B
Subject/Essay Author Location
The Bacchae    
Mnema and Forgetting in
Euripides' The Bacchae 		Jerome Mazzaro
 Volume 27, Issue 3
Fall 1993
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The Bacchae of Euripides    
The Politics of Ritual in Wole Soyinka's
The Bacchae of Euripides 		Robert Baker-White
 Volume 27, Issue 3
Fall 1993
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The Balcony    
Towards a Theater of Immobility:
Henry IV, The Condemned of
Altona, and The Balcony

Mary Ann Frese Witt Volume 24, Issue 2
Summer 1990
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Bandele, Biyi    
The Politics of Adapting Behn's Oroonoko Anne F. Widmayer Volume 37, Issue 2
Summer 2003
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Bandello, Matteo    
Bandello's "Timbreo and Fenicia"
and The Winter's Tale
read first paragraph 		Thomas E. Mussio Volume 34, Issue 2
Summer 2000
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Baraka, Amiri    
The Marxist Theater of Amiri Baraka W. D. E. Andrews Volume 18, Issue 2
Summer 1984
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Barker, Howard    
“Is everything history?”: Churchill, Barker
and the Modern History Play
view abstract

Brean S. Hammond Volume 41, Issue 1
Spring 2007
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Barrault, Jean-Louis    
Interior Action: The Impact of Noh on
Jean-Louis Barrault 		John K. Gillespie Volume 16, Issue 4
Winter 1982-83
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Bartholomew Fair    
Bartholomew Fair: Ben Jonson's
"A Midsummer Night's Dream"

 		John Scott Colley Volume 11, Issue 1
Spring 1977
Eve's Flesh and Blood in Jonson's
Bartholomew Fair 		Renu Juneja Volume 12, Issue 4
Winter 1978-79
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Beaumont, Francis    
Admirable Musicians: Women's Songs
in Othello and The Maid's Tragedy


 Rochelle Smith Volume 28, Issue 3
Fall 1994
How Music Matters: Some Songs
of Robert Johnson in the Plays of
Beaumont and Fletcher
view abstract

Catherine A. Henze Volume 34, Issue 1
Spring 2000
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Beckett, Samuel    
A Footnote to Footfalls: Footsteps of
Infinity on Beckett's Narrow Space 		Enoch Brater Volume 12, Issue 1
Spring 1978
Beckett's Major Plays and the Trilogy Charles R. Lyons Volume 5, Issue 4
Winter 1971-72
Brecht's Alienated Actor in
Beckett's Theater 		Enoch Brater Volume 9, Issue 3
Fall 1975
Brecht's Contacts with the Theater
of Meyerhold 		Katherine Eaton Volume 11, Issue 1
Spring 1977
Brecht's Quarrel with God: From
Anti-Theodicy to Eschatology 		Edward M. Berckman Volume 10, Issue 2
Summer 1976
The Death of Representation and the
Representation of Death: Ionesco, Beckett,
and Stoppard
view abstract

 Zoran Milutinović Volume 40, Issue 3
Fall 2006
Directing/Acting Beckett Barbara S. Becker
and Charles R. Lyons 		Volume 19, Issue 4
Winter 1985-86
Defeated Sexuality in the Plays and
Novels of Samuel Beckett 		Kristin Morrison Volume 14, Issue 1
Spring 1980
The Globalization of Beckett's Godot
read first paragraph		 Enoch Brater Volume 37, Issue 2
Summer 2003
Joan of Arc Internationale: Shaw,
Brecht, and the Law of Nations


Julie Stone Peters Volume 38, Issue 4
Winter 2004-05
Krapp's Last Tape and Critical Theory SueEllen Campbell Volume 12, Issue 3
Fall 1978
Noah, Not I, and Beckett's
"Incomprehensibly Sublime" 		Enoch Brater Volume 8, Issue 3
Fall 1974
Out of Ireland: Revisionist Strategies
in Beckett's Drama
read first paragraph		 Laura Barge Volume 34, Issue 2
Summer 2000
Perceiving Rockaby— As a Text, As a
Text by Samuel Beckett, As a Text
for Performance


 Charles R. Lyons Volume 16, Issue 4
Winter 1982-83
Shakespeare and Beckett Revisited:
A Phenomenology of Theater


 Marguerite Tassi Volume 31, Issue 2
Summer 1997
Some Analogies Between the Epic Brecht
and the Absurdist Beckett 		Charles R. Lyons Volume 1, Issue 4
Winter 1967-68
Symbols, Signs, and Language:
The Brothers Yeats and Samuel
Beckett's Art of the Theater

