C
Subject/Essay Author Location
Calderón, Pedro    
Comedia and Trauerspiel: On
Benjamin and Calderón		 Anthony J. Cascardi Volume 16, Issue 1
Spring 1982
Emblematic Technique in the
Auto Sacramental: Calderón's
No hay más fortuna que Dios 		Frederick E. Danker Volume 6, Issue 1
Spring 1972

_________________________________________________________________________________
Calderwood, James L.    
The Evolution of Shakespearean
Metadrama: Abel, Burkhardt,
and Calderwood

 Richard Fly Volume 20, Issue 2
Summer 1986
_________________________________________________________________________________
Cambises    
"Lamentable tragedy mixed ful
of pleasant mirth": The Enigma
of Cambises

Howard B. Norland Volume 26, Issue 4
Winter 1992-93
_________________________________________________________________________________
Camillo, Giulio    
Giulio Camillo's Idea of the Theater:
The Enigma of the Renaissance		 Albert R. Cirillo Volume 1, Issue 1
Spring 1967
_________________________________________________________________________________
Camus, Albert    
Imprisonment in Camus' "Modern
Tragedies":Les Justes, Requiem
pour un nonne, Le Malentendu 		Mary Ann Frese Witt Volume 5, Issue 1
Spring 1971


The Limits of Violence: Camus's Tragic
View of the Rebel 		Alfred Schwarz Volume 6, Issue 1
Spring 1972
_________________________________________________________________________________
Canadian Drama    
Mapping Jouissance: Insights from a
Case Study in the Schizophrenia of
Canadian Drama
read first paragraph

 Gregory J. Reid Volume 35, Issue 3,4
Fall/Winter 2001-02 
Quebec's Theater of Liberation Edwin Joseph Hamblet Volume 5, Issue 1
Spring 1971
_________________________________________________________________________________
The Captives    
Heywood's Adaptation of Plautus'
Rudens: The Problem of Slavery in
The Captives 		Carolyn Prager Volume 9, Issue 2
Summer 1975
_________________________________________________________________________________
Marina Carr    
Talking with Ghosts of Irish Playwrights
Past: Marina Carr's By the Bog of Cats…
view abstract

Richard Russell Volume 40, Issue 2
Summer 2006
_________________________________________________________________________________
Caryll, John    
The Originality of John Caryll's
Sir Salomon 		Richard C. Taylor Volume 20, Issue 3
Fall 1986
_________________________________________________________________________________
The Castle of Perseverance    
Backbiter and the Rhetoric of Detraction
read first paragraph		 Douglas W. Hayes Volume 34, Issue 1
Spring 2000
Fifteenth-Century Flamboyant Style and
The Castle of Perseverance		 Michael R. Kelley Volume 6, Issue 1
Spring 1972
"Of the seven ages": An Unknown Analogue
of The Castle of Perseverance


Alan H. Nelson Volume 8, Issue 1
Spring 1974
Staging L'Omme Pecheur and
The Castle of Perseverance

 Peter Happé Volume 30, Issue 3
Fall 1996
_________________________________________________________________________________
Castellini, Jacopo    
Two Renaissance Views of Carthage:
Trissino's Sofonisba and Castellini's
Asdrubale		 Beatrice Corrigan Volume 5, Issue 3
Fall 1971
_________________________________________________________________________________
The Cat and the Moon    
"Haunted by Places": Landscape in
Three Plays by W. B. Yeats

 Natalie Crohn Schmitt Volume 31, Issue 3
Fall 1997
_________________________________________________________________________________
Cat on a Hot Tin Roof    
'Shut Up!' 'Be Quiet!' 'Hush!'
Talk and Its Supression in Three Plays
by Tennesse Williams

Thomas F. Van Laan Volume 22, Issue 3
Fall 1988
_________________________________________________________________________________
Catherine the Great    
From Fat Falstaff to Francophile Fop:
Russian Nationalism in Catherine the
Great's Merry Wives

 Lurana Donnels O'Malley Volume 33, Issue 3
Fall 1999
_________________________________________________________________________________
Cecchi, Giovan Maria    
Cecchi and the Reconciliation of
Theatrical Traditions 		Douglas Radcliff-Umstead Volume 9, Issue 2
Summer 1975
_________________________________________________________________________________
The Cenci    
Artaud's Revision of Shelley's The Cenci:
The Text and its Double


