D
Subject/Essay Author Location
Dada    
Tom Stoppard's Artist Descending a
Staircase: Outdoing the 'Dada' Duchamp 		Katherine E. Kelly Volume 20, Issue 3
Fall 1986
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Dame Sirith    
The Narrator within the Performance:
Problems with Two Medieval "Plays" 		Bruce Moore Volume 22, Issue 1
Spring 1988
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Dance Drama    
Blackened Faces and a Veiled Woman:
The Early Korčula Moreška
view abstract

 Max Harris
and Lada Čale Feldman		 Volume 37, Issue 3,4
Fall/Winter 2003-04
Kuravanji Nattiya Nadagam:
A Dance Drama from Madras State 		Edwina Ranganathan Volume 4, Issue 2 Summer 1970
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The Dance of Death    
The Absurd World of Strindberg's
The Dance of Death 		Orley I. Holtan Volume 1, Issue 3
Fall 1967
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Daniel    
Prophetic "Play" and Symbolist "Plot"
in the Beauvais Daniel		 Jerome Taylor Volume 11, Issue 3
Fall 1977
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Dante    
Jonson's Volpone and Dante
read first paragraph		 Christopher Baker
and Richard Harp 		Volume 39, Issue 1
Spring 2005
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Danton's Death    
Danton's Death and the Conventions of
Historical Drama 		Herbert Lindenberger Volume 3, Issue 2
Summer 1969
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De Camp, Marie-Thérèse    
Politesse and the Woman at Risk: The
Social Commedies of Marie-Thérèse
De Camp
view abstract

 Adrienne Scullion Volume 38, Issue 2,3
Summer/Fall 2004
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De Copia    
Shakespeare’s Julius Caesar, Erasmus’
De Copia, and Sentential Ambiguity
view abstract

 Jeffrey J. Yu Volume 41, Issue 1
Spring 2007
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De Vega, Lope    
A Hermaphrodite? Lope de Vega and
the Controversy of Tragicomedy
view abstract

Sofie Kluge Volume 41, Issue 3
Fall 2007
Lope de Vega's and Webster's
Amalfi Plays 		John Loftis Volume 16, Issue 1
Spring 1982
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Dekker, Thomas    
Being Mistress Eyre in Dekker's
The Shoemaker's Holiday and Deloney's
The Gentle Craft
view abstract

Ann C. Christensen Volume 42, Issue 4
Winter 2008
Feasting on Ayre: Community,
Consumption, and Communion
in The Shoemaker's Holiday


 Stephen Maynard Volume 32, Issue 3
Fall 1998
Interrogating the Devil: Social and Demonic
Pressure in The Witch of Edmonton
 David Nicol Volume 38, Issue 4
Winter 2004-05
Westward-Northward: Structural
Development in Dekker's Ho Plays		 Larry S. Champion Volume 16, Issue 3
Fall 1982
Wit Without Money: A Fletcherian
Antecedent to Keep the Widow Waking 		Charles R. Forker Volume 8, Issue 2
Summer 1974
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Deloney, Thomas    
Being Mistress Eyre in Dekker's
The Shoemaker's Holiday and Deloney's
The Gentle Craft
view abstract 		Ann C. Christensen Volume 42, Issue 4
Winter 2008
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Demea    
Euripides in South Africa:
Medea and Demea

 Albert Wertheim Volume 29, Issue 3
Fall 1995
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The Destruction of Jerusalem    
Judeo-Christian Apocalyptic Literature
and John Crowne's The Destruction
of Jerusalem
read first paragraph

 John B. Rollins Volume 35, Issue 2
Summer 2001
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The Devil Is an Ass    
Contemporary Contexts of Jonson's
The Devil Is an Ass 		Robert C. Evans


 Volume 26, Issue 2
Summer 1992
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Dialog    
Dialog and the Socialist World:
The Spectrum of Influence 		Edward J. Czerwinski Volume 2, Issue 1
Spring 1968
Dramatists in Search of Self:
A Backward Glance 		E. J. Czerwinski Volume 3, Issue 3
Fall 1969
Twelve Years of Dialog Edward J. Czerwinski Volume 1, Issue 4
Winter 1967-68
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Directing/Directors    
Directing/Acting Beckett Barbara S. Becker
and Charles R. Lyons 		Volume 19, Issue 4
Winter 1985-86
The Director Intervenes: Christopher
Hampton's Savages		 Peter Holland Volume 13, Issue 2
Summer 1979
The Player as Director: An Approach
to Character 		Leonard R. Mendelsohn Volume 6, Issue 2
Summer 1972
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Doctor Faustus    
Disorder in the House of God: Disrupted
Worship in Shakespeare and Others


Bruce Boehrer Volume 38, Issue 1
Spring 2004
Doctor Faustus and Hamlet: Contrasting
Kinds of Christian Tragedy 		Thomas B. Stroup Volume 5, Issue 4
Winter 1971-72
Doctor Faustus from Adam to Sartre Erich Kahler Volume 1, Issue 2
Summer 1967

Matthew Parker's Pastoral Training and
Marlowe's Doctor Faustus 		Celia Barnes Volume 15, Issue 3
Fall 1981
Unpardonable Sins: The Hazards of
Performative Language in the Tragic Cases
of Francesco Spiera and Doctor Faustus
view abstract

Daniel Gates Volume 38, Issue 1
Spring 2004
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Documentary Drama    
Documentary Drama: Form and Content Clas Zilliacus Volume 6, Issue 3
Fall 1972
Edmund Eyre's The Maid of Normandy;
or, Charlotte Corday in Anglo-Irish
Docudrama
view abstract

