C
Subject/Essay Author Location
Calderón, Pedro    
Comedia and Trauerspiel: On
Benjamin and Calderón		 Anthony J. Cascardi Volume 16, Issue 1,
Spring 1982
Emblematic Technique in the
Auto Sacramental: Calderón's
No hay más fortuna que Dios 		Frederick E. Danker Volume 6, Issue 1,
Spring 1972

_________________________________________________________________________________
Calderwood, James L.    
The Evolution of Shakespearean
Metadrama: Abel, Burkhardt,
and Calderwood

 Richard Fly Volume 20, Issue 2,
Summer 1986
_________________________________________________________________________________
Cambises    
"Lamentable tragedy mixed ful
of pleasant mirth": The Enigma
of Cambises

Howard B. Norland Volume 26, Issue 4,
Winter 1992-93
_________________________________________________________________________________
Camillo, Giulio    
Giulio Camillo's Idea of the Theater:
The Enigma of the Renaissance		 Albert R. Cirillo Volume 1, Issue 1,
Spring 1967
_________________________________________________________________________________
Camus, Albert    
Imprisonment in Camus' "Modern
Tragedies":Les Justes, Requiem
pour un nonne, Le Malentendu 		Mary Ann Frese Witt Volume 5, Issue 1,
Spring 1971


The Limits of Violence: Camus's Tragic
View of the Rebel 		Alfred Schwarz Volume 6, Issue 1,
Spring 1972
_________________________________________________________________________________
Canadian Drama    
Mapping Jouissance: Insights from a
Case Study in the Schizophrenia of
Canadian Drama
read first paragraph

 Gregory J. Reid Volume 35, Issue 3,4,
Fall/Winter 2001-02 
Quebec's Theater of Liberation Edwin Joseph Hamblet Volume 5, Issue 1,
Spring 1971
_________________________________________________________________________________
The Captives    
Heywood's Adaptation of Plautus'
Rudens: The Problem of Slavery in
The Captives 		Carolyn Prager Volume 9, Issue 2,
Summer 1975
_________________________________________________________________________________
Marina Carr    
Talking with Ghosts of Irish Playwrights
Past: Marina Carr's By the Bog of Cats…
view abstract

Richard Russell Volume 40, Issue 2,
Summer 2006
_________________________________________________________________________________
Caryll, John    
The Originality of John Caryll's
Sir Salomon 		Richard C. Taylor Volume 20, Issue 3,
Fall 1986
_________________________________________________________________________________
The Castle of Perseverance    
Backbiter and the Rhetoric of Detraction
read first paragraph		 Douglas W. Hayes Volume 34, Issue 1,
Spring 2000
Fifteenth-Century Flamboyant Style and
The Castle of Perseverance		 Michael R. Kelley Volume 6, Issue 1,
Spring 1972
"Of the seven ages": An Unknown Analogue
of The Castle of Perseverance


Alan H. Nelson Volume 8, Issue 1,
Spring 1974
Staging L'Omme Pecheur and
The Castle of Perseverance

 Peter Happé Volume 30, Issue 3,
Fall 1996
_________________________________________________________________________________
Castellini, Jacopo    
Two Renaissance Views of Carthage:
Trissino's Sofonisba and Castellini's
Asdrubale		 Beatrice Corrigan Volume 5, Issue 3,
Fall 1971
_________________________________________________________________________________
The Cat and the Moon    
"Haunted by Places": Landscape in
Three Plays by W. B. Yeats

 Natalie Crohn Schmitt Volume 31, Issue 3,
Fall 1997
_________________________________________________________________________________
Cat on a Hot Tin Roof    
'Shut Up!' 'Be Quiet!' 'Hush!'
Talk and Its Supression in Three Plays
by Tennesse Williams

Thomas F. Van Laan Volume 22, Issue 3,
Fall 1988
_________________________________________________________________________________
Catherine the Great    
From Fat Falstaff to Francophile Fop:
Russian Nationalism in Catherine the
Great's Merry Wives

 Lurana Donnels O'Malley Volume 33, Issue 3,
Fall 1999
_________________________________________________________________________________
Cecchi, Giovan Maria    
Cecchi and the Reconciliation of
Theatrical Traditions 		Douglas Radcliff-Umstead Volume 9, Issue 2,
Summer 1975
_________________________________________________________________________________
The Cenci    
Artaud's Revision of Shelley's The Cenci:
The Text and its Double