Jane Goodall Volume 21, Issue 2
Summer 1987
The Incest Motif in Shelley's The Cenci Barbara Groseclose Volume 19, Issue 3
Fall 1985
_________________________________________________________________________________
Centlivre, Susannah    
Centlivre v. Hardwicke: Susannah
Centlivre's Plays and the Marriage
Act of 1753


 Margo Collins Volume 33, Issue 2
Summer 1999
Gimcrack’s Legacy: Sex, Wealth, and the
Theater of Experimental Philosophy
view 1st paragraph
 Tita Chico Volume 42, Issue 1
Spring 2008
_________________________________________________________________________________
The Changeling    
The Changeling: Notes on Mannerism
in Dramatic Form 		Raymond J. Pentzell Volume 9, Issue 1
Spring 1975
"Framing" as Collaborative Technique:
Two Middleton-Rowley Plays 		Michael E. Mooney Volume 13, Issue 2
Summer 1979
Madhouse Optics: The Changeling Joseph M. Duffy Volume 8, Issue 2
Summer 1974
_________________________________________________________________________________
A Chaste Maid in Cheapside    
Fertility and Comic Form in
A Chaste Maid in Cheapside		 Arthur F. Marotti Volume 3, Issue 1 Spring 1969
_________________________________________________________________________________
Chekhov, Anton    
Chekhov and Naturalism:
From Affinity to Divergence		 Nicholas Moravcevich Volume 4, Issue 4
Winter 1970-71
Chekhov in Ireland: Brief Notes on
Friel's Philadelphia

 James Coakley Volume 7, Issue 3
Fall 1973
The Idea of Definitive Production:
Chekhov in and out of Period 		J. L. Styan Volume 4, Issue 3
Fall 1970
_________________________________________________________________________________
Chester Plays    
Audience and Meaning in Two Medieval
Dramatic Realisms		 William F. Munson Volume 9, Issue 1
Spring 1975
"Cockes face" and the Problem of
poydrace in the Chester Passion		 Lorrayne Y. Baird Volume 16, Issue 3
Fall 1982
Comic Eschatology in the Chester
Coming of Antichrist		 Leslie Howard Martin Volume 5, Issue 3
Fall 1971
The Dramatic Strategies of Chester's
Passion Pagina
Peter W. Travis Volume 8, Issue 3
Fall 1974
Lessons in "Hopping": The Dance of
Death and the Chester Mystery Cycle
view abstract

 Sophie Oosterwijk Volume 36, Issue 3,4
Fall/Winter 2002-03
_________________________________________________________________________________
Chinese Drama    
Brokering Glory for the Chinese Nation:
Peking Opera's 1930 American Tour
view abstract


 Nancy Guy Volume 35, Issue 3,4
Fall/Winter 2001-02 
Chinese Noh and Japanese Noh:
Nuo's Role in the Origination and
Formation of Noh
view abstract


 Min Tian Volume 37, Issue 3,4
Fall/Winter 2003-04
Dances with Brecht: Huang Zuolin and
His Xieyi Theater


 Ronnie Bai Volume 33, Issue 3
Fall 1999
Lao Sheh: From People's Artist to
"An Enemy of the People"		 Walter J. Meserve
and Ruth I. Meserve 		Volume 8, Issue 2
Summer 1974
Meyerhold Meets Mei Lanfang: Staging
the Grotesque and the Beautiful


 Min Tian Volume 33, Issue 2
Summer 1999
Peking Opera before the
Twentieth Century		 Colin Mackerras Volume 28, Issue 1
Spring 1994
Questions of Identity in Contemporary
Hong Kong Theater


Clayton G. MacKenzie Volume 29, Issue 2
Summer 1995
(Re)cycling Culture: Chinese Opera
in the United States
view abstract

 Cecilia J. Pang Volume 39, Issue 3,4
Fall/Winter 2005-06
"Together Again": Theater in Postcolonial
Hong Kong
read first paragraph

 Clayton G. MacKenzie
and Moira Arthurs 		Volume 37, Issue 1
Spring 2003

Ts'ao Yu: Dramatist in Communist China Walter J. Meserve
and Ruth I. Meserve 		Volume 2, Issue 2
Summer 1968
_________________________________________________________________________________
Churchill, Caryl    
From Great Women to Top Girls:
Pageants of Sisterhood in British
Feminist Theatre
view abstract

 Rebecca Cameron Volume 43, Issue 2
Summer 2009
“Is everything history?”: Churchill, Barker
and the Modern History Play
view abstract

