D
Subject/Essay Author Location
Dada    
Tom Stoppard's Artist Descending a
Staircase: Outdoing the 'Dada' Duchamp 		Katherine E. Kelly Volume 20, Issue 3,
Fall 1986
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Dame Sirith    
The Narrator within the Performance:
Problems with Two Medieval "Plays" 		Bruce Moore Volume 22, Issue 1,
Spring 1988
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Dance Drama    
Blackened Faces and a Veiled Woman:
The Early Korčula Moreška
view abstract

 Max Harris
and Lada Čale Feldman		 Volume 37, Issue 3,4,
Fall/Winter 2003-04
Kuravanji Nattiya Nadagam:
A Dance Drama from Madras State 		Edwina Ranganathan Volume 4, Issue 2, Summer 1970
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The Dance of Death    
The Absurd World of Strindberg's
The Dance of Death 		Orley I. Holtan Volume 1, Issue 3,
Fall 1967
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Daniel    
Prophetic "Play" and Symbolist "Plot"
in the Beauvais Daniel		 Jerome Taylor Volume 11, Issue 3,
Fall 1977
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Dante    
Jonson's Volpone and Dante
read first paragraph		 Christopher Baker
and Richard Harp 		Volume 39, Issue 1,
Spring 2005
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Danton's Death    
Danton's Death and the Conventions of
Historical Drama 		Herbert Lindenberger Volume 3, Issue 2,
Summer 1969
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De Camp, Marie-Thérèse    
Politesse and the Woman at Risk: The
Social Commedies of Marie-Thérèse
De Camp
view abstract

 Adrienne Scullion Volume 38, Issue 2,3,
Summer/Fall 2004
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De Copia    
Shakespeare’s Julius Caesar, Erasmus’
De Copia, and Sentential Ambiguity
view abstract

 Jeffrey J. Yu Volume 41, Issue 1
Spring 2007
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De Vega, Lope    
A Hermaphrodite? Lope de Vega and
the Controversy of Tragicomedy
view abstract

Sofie Kluge Volume 41, Issue 3,
Fall 2007
Lope de Vega's and Webster's
Amalfi Plays 		John Loftis Volume 16, Issue 1,
Spring 1982
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Dekker, Thomas    
Feasting on Ayre: Community,
Consumption, and Communion
in The Shoemaker's Holiday


 Stephen Maynard Volume 32, Issue 3,
Fall 1998
Interrogating the Devil: Social and Demonic
Pressure in The Witch of Edmonton
 David Nicol Volume 38, Issue 4,
Winter 2004-05
Westward-Northward: Structural
Development in Dekker's Ho Plays		 Larry S. Champion Volume 16, Issue 3,
Fall 1982
Wit Without Money: A Fletcherian
Antecedent to Keep the Widow Waking 		Charles R. Forker Volume 8, Issue 2,
Summer 1974
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Demea    
Euripides in South Africa:
Medea and Demea

 Albert Wertheim Volume 29, Issue 3,
Fall 1995
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The Destruction of Jerusalem    
Judeo-Christian Apocalyptic Literature
and John Crowne's The Destruction
of Jerusalem

 John B. Rollins Volume 35, Issue 2,
Summer 2001
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The Devil Is an Ass    
Contemporary Contexts of Jonson's
The Devil Is an Ass 		Robert C. Evans


 Volume 26, Issue 2,
Summer 1992
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Dialog    
Dialog and the Socialist World:
The Spectrum of Influence 		Edward J. Czerwinski Volume 2, Issue 1,
Spring 1968
Dramatists in Search of Self:
A Backward Glance 		E. J. Czerwinski Volume 3, Issue 3,
Fall 1969
Twelve Years of Dialog Edward J. Czerwinski Volume 1, Issue 4,
Winter 1967-68
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Directing/Directors    
Directing/Acting Beckett Barbara S. Becker
and Charles R. Lyons 		Volume 19, Issue 4,
Winter 1985-86
The Director Intervenes: Christopher
Hampton's Savages		 Peter Holland Volume 13, Issue 2,
Summer 1979
The Player as Director: An Approach
to Character 		Leonard R. Mendelsohn Volume 6, Issue 2,
Summer 1972
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Doctor Faustus    
Disorder in the House of God: Disrupted
Worship in Shakespeare and Others


Bruce Boehrer Volume 38, Issue 1,
Spring 2004
Doctor Faustus and Hamlet: Contrasting
Kinds of Christian Tragedy 		Thomas B. Stroup Volume 5, Issue 4,
Winter 1971-72
Doctor Faustus from Adam to Sartre Erich Kahler Volume 1, Issue 2,
Summer 1967

Matthew Parker's Pastoral Training and
Marlowe's Doctor Faustus 		Celia Barnes Volume 15, Issue 3,
Fall 1981
Unpardonable Sins: The Hazards of
Performative Language in the Tragic Cases
of Francesco Spiera and Doctor Faustus
view abstract

Daniel Gates Volume 38, Issue 1,
Spring 2004
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Documentary Drama    
Documentary Drama: Form and Content Clas Zilliacus Volume 6, Issue 3,
Fall 1972
Edmund Eyre's The Maid of Normandy;
or, Charlotte Corday in Anglo-Irish
Docudrama
view abstract

