B
Subject/Essay Author Location
The Bacchae    
Mnema and Forgetting in
Euripides' The Bacchae 		Jerome Mazzaro
 Volume 27, Issue 3
Fall 1993
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The Bacchae of Euripides    
The Politics of Ritual in Wole Soyinka's
The Bacchae of Euripides 		Robert Baker-White
 Volume 27, Issue 3
Fall 1993
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The Balcony    
Towards a Theater of Immobility:
Henry IV, The Condemned of
Altona, and The Balcony

Mary Ann Frese Witt Volume 24, Issue 2
Summer 1990
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Bale, John    
Music and Religious Compromise
in John Bale’s Plays
view abstract		 Katherin Steele Brokaw Volume 44, Issue 3
Fall 2010
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Bandele, Biyi    
The Politics of Adapting Behn's Oroonoko Anne F. Widmayer Volume 37, Issue 2
Summer 2003
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Bandello, Matteo    
Bandello's "Timbreo and Fenicia"
and The Winter's Tale
read first paragraph 		Thomas E. Mussio Volume 34, Issue 2
Summer 2000
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Baraka, Amiri    
The Marxist Theater of Amiri Baraka W. D. E. Andrews Volume 18, Issue 2
Summer 1984
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Barker, Harley Granville    
Doing the Usual Things: Gender, Race, and
Inwardness in Harley Granville Barker’s The
Marrying of Ann Leete and The Secret Life
view abstract		 Christopher Wixson  Volume 43, Issue 4
Winter 2009
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Barker, Howard    
“Is everything history?”: Churchill, Barker
and the Modern History Play
view abstract

Brean S. Hammond Volume 41, Issue 1
Spring 2007
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Barrault, Jean-Louis    
Interior Action: The Impact of Noh on
Jean-Louis Barrault 		John K. Gillespie Volume 16, Issue 4
Winter 1982-83
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Bartholomew Fair    
Bartholomew Fair: Ben Jonson's
"A Midsummer Night's Dream"

 		John Scott Colley Volume 11, Issue 1
Spring 1977
Eve's Flesh and Blood in Jonson's
Bartholomew Fair 		Renu Juneja Volume 12, Issue 4
Winter 1978-79
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The Basset-Table    
Gimcrack’s Legacy: Sex, Wealth, and the
Theater of Experimental Philosophy
view 1st paragraph		 Tita Chico Volume 42, Issue 1,
Spring 2008
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Beaumont, Francis    
Admirable Musicians: Women's Songs
in Othello and The Maid's Tragedy


 Rochelle Smith Volume 28, Issue 3
Fall 1994
How Music Matters: Some Songs
of Robert Johnson in the Plays of
Beaumont and Fletcher
view abstract

Catherine A. Henze Volume 34, Issue 1
Spring 2000
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Beautiful City    
Evicted In—and From—Toronto:
Walker’s Beautiful City at Factory Theatre
view abstract

J. Chris Westgate Volume 43, Issue 2
Summer 2009
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Beckett, Samuel    
A Footnote to Footfalls: Footsteps of
Infinity on Beckett's Narrow Space 		Enoch Brater Volume 12, Issue 1
Spring 1978
Beckett's Major Plays and the Trilogy Charles R. Lyons Volume 5, Issue 4
Winter 1971-72
Brecht's Alienated Actor in
Beckett's Theater 		Enoch Brater Volume 9, Issue 3
Fall 1975
Brecht's Contacts with the Theater
of Meyerhold 		Katherine Eaton Volume 11, Issue 1
Spring 1977
Brecht's Quarrel with God: From
Anti-Theodicy to Eschatology 		Edward M. Berckman Volume 10, Issue 2
Summer 1976
The Death of Representation and the
Representation of Death: Ionesco, Beckett,
and Stoppard
view abstract