 Wendy C. Nielsen Volume 40, Issue 2
Summer 2006
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Dogg's Hamlet, Cahoot's Macbeth    
Stoppard's Adaptations of Shakespeare:
Dogg's Hamlet, Cahoot's Macbeth 		C. J. Gianakaris Volume 18, Issue 3
Fall 1984
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A Doll House    
The Ending of A Doll House and
Augier's Maître Guérin 		Thomas F. Van Laan Volume 17, Issue 4
Winter 1983-84
Recasting A Doll House: Narcissim As
Character Motivation in Ibsen's Play 		Carol Strongin Tufts Volume 20, Issue 2
Summer 1986
Three Stages of A Doll House Brian Johnston Volume 25, Issue 4
Winter 1991-92
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Dom Juan    
The Actor and the Statue: Space,
Time, and Court Performance in
Molière's Dom Juan

Michael Spingler Volume 25, Issue 4
Winter 1991-92
Serving Don Juan: Decorum in
Tirso de Molina and Molière
view abstract

 Robert Bayliss Volume 40, Issue 2
Summer 2006
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Dorfman, Ariel    
Ariel Dorfman and Harold Pinter:
Politics of the Periphery and
Theater of the Metropolis


 Stephen Gregory Volume 30, Issue 3
Fall 1996
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The Double Falsehood    
Theobald's The Double Falsehood:
A Revision of Shakespeare's Cardenio? 		Harriet C. Frazier Volume 1, Issue 3
Fall 1967
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Dramaturgy    
Epiphanal Encounters in Shakespearean
Dramaturgy		 Robert L. Reid Volume 32, Issue 4
Winter 1998-99
From Jerusalem to Damascus:
Bilocal Dramaturgy in Medieval and
Shakespearean Conversion Plays		 John W. Velz Volume 15, Issue 4
Winter 1981-82


Liturgical Dramaturgy Cynthia Bourgeault Volume 17, Issue 2
Summer 1983
Renaissance Power and Stuart Dramaturgy: Shakespeare, Milton, Dryden


John D. Cox Volume 22, Issue 4
Winter 1988-89
The Winter's Tale and
Guarinian Dramaturgy 		Robert Henke Volume 27, Issue 2
Summer 1993
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A Dream Play    
Strindberg's Cosmos in A Dream Play:
Medieval or Modern

 Göran Stockenström Volume 30, Issue 1
Spring 1996
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The Dreaming of the Bones    
"Haunted by Places": Landscape in
Three Plays by W. B. Yeats

 Natalie Crohn Schmitt Volume 31, Issue 3
Fall 1997
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Drumbl, Johann    
Johann Drumbl and the Origin of the
Quem Quaerits: A Review Article		 Anselme Davril, O.S.B. Volume 20, Issue 1
Spring 1986
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Drummond, William    
Drummond of Hawthornden:
The Season at Bourges, 1607		 Robert H. MacDonald Volume 4, Issue 2
Summer 1970
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Dryden, John    
Aphrodite katadyomene: Dryden's
Cleopatra on the Cydnos 		Derek Hughes Volume 14, Issue 1
Spring 1980
Dryden and the Art of Transversion Leslie Howard Martin Volume 6, Issue 1
Spring 1972
Meanings of All for Love, 1677-1813
read first paragraph


Tanya Caldwell Volume 38, Issue 2,3
Summer/Fall 2004
Milton, Dryden, and the
Ideology of Genre 		D. M. Rosenberg Volume 21, Issue 1
Spring 1987
Naming and Enlightenment in Wycherley,
Etherege, and Dryden 		Derek Hughes Volume 21, Issue 3
Fall 1987
Renaissance Power and Stuart Dramaturgy: Shakespeare, Milton, Dryden John D. Cox Volume 22, Issue 4
Winter 1988-89
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Duchamp, Marcel    
Tom Stoppard's Artist Descending a
Staircase: Outdoing the 'Dada' Duchamp 		Katherine E. Kelly Volume 20, Issue 3
Fall 1986
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The Duchess of Malfi    
A Contemporary View of
The Duchess of Malfi		 Louis D. Giannetti Volume 3, Issue 4
Winter 1969-70
Continuity in the Art of Dying:
The Duchess of Malfi 		Bettie Anne Doebler Volume 14, Issue 3
Fall 1980
Fortune and Virtue in
The Duchess of Malfi


 Leslie Thomson Volume 33, Issue 4
Winter 1999-2000
Lope de Vega's and Webster's
Amalfi Plays 		John Loftis Volume 16, Issue 1
Spring 1982
The Shape of Brecht's Duchess of Malfi M. S. Barranger Volume 12, Issue 1
Spring 1978
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Dujardin, Édouard    
Theory and Practice in French Wagnerian
Drama: Édouard Dujardin and La Légende
d'Antonia		 K. M. McKilligan Volume 13, Issue 4
Winter 1979-80


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Dutch Drama    
A Little-Known Fragment of a Dutch
Abraham-and-Sarah Play 		Mary-Jo Arn Volume 17, Issue 4
Winter 1983-84
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Dux Moraud    
Two Exempla: Analogues to the Play
of the Sacrament and Dux Moraud 		Richard L. Homan Volume 18, Issue 3
Fall 1984
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The Dybbuk    
"Between Two Worlds": The Dybbuk and
the Japanese Noh and Kabuki Ghost Plays
read first paragraph		 Zvika Serper Volume 35, Issue 3,4
Fall/Winter 2001-02 
     

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