Gordon Armstrong




Volume 20, Issue 1
Spring 1986
Three Times Godot:
Beckett, Brecht, Bulatovic 		Clas Zilliacus Volume 4, Issue 1
Spring 1970
Visual Field in Beckett's Late Plays Stanton B. Garner, Jr. Volume 21, Issue 4
Winter 1987-88
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Beggars' Bush    
A Newly Discovered Musical Setting From
Fletcher's Beggars' Bush 		John P. Cutts Volume 5, Issue 2
Summer 1971
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Behn, Aphra    
Anti-Colonist Discourse, Tragicomedy,
and the "American" Behn
read first paragraph


Adam R. Beach Volume 38, Issue 2,3
Summer/Fall 2004
Aphra Behn’s The City Heiress: Feminism
and the Dynamics of Popular Success on the
Late Seventeenth-Century Stage
view 1st paragraph


 Robert Markley  Volume 41, Issue 2
Summer 2007 
The Politics of Adapting Behn's Oroonoko
read first paragraph 		Anne F. Widmayer Volume 37, Issue 2
Summer 2003
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The Belle's Stratagem    
Theatricality and Cosmopolitanism in
Hannah Cowley's The Belle's Stratagem
read first paragraph
Elizabeth Kowaleski Wallace Volume 35, Issue 3,4
Fall/Winter 2001-02 
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Benjamin, Walter    
Comedia and Trauerspiel: On Benjamin
and Calderón		 Anthony J. Cascardi Volume 16, Issue 1
Spring 1982
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Bergman, Ingmar    
"Daddy Spoke to Me!": Gods Lost and
Found in Long Day's Journey Into
Night and Through a Glass Darkly


Thomas P. Adler Volume 20, Issue 4
Winter 1986-87
The Virgin Spring and The Seventh Seal:
A Girardian Reading
 William Mishler Volume 30, Issue 1
Spring 1996
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Bernhard, Thomas    
Sights Unseen: Withholding Information
in the Plays of Thomas Bernhard
view abstract

 William E. Gruber  Volume 36, Issue 1,2
Spring/Summer 2002
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Beunans Meriasek    
The Middle-Cornish Play
Beunans Meriasek 		Robert T. Meyer Volume 3, Issue 1
Spring 1969
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Biblical Drama    
The Bible in English Renaissance
Civic Pageants 		David M. Bergeron Volume 20, Issue 2
Summer 1986
A Little-Known Fragment of a Dutch
Abraham-and-Sarah Play 		Mary-Jo Arn Volume 17, Issue 4
Winter 1983-84
Narrative Bible Cycles in Medieval
Art and Drama		 Patrick J. Collins Volume 9, Issue 2
Summer 1975
The Song of Songs as a Drama in the
Commentators from Origen to the
Twentieth Century

Joseph R. Jones Volume 17, Issue 1
Spring 1983
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The Birth of Tragedy    
The Five Voices of
The Birth of Tragedy 		Michael Hinden Volume 22, Issue 2
Summer 1988
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Blackface    
The Bride Wielded a Razor: Images of
Women on the Blackface Stage of
James McIntyre and Thomas Heath
view abstract

 Leslie Pasternack Volume 40, Issue 4
Winter 2006-07
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The Blacks    
Genet's The Blacks and The Screens:
Dialectic of Refusal and Revolutionary
Consciousness 		W. F. Sohlich Volume 10, Issue 3
Fall 1976
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Blasted    
"In Better Places": Space, Identity, and
Alienation in Sarah Kane's Blasted

 Christopher Wixson Volume 39, Issue 1
Spring 2005
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Boito, Arrigo    
False Fidelity: Othello, Otello,
and Their Critics

 James Aldrich-Moodie Volume 28, Issue 3
Fall 1994
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Bond, Edward    
Edward Bond's Lear Leslie Smith Volume 13, Issue 1
Spring 1979
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Bonduca    
Fletcher's Satire of Caratach in Bonduca Ronald J. Boling  Volume 33, Issue 3
Fall 1999
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Brandes, Georg    
Nietzsche, Georg Brandes, and Ibsen's
Master Builder 		Michael W. Kaufman Volume 6, Issue 3
Fall 1972
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Brant, Sebastian    
Jonson and the Emblematic Tradition:
Ralegh, Brant, the Poems,
The Alchemist, and Volpone

Robert C. Evans Volume 29, Issue 1
Spiring 1995
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Brecht, Bertolt    
All in the Family: Mother Courage
and the Ideology in the Gestus


