E
Subject/Essay Author Location
Eastern European Drama    
Jesters and Executioners: The Future
of East European Theater and Drama 		E. J. Czerwinski Volume 5, Issue 3,
Fall 1971
Socialist Allegory of the Absurd:
An Examination of Four
East European Plays 		Mardi Valgemae Volume 5, Issue 1,
Spring 1971
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Edison, Margaret    
Cancer and the Common Woman in
Margaret Edison's W;t		 Jacqueline VanHoutte Volume 36, Issue 3,4,
Fall/Winter 2002-03
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Eddy, Mary Baker    
Lost American Opportunity: Two 1931
German Plays about Mary Baker Eddy

 Glen W. Gadberry Volume 28, Issue 4,
Winter 1994-95
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Edmund Eyre    
Edmund Eyre's The Maid of Normandy;
or, Charlotte Corday in Anglo-Irish
Docudrama
view abstract

 Wendy C. Nielsen Volume 40, Issue 2,
Summer 2006
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Edward II    
Marlowe's Edward II and
the Medieval Passion Play		 Patrick Ryan Volume 32, Issue 4,
Winter 1998-99
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Edward VI    
The Boy Who Would be King: Court
Revels of King Edward VI, 1547-53
read first paragraph
Suzanne Westfall Volume 35, Issue 3,4,
Fall/Winter 2001-02 
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Eighteenth Century Drama    
English Folk Drama in the Eighteenth
Century: A Defense of the
Revesby Sword Play


Thomas Pettitt Volume 15, Issue 1,
Spring 1981
Italian Renaissance Drama in the
Eighteenth Century 		Beatrice Corrigan Volume 10, Issue 2,
Summer 1976
Shakespeare, Molly House Culture,
and the Eighteenth-Century Stage
view abstract


Charles Conaway Volume 38, Issue 4,
Winter 2004-05
Suicide and Seneca in Two Eighteenth
Century Tragedies 		Stephen L. Trainor Volume 14, Issue 3,
Fall 1980
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El mayordomo de la Duquesa de Amalfi    
Lope de Vega's and Webster's
Amalfi Plays 		John Loftis Volume 16, Issue 1,
Spring 1982
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Elegy for Young Lovers    
The Sound of a Poet Singing Loudly:
A Look at Elegy for Young Lovers 		Marc A. Roth Volume 13, Issue 2,
Summer 1979
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Eliot, T. S.    
Evidence for Ambivalence of Motives in
Murder in the Cathedral		 John P. Cutts Volume 8, Issue 2,
Summer 1974
"Peace" and "Unbar the Door": T. S. Eliot's
Murder in the Cathedral and Some
Stoic Forebears 		Edna G. Sharoni Volume 6, Issue 2,
Summer 1972
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Elizabethan Drama    
An Interpretation of De Witt's Drawing
on the Methodological Ground of
Perspective Restitution

 Henryk Limon
and Jerzy Limon 		Volume 17, Issue 3,
Fall 1983
Elizabethan Drama and the
Art of Abstraction

Russel Fraser Volume 2, Issue 2,
Summer 1968
The End of Elizabethan Drama Harry Levin Volume 3, Issue 4,
Winter 1969-70
Marlowe's Travesty of Virgil: Dido
and Elizabethan Dreams of Empire


 Donald Stump Volume 34, Issue 1,
Spring 2000
The Morality Play: Ancestor of
Elizabethan Drama? 		John Wasson Volume 13, Issue 3,
Fall 1979
The Morall as an Elizabethan Dramatic
Kind: An Exploratory Essay
Alan C. Dessen Volume 5, Issue 2,
Summer 1971
Political Allegory in Late Elizabethan
and Early Jacobean "Turk" Plays:
Lust's Dominion and The Turk
view abstract

 Claire Jowitt Volume 36, Issue 3,4,
Fall/Winter 2002-03
The Uniqueness of Elizabethan Drama Jonas A. Barish Volume 11, Issue 2,
Summer 1977
The Uses of Silence: The Elizabethan
Dumb Show and the Silent Cinema 		Sidney R. Homan Volume 2, Issue 4,
Winter 1968-69

"You Talks Brave and Bold": The Origins
of an Elizabethan Stage Device 		Kenneth Friedenreich Volume 8, Issue 3,
Fall 1974
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Elyot, Sir Thomas    
Flattery in Shakespeare's Othello:
The Relevance of Plutarch and
Sir Thomas Elyot