 Zoran Milutinović Volume 40, Issue 3
Fall 2006
Directing/Acting Beckett Barbara S. Becker
and Charles R. Lyons 		Volume 19, Issue 4
Winter 1985-86
Defeated Sexuality in the Plays and
Novels of Samuel Beckett 		Kristin Morrison Volume 14, Issue 1
Spring 1980
The Globalization of Beckett's Godot
read first paragraph		 Enoch Brater Volume 37, Issue 2
Summer 2003
Joan of Arc Internationale: Shaw,
Brecht, and the Law of Nations


Julie Stone Peters Volume 38, Issue 4
Winter 2004-05
Krapp's Last Tape and Critical Theory SueEllen Campbell Volume 12, Issue 3
Fall 1978
Noah, Not I, and Beckett's
"Incomprehensibly Sublime" 		Enoch Brater Volume 8, Issue 3
Fall 1974
Out of Ireland: Revisionist Strategies
in Beckett's Drama
read first paragraph		 Laura Barge Volume 34, Issue 2
Summer 2000
Perceiving Rockaby— As a Text, As a
Text by Samuel Beckett, As a Text
for Performance


 Charles R. Lyons Volume 16, Issue 4
Winter 1982-83
Shakespeare and Beckett Revisited:
A Phenomenology of Theater


 Marguerite Tassi Volume 31, Issue 2
Summer 1997
Some Analogies Between the Epic Brecht
and the Absurdist Beckett 		Charles R. Lyons Volume 1, Issue 4
Winter 1967-68
Symbols, Signs, and Language:
The Brothers Yeats and Samuel
Beckett's Art of the Theater

Gordon Armstrong




Volume 20, Issue 1
Spring 1986
Three Times Godot:
Beckett, Brecht, Bulatovic 		Clas Zilliacus Volume 4, Issue 1
Spring 1970
Visual Field in Beckett's Late Plays Stanton B. Garner, Jr. Volume 21, Issue 4
Winter 1987-88
Zen and the Art of Self-Negation in
Samuel Beckett’s Not I
view abstract 		Kyle Gillette Volume 46, Issue 3
Fall 2012
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Beggars' Bush    
A Newly Discovered Musical Setting From
Fletcher's Beggars' Bush 		John P. Cutts Volume 5, Issue 2
Summer 1971
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Behn, Aphra    
Anti-Colonist Discourse, Tragicomedy,
and the "American" Behn
read first paragraph


Adam R. Beach Volume 38, Issue 2,3
Summer/Fall 2004
Aphra Behn’s The City Heiress: Feminism
and the Dynamics of Popular Success on the
Late Seventeenth-Century Stage
view 1st paragraph


 Robert Markley  Volume 41, Issue 2
Summer 2007 
The Politics of Adapting Behn's Oroonoko
read first paragraph 		Anne F. Widmayer Volume 37, Issue 2
Summer 2003
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The Belle's Stratagem    
Theatricality and Cosmopolitanism in
Hannah Cowley's The Belle's Stratagem
read first paragraph
Elizabeth Kowaleski Wallace Volume 35, Issue 3,4
Fall/Winter 2001-02 
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Benjamin, Walter    
Comedia and Trauerspiel: On Benjamin
and Calderón		 Anthony J. Cascardi Volume 16, Issue 1
Spring 1982
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Bergman, Ingmar    
"Daddy Spoke to Me!": Gods Lost and
Found in Long Day's Journey Into
Night and Through a Glass Darkly


Thomas P. Adler Volume 20, Issue 4
Winter 1986-87
The Virgin Spring and The Seventh Seal:
A Girardian Reading
 William Mishler Volume 30, Issue 1
Spring 1996
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Bernhard, Thomas    
Sights Unseen: Withholding Information
in the Plays of Thomas Bernhard
view abstract