 Claire Gleitman Volume 25, Issue 2
Summer 1991
Bertolt Brecht and George Farquhar's
The Recruiting Officer 		Albert Wertheim Volume 7, Issue 3
Fall 1973
Brecht and Witkeiwicz: Two Concepts of
Revolution		 Andrzej Wirth Volume 3, Issue 3
Fall 1969
Brecht on Shakespeare: A Revaluation


 Doc Rossi Volume 30, Issue 2
Summer 1996

Brecht's Alienated Actor in
Beckett's Theater 		Enoch Brater Volume 9, Issue 3
Fall 1975
Brecht's Concept of Character Walter H. Sokel Volume 5, Issue 3
Fall 1971
Dances with Brecht: Huang Zuolin and
His Xieyi Theater		 Ronnie Bai Volume 33, Issue 3
Fall 1999

Dances with Mei Lanfang: Brecht
and the Alienation Effect


 Ronnie Bai Volume 32, Issue 3
Fall 1998
Drama, Politics, and the Hero:
Coriolanus, Brecht, and Grass 		Martin Scofield Volume 24, Issue 4
Winter 1990-91
Hamlet and The Life of Galileo


 Doc Rossi Volume 32, Issue 4
Winter 1998-99
Joan of Arc Internationale: Shaw,
Brecht, and the Law of Nations
view abstract

 Julie Stone Peters Volume 38, Issue 4
Winter 2004-05
"Non-Aristotelian" Theater: Brecht's and
Plato's Theories of Artistic Imitation 		William E. Gruber Volume 21, Issue 3
Fall 1987
Sartre on Brecht: The Dialectics
of Revolutionary Theatre 		Farris Anderson Volume 3, Issue 4
Winter 1969-70
Shakespeare and Brecht: The Perils and
Pleasures of Inheritance 		John Rouse Volume 17, Issue 3
Fall 1983
The Shape of Brecht's Duchess of Malfi M. S. Barranger Volume 12, Issue 1
Spring 1978
Some Analogies Between the Epic Brecht
and the Absurdist Beckett 		Charles R. Lyons Volume 1, Issue 4
Winter 1967-68
Three Times Godot:
Beckett, Brecht, Bulatovic


Clas Zilliacus Volume 4, Issue 1
Spring 1970
Visible Words: The York Plays,
Brecht, and Gestic Writing


Garrett P. J. Epp Volume 24, Issue 4
Winter 1990-91
Warren Hastings in the Drama of Lion
Feuchtwanger and Bertolt Brecht:
Contexts and Connections

 T. H. Bowyer Volume 31, Issue 3
Fall 1997
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Brome, Richard    
The Anonymous Masque-like Entertainment
in Egerton MS. 1994, and Richard Brome		 John Cutts Volume 1, Issue 4
Winter 1967-68
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Brooks, Peter    
Prolegomenon for a Theory of Drama
Reception: Peter Brook's Measure for
Measure and the Emergent Bourgeoisie		 Wolfgang Sohlich Volume 18, Issue 1
Spring 1984
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Büchner, George    
Danton's Death and the Conventions of
Historical Drama 		Herbert Lindenberger Volume 3, Issue 2
Summer 1969
Woyzeck and Othello: The Dimensions
of Melodrama 		Terry Otten Volume 12, Issue 2
Summer 1978
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Buddha    
Buddha, Kazantzakis' Most Ambitious
and Most Neglected Play 		Peter Bien Volume 11, Issue 3
Fall 1977
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Bulatovic, Miodrag    
Three Times Godot:
Beckett, Brecht, Bulatovic 		Clas Zilliacus Volume 4, Issue 1
Spring 1970
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Bullock, Christopher    
Shakespeare, Molly House Culture,
and the Eighteenth-Century Stage
view abstract

Charles Conaway Volume 38, Issue 4
Winter 2004-05
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Burkhardt, Sigurd    
The Evolution of Shakespearean
Metadrama: Abel, Burkhardt,
and Calderwood

 Richard Fly Volume 20, Issue 2
Summer 1986
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Byron, Lord    
Byron and the Drama of Temptation Mervyn Nicholson Volume 25, Issue 4
Winter 1991-92
Byron's "Mental Theatre" and the
German Classical Precedent 		Frederick W. Shilstone Volume 10, Issue 3
Fall 1976
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Byzantine Drama    
The Christos Paschon and the
Byzantine Theater 		Sandro Sticca Volume 8, Issue 1
Spring 1974
Liturgical Drama in Byzantine Literature Theodore Bagdanos Volume 10, Issue 3
Fall 1976
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By the Bog of Cats …    
Talking with Ghosts of Irish Playwrights
Past: Marina Carr's By the Bog of Cats…
view abstract 		Richard Russell Volume 40, Issue 2
Summer 2006

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