 Brean S. Hammond Volume 41, Issue 1
Spring 2007
Serious Money Becomes "Business by
Other Means": Caryl Churchill's
Metatheatrical Subject
read first paragraph

 Daniel Jernigan Volume 38, Issue 2,3
Summer/Fall 2004
_________________________________________________________________________________
Cibber, Colley    
Cibber and Vanbrugh: Language, Place,
and Social Order in Love's Last Shift 		Derek Hughes Volume 20, Issue 4
Winter 1986-87
Vanbrugh and Cibber: Language, Place,
and Social Order in The Relapse 		Derek Hughes Volume 21, Issue 1
Spring 1987
_________________________________________________________________________________
The City Heiress    
Aphra Behn’s The City Heiress: Feminism
and the Dynamics of Popular Success on the
Late Seventeenth-Century Stage
view 1st paragraph
 Robert Markley Volume 41, Issue 2
Summer 2007
_________________________________________________________________________________
The Cobbler of Preston    
Shakespeare, Molly House Culture,
and the Eighteenth-Century Stage


Charles Conaway Volume 38, Issue 4
Winter 2004-05
_________________________________________________________________________________
Coleman, George    
Performing the West Indies: Comedy,
Feeling, and British Identity
view abstract
 Jean Marsden Volume 42, Issue 1
Spring 2008
_________________________________________________________________________________
Coliphizacio    
Who's Afraid of Jesus Christ?:
Games in the Coliphizacio		 Barry Sanders Volume 2, Issue 2
Summer 1968
_________________________________________________________________________________
Comedy    
An Enemy of the People: Ibsen's
Reluctant Comedy


Harold C. Knutson Volume 27, Issue 2
Summer 1993
From Play to Plays: The
Folklore of Comedy 		Harry Levin Volume 16, Issue 2
Summer 1982
Menaechmi and the Renaissance of Comedy
view abstract


 Richard F. Hardin Volume 37, Issue 3,4
Fall/Winter 2003-04

Othello and New Comedy Frances Teague Volume 20, Issue 1
Spring 1986

Some Suggestions about the Relationships
between O'Casey and Classical Comedy 		James Coakley
and Marvin Felheim 		Volume 4, Issue 4
Winter 1970-71
Terence and the Death of Comedy Sander M. Goldberg Volume 16, Issue 4
Winter 1982-83
_________________________________________________________________________________
Comedia    
Comedia and Trauerspiel: On Benjamin
and Calderón		 Anthony J. Cascardi Volume 16, Issue 1
Spring 1982
_________________________________________________________________________________
Commedia dell'arte    
The Arlecchino and Three English Tinkers

 Nina DaVinci Nichols Volume 36, Issue 1,2
Spring/Summer 2002
_________________________________________________________________________________
Commedia Grave    
Sforza Oddi and the Commedia Grave:
Setting the Stage for Shakespeare
 Robert W. Leslie Volume 30, Issue 4
Winter 1996-97
_________________________________________________________________________________
Coming of Antichrist    
Comic Eschatology in the Chester
Coming of Antichrist		 Leslie Howard Martin Volume 5, Issue 3
Fall 1971
_________________________________________________________________________________
Communism    
Ts'ao Yu: Dramatist in Communist China Walter J. Meserve
and Ruth I. Meserve 		Volume 2, Issue 2
Summer 1968
_________________________________________________________________________________
The Condemned of Altona    
Towards a Theater of Immobility:
Henry IV, The Condemned of
Altona, and The Balcony 		Mary Ann Frese Witt Volume 24, Issue 2
Summer 1990
_________________________________________________________________________________
Contemporary Drama    
Questions of Identity in Contemporary
Hong Kong Theater 		Clayton G. MacKenzie Volume 29, Issue 2
Summer 1995
Theatrum Mundi and Contemporary
Theater 		Ruby Cohn Volume 1, Issue 1
Spring 1967
_________________________________________________________________________________
The Conversion of St. Paul    
Frame Structure in
The Conversion of St. Paul 		Victor I. Scherb Volume 26, Issue 2
Summer 1992
_________________________________________________________________________________
Coriolanus    
Drama, Politics, and the Hero:
Coriolanus, Brecht, and Grass 		Martin Scofield Volume 24, Issue 4
Winter 1990-91
_________________________________________________________________________________
Cornish Drama    
Memorial Reconstruction in a Cornish
Miracle Play 		Paula Neuss Volume 5, Issue 2
Summer 1971
The Middle Cornish Interlude:
Genre and Tradition		 Evelyn S. Newlyn Volume 30, Issue 2
Summer 1996