Jane Goodall Volume 21, Issue 2,
Summer 1987
The Incest Motif in Shelley's The Cenci Barbara Groseclose Volume 19, Issue 3,
Fall 1985
_________________________________________________________________________________
Centlivre, Susannah    
Centlivre v. Hardwicke: Susannah
Centlivre's Plays and the Marriage
Act of 1753

Margo Collins Volume 33, Issue 2,
Summer 1999
_________________________________________________________________________________
The Changeling    
The Changeling: Notes on Mannerism
in Dramatic Form 		Raymond J. Pentzell Volume 9, Issue 1,
Spring 1975
"Framing" as Collaborative Technique:
Two Middleton-Rowley Plays 		Michael E. Mooney Volume 13, Issue 2,
Summer 1979
Madhouse Optics: The Changeling Joseph M. Duffy Volume 8, Issue 2,
Summer 1974
_________________________________________________________________________________
A Chaste Maid in Cheapside    
Fertility and Comic Form in
A Chaste Maid in Cheapside		 Arthur F. Marotti Volume 3, Issue 1, Spring 1969
_________________________________________________________________________________
Chekhov, Anton    
Chekhov and Naturalism:
From Affinity to Divergence		 Nicholas Moravcevich Volume 4, Issue 4,
Winter 1970-71
Chekhov in Ireland: Brief Notes on
Friel's Philadelphia

 James Coakley Volume 7, Issue 3,
Fall 1973
The Idea of Definitive Production:
Chekhov in and out of Period 		J. L. Styan Volume 4, Issue 3,
Fall 1970
_________________________________________________________________________________
Chester Plays    
Audience and Meaning in Two Medieval
Dramatic Realisms		 William F. Munson Volume 9, Issue 1,
Spring 1975
"Cockes face" and the Problem of
poydrace in the Chester Passion		 Lorrayne Y. Baird Volume 16, Issue 3,
Fall 1982
Comic Eschatology in the Chester
Coming of Antichrist		 Leslie Howard Martin Volume 5, Issue 3,
Fall 1971
The Dramatic Strategies of Chester's
Passion Pagina
Peter W. Travis Volume 8, Issue 3,
Fall 1974
Lessons in "Hopping": The Dance of
Death and the Chester Mystery Cycle
view abstract

 Sophie Oosterwijk Volume 36, Issue 3,4,
Fall/Winter 2002-03
_________________________________________________________________________________
Chinese Drama    
Brokering Glory for the Chinese Nation:
Peking Opera's 1930 American Tour
view abstract


 Nancy Guy Volume 35, Issue 3,4,
Fall/Winter 2001-02 
Chinese Noh and Japanese Noh:
Nuo's Role in the Origination and
Formation of Noh
view abstract


 Min Tian Volume 37, Issue 3,4,
Fall/Winter 2003-04
Dances with Brecht: Huang Zuolin and
His Xieyi Theater


 Ronnie Bai Volume 33, Issue 3,
Fall 1999
Lao Sheh: From People's Artist to
"An Enemy of the People"		 Walter J. Meserve
and Ruth I. Meserve 		Volume 8, Issue 2,
Summer 1974
Meyerhold Meets Mei Lanfang: Staging
the Grotesque and the Beautiful


 Min Tian Volume 33, Issue 2,
Summer 1999
Peking Opera before the
Twentieth Century		 Colin Mackerras Volume 28, Issue 1,
Spring 1994
Questions of Identity in Contemporary
Hong Kong Theater


Clayton G. MacKenzie Volume 29, Issue 2,
Summer 1995
(Re)cycling Culture: Chinese Opera
in the United States
view abstract

 Cecilia J. Pang Vol 39, No. 3,4
Fall/Winter 2005-06
"Together Again": Theater in Postcolonial
Hong Kong
read first paragraph

 Clayton G. MacKenzie
and Moira Arthurs 		Volume 37, Issue 1,
Spring 2003

Ts'ao Yu: Dramatist in Communist China Walter J. Meserve
and Ruth I. Meserve 		Volume 2, Issue 2,
Summer 1968
_________________________________________________________________________________
Churchill, Caryl    
“Is everything history?”: Churchill, Barker
and the Modern History Play
view abstract