 William E. Gruber  Volume 36, Issue 1,2
Spring/Summer 2002
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Beunans Meriasek    
The Middle-Cornish Play
Beunans Meriasek 		Robert T. Meyer Volume 3, Issue 1
Spring 1969
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Biblical Drama    
The Bible in English Renaissance
Civic Pageants 		David M. Bergeron Volume 20, Issue 2
Summer 1986
A Little-Known Fragment of a Dutch
Abraham-and-Sarah Play 		Mary-Jo Arn Volume 17, Issue 4
Winter 1983-84
Narrative Bible Cycles in Medieval
Art and Drama		 Patrick J. Collins Volume 9, Issue 2
Summer 1975
The Song of Songs as a Drama in the
Commentators from Origen to the
Twentieth Century

Joseph R. Jones Volume 17, Issue 1
Spring 1983
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The Birth of Tragedy    
The Five Voices of
The Birth of Tragedy 		Michael Hinden Volume 22, Issue 2
Summer 1988
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Blackface    
The Bride Wielded a Razor: Images of
Women on the Blackface Stage of
James McIntyre and Thomas Heath
view abstract

 Leslie Pasternack Volume 40, Issue 4
Winter 2006-07
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The Blacks    
Genet's The Blacks and The Screens:
Dialectic of Refusal and Revolutionary
Consciousness 		W. F. Sohlich Volume 10, Issue 3
Fall 1976
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Blasted    
"In Better Places": Space, Identity, and
Alienation in Sarah Kane's Blasted
read first paragraph


 Christopher Wixson Volume 39, Issue 1
Spring 2005
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Boito, Arrigo    
False Fidelity: Othello, Otello,
and Their Critics

 James Aldrich-Moodie Volume 28, Issue 3
Fall 1994
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Bond, Edward    
Edward Bond's Lear Leslie Smith Volume 13, Issue 1
Spring 1979
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Bonduca    
Fletcher's Satire of Caratach in Bonduca Ronald J. Boling  Volume 33, Issue 3
Fall 1999
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Brandes, Georg    
Nietzsche, Georg Brandes, and Ibsen's
Master Builder 		Michael W. Kaufman Volume 6, Issue 3
Fall 1972
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Brant, Sebastian    
Jonson and the Emblematic Tradition:
Ralegh, Brant, the Poems,
The Alchemist, and Volpone

Robert C. Evans Volume 29, Issue 1
Spiring 1995
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Brecht, Bertolt    
All in the Family: Mother Courage
and the Ideology in the Gestus


 Claire Gleitman Volume 25, Issue 2
Summer 1991
Bertolt Brecht and George Farquhar's
The Recruiting Officer 		Albert Wertheim Volume 7, Issue 3
Fall 1973
Brecht and Witkeiwicz: Two Concepts of
Revolution		 Andrzej Wirth Volume 3, Issue 3
Fall 1969
Brecht on Shakespeare: A Revaluation


 Doc Rossi Volume 30, Issue 2
Summer 1996

Brecht's Alienated Actor in
Beckett's Theater 		Enoch Brater Volume 9, Issue 3
Fall 1975
Brecht's Concept of Character Walter H. Sokel Volume 5, Issue 3
Fall 1971
Dances with Brecht: Huang Zuolin and
His Xieyi Theater		 Ronnie Bai Volume 33, Issue 3
Fall 1999

Dances with Mei Lanfang: Brecht
and the Alienation Effect


 Ronnie Bai Volume 32, Issue 3
Fall 1998
Drama, Politics, and the Hero:
Coriolanus, Brecht, and Grass 		Martin Scofield Volume 24, Issue 4
Winter 1990-91
Hamlet and The Life of Galileo


 Doc Rossi Volume 32, Issue 4
Winter 1998-99
Joan of Arc Internationale: Shaw,
Brecht, and the Law of Nations
view abstract