 Robert C. Evans Volume 35, Issue 1,
Spring 2001
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The Emperor Jones    
Eugene O'Neill's The Emperor Jones and
The Hairy Ape as Mirror Plays 		Emil Roy Volume 2, Issue 1,
Spring 1968
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Endimion    
The Allegory of Wisdom in Lyly's
Endimion		 Carolyn Ruth Swift Lenz Volume 10, Issue 3,
Fall 1976
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An Enemy of the People    
An Enemy of the People: Ibsen's
Reluctant Comedy 		Harold C. Knutson Volume 27, Issue 2,
Summer 1993
An Enemy of the People: A Key to
Arthur Miller's Art and Ethics 		David Bronson Volume 2, Issue 4,
Winter 1968-69

Generic Complexity in Ibsen's
An Enemy of the People 		Thomas F. Van Laan Volume 20, Issue 2,
Summer 1986
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English Drama    
Devils and Vices in English Non-Cycle
Plays: Sacrament and Social Body		 John D. Cox Volume 30, Issue 2,
Summer 1996

The Durham Play of Mary and the Poor
Knight: Sources and Analogues of a
Lost English Miracle Play 		Stephen K. Wright Volume 17, Issue 3,
Fall 1983
The English Pater Noster Play:
Evidence and Extrapolations		 Diana Wyatt Volume 30, Issue 4,
Winter 1996-97
A Last Look Around the English Theatre E. Martin Browne Volume 3, Issue 2,
Summer 1969
Equity and Mercy in English Law
and Drama (1405-1641) 		W. Nicholas Knight Volume 6, Issue 1,
Spring 1972
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Enrico IV    
Memory and Madness in Pirandello's
Enrico IV 		Jerome Mazzaro Volume 26, Issue 1,
Spring 1992
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Entremés de los negros    
Simón Aguado's Entremés de los negros:
Text and Context

 Edward J. Mullen Volume 20, Issue 3,
Fall 1986
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Epicoene    
The Ovids of Ben Jonson in Poetaster
and in Epicoene 		Joseph A. Dane Volume 13, Issue 3,
Fall 1979
Silent Women and Shrews: Eroticism and
Convention in Epicoene and
Measure for Measure


Charles R. Lyons Volume 23, Issue 2,
Summer 1989
‘Things like truths, well feigned’: Mimesis
and Secrecy in Jonson’s Epicoene
view abstract

 Reuben Sanchez Volume 40, Issue 3,
Fall 2006
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Erasmus    
Shakespeare’s Julius Caesar, Erasmus’
De Copia, and Sentential Ambiguity
view abstract

 Jeffrey J. Yu Volume 41, Issue 1
Spring 2007
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Erik XIV    
Strindberg's Historical Imagination:
Erik XIV		 Michael W. Kaufman Volume 9, Issue 4,
Winter 1975-76
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Etherege, Sir George    
Naming and Enlightenment in Wycherley,
Etherege, and Dryden 		Derek Hughes Volume 21, Issue 3,
Fall 1987
Play and Passion in The Man of Mode Derek Hughes Volume 15, Issue 3,
Fall 1981
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Everyman    
Comedic and Liturgical Restoration
in Everyman		 John Cunningham Volume 22, Issue 2,
Summer 1988
Everyman in America


Earl G. Schreiber Volume 9, Issue 2,
Summer 1975
Material Economy, Spiritual Economy,
and Social Critique in Everyman
view abstract

 Elizabeth Harper
and Britt Mize		 Volume 40, Issue 3,
Fall 2006
‘My condicion in mannes soule to
kill’—Everyman’s Mercantile Salvation
view abstract

 Roger A. Ladd Volume 41, Issue 1
Spring 2007
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Euripides    
The Double Vision of Euripides'
Cyclops: An Ethnographic Odyssey
on the Satyr Stage


 Carol Dougherty Volume 33, Issue 3,
Fall 1999
Euripides in South Africa:
Medea and Demea


 Albert Wertheim Volume 29, Issue 3,
Fall 1995
Euripides' Medea: The Stranger
in the House 		S. Georgia Nugent



 Volume 27, Issue 3,
Fall 1993
Julius Caesar from a Euripidean
Perspective 		J. A. Bryant, Jr. Volume 16, Issue 2,
Summer 1982
Machines for the Supression of Time:
Statues in Suor Angelica, The
Winter's Tale, and Alcestis


Robert C. Ketterer Volume 24, Issue 1,
Spring 1990
Mnema and Forgetting in
Euripides' The Bacchae 		Jerome Mazzaro



 Volume 27, Issue 3,
Fall 1993
"Monsters in Love's Train": Euripides and
Shakespeare's Troilus and Cressida


Margaret J. Arnold Volume 18, Issue 1,
Spring 1984
The Politics of Ritual in Wole Soyinka's
The Bacchae of Euripides 		Robert Baker-White


 Volume 27, Issue 3,
Fall 1993
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Existentialism    
The Theatre of Ruthless Metaphor:
Polish Theatre Between Marxism and
Existentialism 		Zbigniew Folejewski Volume 3, Issue 3,
Fall 1969

     
     

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