 Wendy C. Nielsen Volume 40, Issue 2,
Summer 2006
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Dogg's Hamlet, Cahoot's Macbeth    
Stoppard's Adaptations of Shakespeare:
Dogg's Hamlet, Cahoot's Macbeth 		C. J. Gianakaris Volume 18, Issue 3,
Fall 1984
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A Doll House    
The Ending of A Doll House and
Augier's Maître Guérin 		Thomas F. Van Laan Volume 17, Issue 4,
Winter 1983-84
Recasting A Doll House: Narcissim As
Character Motivation in Ibsen's Play 		Carol Strongin Tufts Volume 20, Issue 2,
Summer 1986
Three Stages of A Doll House Brian Johnston Volume 25, Issue 4,
Winter 1991-92
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Dom Juan    
The Actor and the Statue: Space,
Time, and Court Performance in
Molière's Dom Juan

Michael Spingler Volume 25, Issue 4,
Winter 1991-92
Serving Don Juan: Decorum in
Tirso de Molina and Molière
view abstract

 Robert Bayliss Volume 40, Issue 2,
Summer 2006
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Dorfman, Ariel    
Ariel Dorfman and Harold Pinter:
Politics of the Periphery and
Theater of the Metropolis


 Stephen Gregory Volume 30, Issue 3,
Fall 1996
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The Double Falsehood    
Theobald's The Double Falsehood:
A Revision of Shakespeare's Cardenio? 		Harriet C. Frazier Volume 1, Issue 3,
Fall 1967
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Dramaturgy    
Epiphanal Encounters in Shakespearean
Dramaturgy		 Robert L. Reid Volume 32, Issue 4,
Winter 1998-99
From Jerusalem to Damascus:
Bilocal Dramaturgy in Medieval and
Shakespearean Conversion Plays		 John W. Velz Volume 15, Issue 4,
Winter 1981-82


Liturgical Dramaturgy Cynthia Bourgeault Volume 17, Issue 2,
Summer 1983
Renaissance Power and Stuart Dramaturgy: Shakespeare, Milton, Dryden


John D. Cox Volume 22, Issue 4,
Winter 1988-89
The Winter's Tale and
Guarinian Dramaturgy 		Robert Henke Volume 27, Issue 2,
Summer 1993
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A Dream Play    
Strindberg's Cosmos in A Dream Play:
Medieval or Modern

 Göran Stockenström Volume 30, Issue 1,
Spring 1996
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The Dreaming of the Bones    
"Haunted by Places": Landscape in
Three Plays by W. B. Yeats

 Natalie Crohn Schmitt Volume 31, Issue 3,
Fall 1997
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Drumbl, Johann    
Johann Drumbl and the Origin of the
Quem Quaerits: A Review Article		 Anselme Davril, O.S.B. Volume 20, Issue 1,
Spring 1986
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Drummond, William    
Drummond of Hawthornden:
The Season at Bourges, 1607		 Robert H. MacDonald Volume 4, Issue 2,
Summer 1970
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Dryden, John    
Aphrodite katadyomene: Dryden's
Cleopatra on the Cydnos 		Derek Hughes Volume 14, Issue 1,
Spring 1980
Dryden and the Art of Transversion Leslie Howard Martin Volume 6, Issue 1,
Spring 1972
Meanings of All for Love



 Tanya Caldwell Volume 38, Issue 2,3,
Summer/Fall 2004
Milton, Dryden, and the
Ideology of Genre 		D. M. Rosenberg Volume 21, Issue 1,
Spring 1987
Naming and Enlightenment in Wycherley,
Etherege, and Dryden 		Derek Hughes Volume 21, Issue 3,
Fall 1987
Renaissance Power and Stuart Dramaturgy: Shakespeare, Milton, Dryden John D. Cox Volume 22, Issue 4,
Winter 1988-89
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Duchamp, Marcel    
Tom Stoppard's Artist Descending a
Staircase: Outdoing the 'Dada' Duchamp 		Katherine E. Kelly Volume 20, Issue 3,
Fall 1986
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The Duchess of Malfi    
A Contemporary View of
The Duchess of Malfi		 Louis D. Giannetti Volume 3, Issue 4,
Winter 1969-70
Continuity in the Art of Dying:
The Duchess of Malfi 		Bettie Anne Doebler Volume 14, Issue 3,
Fall 1980
Fortune and Virtue in
The Duchess of Malfi


 Leslie Thomson Volume 33, Issue 4,
Winter 1999-2000
Lope de Vega's and Webster's
Amalfi Plays 		John Loftis Volume 16, Issue 1,
Spring 1982
The Shape of Brecht's Duchess of Malfi M. S. Barranger Volume 12, Issue 1,
Spring 1978
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Dujardin, Édouard    
Theory and Practice in French Wagnerian
Drama: Édouard Dujardin and La Légende
d'Antonia		 K. M. McKilligan Volume 13, Issue 4,
Winter 1979-80


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Dutch Drama    
A Little-Known Fragment of a Dutch
Abraham-and-Sarah Play 		Mary-Jo Arn Volume 17, Issue 4,
Winter 1983-84
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Dux Moraud    
Two Exempla: Analogues to the Play
of the Sacrament and Dux Moraud 		Richard L. Homan Volume 18, Issue 3,
Fall 1984
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The Dybbuk    
"Between Two Worlds": The Dybbuk and
the Japanese Noh and Kabuki Ghost Plays
read first paragraph		 Zvika Serper Volume 35, Issue 3,4,
Fall/Winter 2001-02 
     

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