 Brean S. Hammond Volume 41, Issue 1
Spring 2007
Serious Money Becomes "Business by
Other Means": Caryl Churchill's
Metatheatrical Subject
read first paragraph

 Daniel Jernigan Volume 38, Issue 2,3,
Summer/Fall 2004
_________________________________________________________________________________
Cibber, Colley    
Cibber and Vanbrugh: Language, Place,
and Social Order in Love's Last Shift 		Derek Hughes Volume 20, Issue 4,
Winter 1986-87
Vanbrugh and Cibber: Language, Place,
and Social Order in The Relapse 		Derek Hughes Volume 21, Issue 1,
Spring 1987
_________________________________________________________________________________
The City Heiress    
Aphra Behn’s The City Heiress: Feminism
and the Dynamics of Popular Success on the
Late Seventeenth-Century Stage
view 1st paragraph
 Robert Markley Volume 41, Issue 2,
Summer 2007
_________________________________________________________________________________
The Cobbler of Preston    
Shakespeare, Molly House Culture,
and the Eighteenth-Century Stage


Charles Conaway Volume 38, Issue 4,
Winter 2004-05
_________________________________________________________________________________
Coliphizacio    
Who's Afraid of Jesus Christ?:
Games in the Coliphizacio		 Barry Sanders Volume 2, Issue 2,
Summer 1968
_________________________________________________________________________________
Comedy    
An Enemy of the People: Ibsen's
Reluctant Comedy


Harold C. Knutson Volume 27, Issue 2,
Summer 1993
From Play to Plays: The
Folklore of Comedy 		Harry Levin Volume 16, Issue 2,
Summer 1982
Menaechmi and the Renaissance of Comedy
view abstract


 Richard F. Hardin Volume 37, Issue 3,4,
Fall/Winter 2003-04

Othello and New Comedy Frances Teague Volume 20, Issue 1,
Spring 1986

Some Suggestions about the Relationships
between O'Casey and Classical Comedy 		James Coakley
and Marvin Felheim 		Volume 4, Issue 4,
Winter 1970-71
Terence and the Death of Comedy Sander M. Goldberg Volume 16, Issue 4,
Winter 1982-83
_________________________________________________________________________________
Comedia    
Comedia and Trauerspiel: On Benjamin
and Calderón		 Anthony J. Cascardi Volume 16, Issue 1,
Spring 1982
_________________________________________________________________________________
Commedia dell'arte    
The Arlecchino and Three English Tinkers

 Nina DaVinci Nichols Volume 36, Issue 1,2,
Spring/Summer 2002
_________________________________________________________________________________
Commedia Grave    
Sforza Oddi and the Commedia Grave:
Setting the Stage for Shakespeare
 Robert W. Leslie Volume 30, Issue 4,
Winter 1996-97
_________________________________________________________________________________
Coming of Antichrist    
Comic Eschatology in the Chester
Coming of Antichrist		 Leslie Howard Martin Volume 5, Issue 3,
Fall 1971
_________________________________________________________________________________
Communism    
Ts'ao Yu: Dramatist in Communist China Walter J. Meserve
and Ruth I. Meserve 		Volume 2, Issue 2,
Summer 1968
_________________________________________________________________________________
The Condemned of Altona    
Towards a Theater of Immobility:
Henry IV, The Condemned of
Altona, and The Balcony 		Mary Ann Frese Witt Volume 24, Issue 2,
Summer 1990
_________________________________________________________________________________
Contemporary Drama    
Questions of Identity in Contemporary
Hong Kong Theater 		Clayton G. MacKenzie Volume 29, Issue 2,
Summer 1995
Theatrum Mundi and Contemporary
Theater 		Ruby Cohn Volume 1, Issue 1,
Spring 1967
_________________________________________________________________________________
The Conversion of St. Paul    
Frame Structure in
The Conversion of St. Paul 		Victor I. Scherb Volume 26, Issue 2,
Summer 1992
_________________________________________________________________________________
Coriolanus    
Drama, Politics, and the Hero:
Coriolanus, Brecht, and Grass 		Martin Scofield Volume 24, Issue 4,
Winter 1990-91
_________________________________________________________________________________
Cornish Drama    
Memorial Reconstruction in a Cornish
Miracle Play 		Paula Neuss Volume 5, Issue 2,
Summer 1971
The Middle Cornish Interlude:
Genre and Tradition		 Evelyn S. Newlyn Volume 30, Issue 2,
Summer 1996