The Middle-Cornish Play
Beunans Meriasek 		Robert T. Meyer Volume 3, Issue 1
Spring 1969

A Reassessment of the Date and
Provenance of the Cornish Ordinalia		 Gloria J. Betcher Volume 29, Issue 4
Winter 1995-96
Situating the Holy: Celtic Community
in Breton and Cornish Saint Plays
read first paragraph
 		Victor I Scherb Volume 35, Issue 3,4
Fall/Winter 2001-02 

Two Medieval Cornish Versions of the
Creation of the World		 Robert Longsworth Volume 21, Issue 3
Fall 1987
_________________________________________________________________________________
Corpus Christi Cycle    
A Catalan Corpus Christi Play: The
Martyrdom of St. Sebastian with
the Hobby Horses and the Turks


 Max Harris Volume 31, Issue 2
Summer 1997
Corpus Christi "Cycles" in Yorkshire:
The Surviving Records 		Barbara D. Palmer Volume 27, Issue 2
Summer 1993
On Recovering the Lost Norwich
Corpus Christi Cycle 		Alan H. Nelson Volume 4, Issue 4
Winter 1970-71
_________________________________________________________________________________
Così è (se vi pare)    
Mathematical Certainty and Pirandello's
Così è (se vi pare)

 Jerome Mazzaro

 Volume 28, Issue 4
Winter 1994-95
_________________________________________________________________________________
The Country Wife    
The Amorous Machiavellism of
The Country Wife 		Gorman Beauchamp Volume 11, Issue 4
Winter 1977-78
_________________________________________________________________________________
Cowley, Hannah    
Theatricality and Cosmopolitanism in
Hannah Cowley's The Belle's Stratagem
read first paragraph


 Elizabeth Kowaleski Wallace Volume 35, Issue 3,4
Fall/Winter 2001-02 
_________________________________________________________________________________
Craig, Edith    
Kori Torahiko and Edith Craig:
A Japanese Playwright in London
and Toronto

 Yoko Chiba Volume 30, Issue 4
Winter 1996-97
_________________________________________________________________________________
Criticism    
Criticism and the Films of
Shakespeare's Plays		 Marvin Felheim Volume 9, Issue 2
Summer 1975

Methods of Drama Criticism Roy Battenhouse Volume 14, Issue 3
Fall 1980
Typology, Criticism, and Medieval Drama:
Some Observations on Method 		Patrick J. Collins Volume 10, Issue 4
Winter 1976-77
_________________________________________________________________________________
Crommelynck, Fernand    
Crommelynck's Farcical and
Mythmaking Expressionism 		Bettina Knapp Volume 10, Issue 4
Winter 1976-77
_________________________________________________________________________________
Croune, John    
'Hay for the Daughters!' Gender and
Patriarchy in The Miseries of Civil
War and Henry VI

Joyce Green MacDonald Volume 24, Issue 3
Fall 1990
_________________________________________________________________________________
Crowne, John    
Judeo-Christian Apocalyptic Literature
and John Crowne's The Destruction
of Jerusalem
read first paragraph

 John B. Rollins Volume 35, Issue 2
Summer 2001
_________________________________________________________________________________
The Crown Bride    
The Skogsrå of Folklore and Strindberg's
The Crown Bride		 Larry E. Synergaard Volume 6, Issue 4
Winter 1972-73
_________________________________________________________________________________
Cumberland, Richard    
Performing the West Indies: Comedy,
Feeling, and British Identity
view abstract

 Jean Marsden Volume 42, Issue 1
Spring 2008
Richard Cumberland, Comic Force,
and Misanthropy 		Eugene M. Waith Volume 12, Issue 4
Winter 1978-79
_________________________________________________________________________________
Curlew River    
The Weeping Mothers in Sumidigawa,
Curlew River, and Medieval
European Religious Plays
view abstract

 Mikiko Ishii Volume 39, Issue 3,4
Fall/Winter 2005-06
_________________________________________________________________________________
Curse of the Starving Class    
Text as Agent in Sam Shepard's
Curse of the Starving Class 		Charles R. Lyons Volume 24, Issue 1
Spring 1990
_________________________________________________________________________________
The Cyclops    
The Double Vision of Euripides'
Cyclops: An Ethnographic Odyssey
on the Satyr Stage
 Carol Dougherty Volume 33, Issue 3
Fall 1999

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