespeare


 David E. Hoegberg Volume 29, Issue 4
Winter 1995-96
On the Tragedy of the Commoner Elektra,
Orestes and Others in South Africa
view abstract

 Loren Kruger Volume 46, Issue 3
Fall 2012
Sophocles in South Africa:
Athol Fugard's The Island 		Errol Durbach Volume 18, Issue 3
Fall 1984
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A Full Moon in March    
The Daughters of Herodias in Hérodiade,
Salomé, and A Full Moon in March 		Marilyn Gaddis Rose Volume 1, Issue 3
Fall 1967

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