The Middle-Cornish Play
Beunans Meriasek 		Robert T. Meyer Volume 3, Issue 1,
Spring 1969

A Reassessment of the Date and
Provenance of the Cornish Ordinalia		 Gloria J. Betcher Volume 29, Issue 4,
Winter 1995-96
Situating the Holy: Celtic Community
in Breton and Cornish Saint Plays		 Victor I Scherb Volume 35, Issue 3,4,
Fall/Winter 2001-02 

Two Medieval Cornish Versions of the
Creation of the World		 Robert Longsworth Volume 21, Issue 3,
Fall 1987
_________________________________________________________________________________
Corpus Christi Cycle    
A Catalan Corpus Christi Play: The
Martyrdom of St. Sebastian with
the Hobby Horses and the Turks


 Max Harris Volume 31, Issue 2,
Summer 1997
Corpus Christi "Cycles" in Yorkshire:
The Surviving Records 		Barbara D. Palmer Volume 27, Issue 2,
Summer 1993
On Recovering the Lost Norwich
Corpus Christi Cycle 		Alan H. Nelson Volume 4, Issue 4,
Winter 1970-71
_________________________________________________________________________________
Così è (se vi pare)    
Mathematical Certainty and Pirandello's
Così è (se vi pare)

 Jerome Mazzaro

 Volume 28, Issue 4,
Winter 1994-95
_________________________________________________________________________________
The Country Wife    
The Amorous Machiavellism of
The Country Wife 		Gorman Beauchamp Volume 11, Issue 4,
Winter 1977-78
_________________________________________________________________________________
Cowley, Hannah    
Theatricality and Cosmopolitanism in
Hannah Cowley's The Belle's Stratagem
read first paragraph


 Elizabeth Kowaleski Wallace Volume 35, Issue 3,4,
Fall/Winter 2001-02 
_________________________________________________________________________________
Craig, Edith    
Kori Torahiko and Edith Craig:
A Japanese Playwright in London
and Toronto

 Yoko Chiba Volume 30, Issue 4,
Winter 1996-97
_________________________________________________________________________________
Criticism    
Criticism and the Films of
Shakespeare's Plays		 Marvin Felheim Volume 9, Issue 2,
Summer 1975

Methods of Drama Criticism Roy Battenhouse Volume 14, Issue 3,
Fall 1980
Typology, Criticism, and Medieval Drama:
Some Observations on Method 		Patrick J. Collins Volume 10, Issue 4,
Winter 1976-77
_________________________________________________________________________________
Crommelynck, Fernand    
Crommelynck's Farcical and
Mythmaking Expressionism 		Bettina Knapp Volume 10, Issue 4,
Winter 1976-77
_________________________________________________________________________________
Croune, John    
'Hay for the Daughters!' Gender and
Patriarchy in The Miseries of Civil
War and Henry VI

Joyce Green MacDonald Volume 24, Issue 3,
Fall 1990
_________________________________________________________________________________
Crowne, John    
Judeo-Christian Apocalyptic Literature
and John Crowne's The Destruction
of Jerusalem

 John B. Rollins Volume 35, Issue 2,
Summer 2001
_________________________________________________________________________________
The Crown Bride    
The Skogsrå of Folklore and Strindberg's
The Crown Bride		 Larry E. Synergaard Volume 6, Issue 4,
Winter 1972-73
_________________________________________________________________________________
Cumberland, Richard    
Richard Cumberland, Comic Force,
and Misanthropy 		Eugene M. Waith Volume 12, Issue 4,
Winter 1978-79
_________________________________________________________________________________
Curlew River    
The Weeping Mothers in Sumidigawa,
Curlew River, and Medieval
European Religious Plays
view abstract

 Mikiko Ishii Vol 39, No. 3,4
Fall/Winter 2005-06
_________________________________________________________________________________
Curse of the Starving Class    
Text as Agent in Sam Shepard's
Curse of the Starving Class 		Charles R. Lyons Volume 24, Issue 1,
Spring 1990
_________________________________________________________________________________
The Cyclops    
The Double Vision of Euripides'
Cyclops: An Ethnographic Odyssey
on the Satyr Stage
 Carol Dougherty Volume 33, Issue 3,
Fall 1999
     

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