E
Subject/Essay Author Location
Eastern European Drama    
Jesters and Executioners: The Future
of East European Theater and Drama 		E. J. Czerwinski Volume 5, Issue 3
Fall 1971
Socialist Allegory of the Absurd:
An Examination of Four
East European Plays 		Mardi Valgemae Volume 5, Issue 1
Spring 1971
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Eddy, Mary Baker    
Lost American Opportunity: Two 1931
German Plays about Mary Baker Eddy

 Glen W. Gadberry Volume 28, Issue 4
Winter 1994-95
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Edmund Eyre    
Edmund Eyre's The Maid of Normandy;
or, Charlotte Corday in Anglo-Irish
Docudrama
view abstract

 Wendy C. Nielsen Volume 40, Issue 2
Summer 2006
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Edson, Margaret    
Cancer and the Common Woman in
Margaret Edson's W;t
read first paragraph		 Jacqueline Vanhoutte Volume 36, Issue 3,4
Fall/Winter 2002-03
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Edward II    
Marlowe's Edward II and
the Medieval Passion Play		 Patrick Ryan Volume 32, Issue 4
Winter 1998-99
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Edward VI    
The Boy Who Would be King: Court
Revels of King Edward VI, 1547-53
read first paragraph
Suzanne Westfall Volume 35, Issue 3,4
Fall/Winter 2001-02 
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Eighteenth Century Drama    
English Folk Drama in the Eighteenth
Century: A Defense of the
Revesby Sword Play


Thomas Pettitt Volume 15, Issue 1
Spring 1981
Italian Renaissance Drama in the
Eighteenth Century 		Beatrice Corrigan Volume 10, Issue 2
Summer 1976
Shakespeare, Molly House Culture,
and the Eighteenth-Century Stage
view abstract


Charles Conaway Volume 38, Issue 4
Winter 2004-05
Suicide and Seneca in Two Eighteenth
Century Tragedies 		Stephen L. Trainor Volume 14, Issue 3
Fall 1980
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El mayordomo de la Duquesa de Amalfi    
Lope de Vega's and Webster's
Amalfi Plays 		John Loftis Volume 16, Issue 1
Spring 1982
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Elegy for Young Lovers    
The Sound of a Poet Singing Loudly:
A Look at Elegy for Young Lovers 		Marc A. Roth Volume 13, Issue 2
Summer 1979
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Eliot, T. S.    
Evidence for Ambivalence of Motives in
Murder in the Cathedral		 John P. Cutts Volume 8, Issue 2
Summer 1974
"Peace" and "Unbar the Door": T. S. Eliot's
Murder in the Cathedral and Some
Stoic Forebears 		Edna G. Sharoni Volume 6, Issue 2
Summer 1972
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Elizabethan Drama    
An Interpretation of De Witt's Drawing
on the Methodological Ground of
Perspective Restitution

 Henryk Limon
and Jerzy Limon 		Volume 17, Issue 3
Fall 1983
Elizabethan Drama and the
Art of Abstraction

Russel Fraser Volume 2, Issue 2
Summer 1968
The End of Elizabethan Drama Harry Levin Volume 3, Issue 4
Winter 1969-70
Marlowe's Travesty of Virgil: Dido
and Elizabethan Dreams of Empire


 Donald Stump Volume 34, Issue 1
Spring 2000
The Morality Play: Ancestor of
Elizabethan Drama? 		John Wasson Volume 13, Issue 3
Fall 1979
The Morall as an Elizabethan Dramatic
Kind: An Exploratory Essay
Alan C. Dessen Volume 5, Issue 2
Summer 1971
Political Allegory in Late Elizabethan
and Early Jacobean "Turk" Plays:
Lust's Dominion and The Turk
view abstract

 Claire Jowitt Volume 36, Issue 3,4
Fall/Winter 2002-03
The Uniqueness of Elizabethan Drama Jonas A. Barish Volume 11, Issue 2
Summer 1977
The Uses of Silence: The Elizabethan
Dumb Show and the Silent Cinema 		Sidney R. Homan Volume 2, Issue 4
Winter 1968-69

"You Talks Brave and Bold": The Origins
of an Elizabethan Stage Device 		Kenneth Friedenreich Volume 8, Issue 3
Fall 1974
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Elyot, Sir Thomas    
Flattery in Shakespeare's Othello:
The Relevance of Plutarch and
Sir Thomas Elyot

 Robert C. Evans Volume 35, Issue 1
Spring 2001
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The Emperor Jones    
Eugene O'Neill's The Emperor Jones and
The Hairy Ape as Mirror Plays 		Emil Roy Volume 2, Issue 1
Spring 1968
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Endimion    
The Allegory of Wisdom in Lyly's
Endimion		 Carolyn Ruth Swift Lenz Volume 10, Issue 3
Fall 1976
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An Enemy of the People    
An Enemy of the People: Ibsen's
Reluctant Comedy 		Harold C. Knutson Volume 27, Issue 2
Summer 1993
An Enemy of the People: A Key to
Arthur Miller's Art and Ethics 		David Bronson Volume 2, Issue 4
Winter 1968-69