 Julie Stone Peters Volume 38, Issue 4
Winter 2004-05
"Non-Aristotelian" Theater: Brecht's and
Plato's Theories of Artistic Imitation 		William E. Gruber Volume 21, Issue 3
Fall 1987
Sartre on Brecht: The Dialectics
of Revolutionary Theatre 		Farris Anderson Volume 3, Issue 4
Winter 1969-70
Shakespeare and Brecht: The Perils and
Pleasures of Inheritance 		John Rouse Volume 17, Issue 3
Fall 1983
The Shape of Brecht's Duchess of Malfi M. S. Barranger Volume 12, Issue 1
Spring 1978
Silencing Violence: Repetition and Revolution
in Mother Courage and Her Children
view abstract


 Robert Vork Volume 47.1
Spring 2013
Some Analogies Between the Epic Brecht
and the Absurdist Beckett 		Charles R. Lyons Volume 1, Issue 4
Winter 1967-68
Three Times Godot:
Beckett, Brecht, Bulatovic


Clas Zilliacus Volume 4, Issue 1
Spring 1970
Visible Words: The York Plays,
Brecht, and Gestic Writing


Garrett P. J. Epp Volume 24, Issue 4
Winter 1990-91
Warren Hastings in the Drama of Lion
Feuchtwanger and Bertolt Brecht:
Contexts and Connections

 T. H. Bowyer Volume 31, Issue 3
Fall 1997
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Brenton, Howard    
“I just die for some authority!: Barriers
to Utopia in Howard Brenton’s Greenland
view abstract		 Siân Adiseshiah Volume 46, Issue 1
Spring 2012
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Brome, Richard    
The Anonymous Masque-like Entertainment
in Egerton MS. 1994, and Richard Brome		 John Cutts Volume 1, Issue 4
Winter 1967-68
A “Birthright into a New World”:
Representing the Town on Brome’s Stage
view abstract		 Denys Van Renen Volume 45, Issue 2
Summer 2011
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Brooks, Peter    
Prolegomenon for a Theory of Drama
Reception: Peter Brook's Measure for
Measure and the Emergent Bourgeoisie		 Wolfgang Sohlich Volume 18, Issue 1
Spring 1984
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Brown, William Wells    
"Look on this picture, and on this":
Framing Shakespeare in William Wells
Brown's The Escape
read first paragraph
 Keith M. Botelho Volume 39, Issue 2
Summer 2005 
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Büchner, George    
Danton's Death and the Conventions of
Historical Drama 		Herbert Lindenberger Volume 3, Issue 2
Summer 1969
Woyzeck and Othello: The Dimensions
of Melodrama 		Terry Otten Volume 12, Issue 2
Summer 1978
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Buddha    
Buddha, Kazantzakis' Most Ambitious
and Most Neglected Play 		Peter Bien Volume 11, Issue 3
Fall 1977
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Bulatovic, Miodrag    
Three Times Godot:
Beckett, Brecht, Bulatovic 		Clas Zilliacus Volume 4, Issue 1
Spring 1970
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Bullock, Christopher    
Shakespeare, Molly House Culture,
and the Eighteenth-Century Stage
view abstract

Charles Conaway Volume 38, Issue 4
Winter 2004-05
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Burkhardt, Sigurd    
The Evolution of Shakespearean
Metadrama: Abel, Burkhardt,
and Calderwood

 Richard Fly Volume 20, Issue 2
Summer 1986
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Byron, Lord    
Byron and the Drama of Temptation Mervyn Nicholson Volume 25, Issue 4
Winter 1991-92
Byron's "Mental Theatre" and the
German Classical Precedent 		Frederick W. Shilstone Volume 10, Issue 3
Fall 1976
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Byzantine Drama    
The Christos Paschon and the
Byzantine Theater 		Sandro Sticca Volume 8, Issue 1
Spring 1974
Liturgical Drama in Byzantine Literature Theodore Bagdanos Volume 10, Issue 3
Fall 1976
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By the Bog of Cats …    
Talking with Ghosts of Irish Playwrights
Past: Marina Carr's By the Bog of Cats…
view abstract 		Richard Russell Volume 40, Issue 2
Summer 2006

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