Generic Complexity in Ibsen's
An Enemy of the People 		Thomas F. Van Laan Volume 20, Issue 2
Summer 1986
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English Drama    
Devils and Vices in English Non-Cycle
Plays: Sacrament and Social Body		 John D. Cox Volume 30, Issue 2
Summer 1996

The Durham Play of Mary and the Poor
Knight: Sources and Analogues of a
Lost English Miracle Play 		Stephen K. Wright Volume 17, Issue 3
Fall 1983
The English Pater Noster Play:
Evidence and Extrapolations		 Diana Wyatt Volume 30, Issue 4
Winter 1996-97
A Last Look Around the English Theatre E. Martin Browne Volume 3, Issue 2
Summer 1969
Equity and Mercy in English Law
and Drama (1405-1641) 		W. Nicholas Knight Volume 6, Issue 1
Spring 1972
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Enrico IV    
Memory and Madness in Pirandello's
Enrico IV 		Jerome Mazzaro Volume 26, Issue 1
Spring 1992
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Entremés de los negros    
Simón Aguado's Entremés de los negros:
Text and Context

 Edward J. Mullen Volume 20, Issue 3
Fall 1986
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Epicoene    
Dumb Reading: The Noise of the Mute
in Jonson’s Epicene
view abstract

 Adrian Curtin Volume 43, Issue 1
Spring 2009 
The Ovids of Ben Jonson in Poetaster
and in Epicoene 		Joseph A. Dane Volume 13, Issue 3
Fall 1979
Silent Women and Shrews: Eroticism and
Convention in Epicoene and
Measure for Measure


Charles R. Lyons Volume 23, Issue 2
Summer 1989
‘Things like truths, well feigned’: Mimesis
and Secrecy in Jonson’s Epicoene
view abstract

 Reuben Sanchez Volume 40, Issue 3
Fall 2006
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Erasmus    
Shakespeare’s Julius Caesar, Erasmus’
De Copia, and Sentential Ambiguity
view abstract

 Jeffrey J. Yu Volume 41, Issue 1
Spring 2007
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Erik XIV    
Strindberg's Historical Imagination:
Erik XIV		 Michael W. Kaufman Volume 9, Issue 4
Winter 1975-76
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The Escape    
"Look on this picture, and on this":
Framing Shakespeare in William Wells
Brown's The Escape
read first paragraph
 Keith M. Botelho Volume 39, Issue 2
Summer 2005
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Etherege, Sir George    
Naming and Enlightenment in Wycherley,
Etherege, and Dryden 		Derek Hughes Volume 21, Issue 3
Fall 1987
Play and Passion in The Man of Mode Derek Hughes Volume 15, Issue 3
Fall 1981
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Everyman    
Comedic and Liturgical Restoration
in Everyman		 John Cunningham Volume 22, Issue 2
Summer 1988
Everyman in America


Earl G. Schreiber Volume 9, Issue 2
Summer 1975
Material Economy, Spiritual Economy,
and Social Critique in Everyman
view abstract

 Elizabeth Harper
and Britt Mize		 Volume 40, Issue 3
Fall 2006
‘My condicion in mannes soule to
kill’—Everyman’s Mercantile Salvation
view abstract

 Roger A. Ladd Volume 41, Issue 1
Spring 2007
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Euripides    
The Double Vision of Euripides'
Cyclops: An Ethnographic Odyssey
on the Satyr Stage


 Carol Dougherty Volume 33, Issue 3
Fall 1999
Euripides in South Africa:
Medea and Demea


 Albert Wertheim Volume 29, Issue 3
Fall 1995
Euripides' Medea: The Stranger
in the House 		S. Georgia Nugent



 Volume 27, Issue 3
Fall 1993
Julius Caesar from a Euripidean
Perspective 		J. A. Bryant, Jr. Volume 16, Issue 2
Summer 1982
Machines for the Supression of Time:
Statues in Suor Angelica, The
Winter's Tale, and Alcestis


Robert C. Ketterer Volume 24, Issue 1
Spring 1990
Mnema and Forgetting in
Euripides' The Bacchae 		Jerome Mazzaro



 Volume 27, Issue 3
Fall 1993
"Monsters in Love's Train": Euripides and
Shakespeare's Troilus and Cressida


Margaret J. Arnold Volume 18, Issue 1
Spring 1984
The Politics of Ritual in Wole Soyinka's
The Bacchae of Euripides 		Robert Baker-White


 Volume 27, Issue 3
Fall 1993
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Existentialism    
The Theatre of Ruthless Metaphor:
Polish Theatre Between Marxism and
Existentialism 		Zbigniew Folejewski Volume 3, Issue 3
Fall 1969

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